Writer Jonathan Baylis joins the show (in person!) to celebrate the latest issue of his autobio comics series, So Buttons (Tinto Press/Alchemy Comix). We talk about how he found a home in the Pekar mode, writing scripts for cartoonists to draw, and how he went all-Harvey for a strip with Noah Van Sciver. We get into his comics upbringing and his work experiences at a variety of comic companies, how his time at NYU film school informed his storytelling style, the artists he’s hoping to work with, and how his body of work has revealed meta-themes about his stories. We also discuss being a subject in his wife’s monologues (she’s comedian Ophira Eisenberg), our reminiscences of Tom Spurgeon, working with his cartooning idols, our weirdest Tarantino-moments, and more! Give it a listen! And go read the latest So Buttons!
About our Guest
Before Jonathan Baylis wrote autobio comics, he interned at Marvel Comics, Valiant/Acclaim Comics, and was an Associate Editor at Topps Comics. His comics have been published locally in New York City, in literary anthologies like The Florida Review, Backwards City Review, and Wild River Review, and in comics anthologies such as I Saw You: Missed Connections, Side B: The Music Lovers Anthology, Fluke, Hive, Aftershock and Digestate. He has collected most of his stories into the self-published So Buttons series, of which there are 11 issues, a compilation, and a holiday special in print. He also works as a creative video writer-producer-editor, and lives with his wife & son in Brooklyn.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at an apartment near Jonathan’s on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Jonathan by me. It’s on my instagram.