Virtual Memories Show 396:
Keith Knight

“There have been plenty of woke moments throughout my life, but the police incident in San Francisco made me double and triple down the work I did about it.”

To celebrate the launch of WOKE, his fantastic new comedy series on Hulu, Keith Knight rejoins the show! A lot has gone on since our 2015 conversation, so we get into how the country has changed, how his slideshows about police brutality and racial illiteracy are more in demand than ever (pandemic notwithstanding), and the reasons behind the surge in approval for BLM. We talk about how WOKE came together, the choice of Lamorne Morris to play Keef, why he wanted to be involved in producing WOKE, rather than selling the idea & walking off, what it was like to work in a collaborative environment after years as a solo artist, how different TV writing is than comics, the fun in casting the voices of the objects that come to life in the show, and how closely the lead character’s woke experience parallels his own. We also discuss his drive to keep making comics, the good fortune of finishing shooting the series right before the pandemic shut everything down, and why he sure wishes he & his family could have gotten out of NC for a few weeks this summer for their annual Schwarzwald trip to see the in-laws. Give it a listen! And go watch WOKE on Hulu!

“We figured out a fine line of talking about serious issues but using humor and magical realism.”

“TV is a big learning curve, but it’s not rocket science. I had to remind myself when I got too stressed, ‘We’re just making television.'”

“As horrible this pandemic is, it’s revealed how untenable capitalism-over-everything society is. If you don’t ensure that everybody is doing okay, then that’s when you have problems.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Keith Knight is an award-winning cartoonist whose “Knight Life Chronicles,” and “(th)ink” strips ran for more than a decade in such newspapers as the Washington Post, the San Francisco Chronicle and the Boston Herald. His funny yet hard-hitting cartoons fuel a comic strip slideshow he tours on America’s racial illiteracy called Red, White, Black and Blue. Combining cartoons, storytelling, historical facts, and humor, the slideshow scored him a Belle Foundation grant and a NAACP History Maker award. Knight is also the illustrator of the critically acclaimed tween book, Jake the Fake Keeps It Real. He will beat you at pinball.

Follow Keith on Twitter and Instagram, and show him some support on Patreon

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Keith by someone else. It’s on my instagram.

kkdriadeVirtual Memories Show #149:
Keith Knight

“The talk about race in America hinges on how comfortable white people are with it. Because once white people are too uncomfortable, they’ll either say you’re pulling the race card, or just say, ‘Enough.'”

slipperyrockkeithknightWe kick off 2016 with gentleman cartoonist Keith Knight! Keith & I met up at a cafe in Chapel Hill to talk about comics, race, fixing the Star Wars prequels, his career as a Michael Jackson impersonator, the literature course that made him a political artist, his campus lecture tour on race relations, the importance of crowdfunding, the reasons he continues with a daily comic strip (and two more strips), why you never see black people on Antiques Roadshow, the songs that will turn any party out (excluding tracks by MJ and Prince), the case for Off The Wall over Thriller, whether it’s an honor or a disgrace to be the first non-white guest on this podcast in two years, and more! Give it a listen! (the conversation starts at the 7:30 mark)

“The comics industry needs to catch up to its audience, because the creative side is not as diverse is not as diverse as their readers.”

BONUS: I launch a Patreon for the Virtual Memories Show! You get to hear me talk about all the neat stuff I’m planning for the show if we get enough support from listeners like you!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Keith Knight is many things to many people–rapper, social activist, father and educator among them. He’s also one of the funniest and most highly regarded cartoonists in America, and the creator of three popular comic strips: the Knight Life, (th)ink, and the K Chronicles. For nearly two decades, this multi-award-winning artist has brought the funny back to the funny pages with a uniquely personal style that’s a cross between Calvin & Hobbes, MAD, and underground comix. Keith Knight is part of a generation of African-American artists who were raised on hip-hop, and infuse their work with urgency, edge, humor, satire, politics and race. His art has appeared in various publications worldwide, including the Washington Post, Daily KOS, San Francisco Chronicle,, Ebony, ESPN the Magazine, L.A. Weekly, MAD Magazine, and the Funny Times. His comic musings on race have garnered accolades and stirred controversies, prompting CNN to tap him to grade America on its progress concerning issues of race. Follow him on Twitter and support his work on Patreon.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Caffe Driade in Chapel Hill on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. “Yellow scarf” photo of Mr. Knight by me, no credit for the photo of him with a marker.