It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2019’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2020! More than two dozen responded with a dizzying array of books. (I participated, too!) The Virtual Memories Show offers up a huge list of books that you’re going to want to read in the new year! Give it a listen, and get ready to update your wish lists!
This year’s Guest List episode features selections from 25 of our recent guests (and one upcoming guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.
Chris Reynolds’ question included a couple of links, so here’s what he wrote: I’ve been carrying on with “Comics as Radio”, influenced by the KCRW Organist podcast. My friend Alan Jackson did a performance of my Comics as Radio story “Sexton Blake and the 64th Floor” at the Train of Thought Gallery in Worthing, and we discuss it here with John Parke, whose idea it was. So my question is: What do you think of ‘Comics as Radio’?
Pre-order Dean Haspiel’s forthcoming collection of The Red Hook: WAR CRY, from Image Comics (comes out Oct. 9)
BONUS: I’ve got a belated answer to Maria Alexander’s question, “What’s the spookiest thing that’s ever happened to you?” In high school, my English teacher was driving me and another classmate to a creative writing conference in New Brunswick. Somehow, the topic of birthdays came up and — swear to the Unifactor — it turned out that all three of us had the same birthday. I know that’s not ghost-possessed ventriloquist spooky, but it’s still spooky, so I’m going with that one.
SECOND BONUS: When I talked about the movie Magic during the episode, I meant Anthony Hopkins, not Anthony Perkins. If that’s the only mistake I made during the show, I’ll be amazed.
“I was always attracted to dark writing. I grew up in a kind of gothic house, and there was always good stuff on the shelves.”
Writer, teacher, and activist Kate Maruyama joins the show from Readercon 2019! We talk about her first novel, Harrowgate (47North), which managed to make new motherhood and domesticity even creepier than the ghost story that overlays it. We get into how her husband and kids reacted to that book (it’s about a woman who dies in childbirth), and when she got around to reading the work of her late mother, Kit Reed. We also talk about how she spent 20 years in Los Angeles before stumbling across its literary scene, and how she’s making up for lost time by promoting that diverse writing community. Along the way, we discuss the differences between screenwriting vs prose writing, how she teaches students to avoid using archetypes that demean an entire population (and why Baby Driver turns out to be a woke crime movie), the authors her parents hosted at Wesleyan University during her childhood and the embarrassing question she asked Ralph Ellison, the social justice mission of Antioch College, how she taught creative writing in South Central LA and what her students taught her, and why the fast-fail model of screenplay sales has a lot to recommend it. Give it a listen! And go buy Harrowgate!
“I used to subscribe to the belief in talent as this innate thing, as opposed to practice, something you could learn.”
“I adore the screenplay format because if you really work at it every day, you can write a really good one in six to eight weeks. On the other hand, your agent goes out with it and it dies within a week.”
“I know I teach a lot of writing, but I feel like often I’m rehabilitating people who were damaged by people who stopped them from writing.”
Kate Maruyama’s novel Harrowgate was published in 2013 by 47North. Her short work has appeared in Stoneboat, Arcadia Magazine, Controlled Burn, Salon, and The Rumpus, among other online journals, as well as in two anthologies. She teaches at Antioch University Los Angeles in their MFA and BA programs, as well as Writing Workshops Los Angeles. She co-founded and edits the literary website, Annotation Nation, and has served as a juror for The Bram Stoker Awards and for the Shirley Jackson Awards. Kate writes, teaches, cooks, and eats in Los Angeles, where she lives with her family. She’s on Twitter and Instagram as katemaruyama.