Virtual Memories Show 420:
John Porcellino

“I’m very content with my little corner of the world. I started this ‘zine when I was 20 years old, it’s become my life’s work, it’s allowed me to meet and interact with the most amazing people on the planet, it’s allowed me to share my thoughts and experiences with people, and that’s pretty great.”

With Drawn & Quarterly publishing new editions of King-Cat Classix, Map of My Heart, and Perfect Example, what better time for John Porcellino to return to the podcast? We talk about how King-Cat Comics & Stories has evolved over the ~30 years (!) he’s been making it, how the refinement of his art and storytelling mirrors the battle of intuition vs. OCD, and how his newest comics (even those written before 2020) reflect life during the pandemic. We get into how Buddhism has helped him cope with life and aging, his lurking concern that he has an expiration date, what he wants to accomplish before then, and what it means to publish issue #80 and to look at reaching #100. We also discuss the joyfully awful band Flipper and what it’s like being Flipper for aspiring storytellers, the example Lynda Barry set for him, the influence John has had on my stories in recent years, his joy at seeing his name drawn by Robert Crumb, and why his new dog Arlo is A Good Boy even when he barks during podcasts. Give it a listen! And go read King-Cat Classix, Map of My Heart, Perfect Example, and the latest King-Cat!

“There are two different things that happen to us in life. I think it’s a little harder to face the long, slow decline. From a Buddhist perspective, all life is change, and one of the major sources of suffering is trying to hold onto things.”

“OCD is a disease of doubt. It casts doubt on everything in life. It became tricky to separate the artistic process of making comics with this mental illness.”

“In the last 3-4 issues, I’ve gotten to the point where the spontaneity is present again, but I’ve got it on the fishing line, more conscious control over what I’m doing.”

“Crumb drew my name for a cover of Mineshaft, and I had this moments of, ‘I guess I can die happy now, because Robert Crumb took a pen to paper and inscribed my name on a piece of art.'”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

John Porcellino was born in Chicago, IL, in 1968. He wrote and photocopied his first zine in 1982, at the age of fourteen. In 1989, Porcellino began writing his celebrated King-Cat mini-comic series, which has been ongoing for more than thirty years, winning acclaim from Time, Entertainment Weekly, USA Today, Punk Planet, and the Globe & Mail. His work in King-Cat has been translated into French, German, Italian, Spanish, and Swedish.

He is the author of Diary of a Mosquito Abatement Man, King-Cat Classix, Map of My Heart, Perfect Example, Thoreau at Walden, and The Hospital Suite. He lives in Beloit, WI, with his wife and two cats and two dogs, and continues to produce new issues of King-Cat on a regular basis.

Follow John on Twitter and Instagram, and support his work via Patreon and listen to our 2014 podcast.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of John & Arlo by him. It’s on my instagram.

John Porcellino on The Virtual Memories Show

Season 4 Episode 39
John Porcellino:
35 Cents & a Stamp

“I managed to go 43 issues before I hit the paralyzing grip of self-doubt and self-consciousness [from realizing that I had an audience]. I feel lucky that I had all those years to write comics in essentially a vacuum. I can’t imagine what it would be like to be 20 years old and trying to write comics in this world with the internet’s immediate response.”

John Porcellino has been publishing his King-Cat Comics & Stories mini-comics for 25 years, but I managed not to check them out until last month. BIG mistake on my part! Turns out the critics were right; John P.’s one of the best autobio cartoonists out there, as well as “a master at miniature poignance” (Entertainment Weekly). We sat down at SPX 2014 to talk about publishing his new work, The Hospital Suite, as a standalone book and developing the skill and courage to tackle longer stories, his disdain for “the culture of like”, overcoming the shame and stigma of his OCD, the process of discovering an audience for his work, the pitfalls of autobiographical comics, discovering the power of negative space, turning his life into a narrative, how comics enabled him to communicate with people, and, most importantly, being an NFL bigamist. Give it a listen!

“If things didn’t get better, I was going to be the guy wandering down an alley in my underwear with tinfoil wrapped around my arms.”

Bonus: Roger Langridge gives us a few minutes at SPX to talk about his new book, Jim Henson’s The Musical Monsters of Turkey Hollow!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

John Porcellino was born in Chicago in 1968, and began drawing and writing at an early age, compiling his work into handmade booklets. His acclaimed self-published zine, King-Cat Comics and Stories, begun in 1989, has found a devoted worldwide audience and is one of the most influential comics of the past 25 years. His newest book is The Hospital Suite, and he is the subject of a new documentary, Root Hog or Die. His work has been collected in several editions, including King-Cat Classix, Map of My Heart, Perfect Example, and Diary of a Mosquito Abatement Man. He is also the author of Thoreau at Walden and The Next Day: A Graphic Novella.

Credits: This episode’s music is Theater is the Life of You by The Minutement (John’s a fan). The conversation was recorded at the Bethesda North Marriott Hotel on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Porcellino by me.