Virtual Memories Show 316:
Michael Carroll

“I think I became a writer because my father never wanted to get out of the car.”

The Village People tell us that Key West is the key to happiness, but is it also the key to a literary legacy? Michael Carroll joins the show to talk about his new collection, Stella Maris: And Other Key West Stories (Turtle Point Press), and the role Key West has played in his life. We get into the pros and cons of being married to a literary titan (Edmund White, in this case) and how they’re portrayed in each other’s work, the value of short stories in the short attention span era (and his lament that young gay men don’t read), growing up Southern Baptist and gay, whether his upbringing in Jacksonville means he is Florida Man (and whether Florida is The South or South-Ish), why he avoids hookup apps, the influence of Joy Williams on his writing and the sustenance he gets from Lana Del Rey, and how writing about gay sex helps him vent his political rage. Give it a listen! And go buy Stella Maris: And Other Key West Stories!

“This book is a way to save Key West in my life and in my mind.”

“I used to torture myself over a paragraph or two a day. Then I realized that if I’m not enjoying the writing, you’re not going to enjoy the reading.”

TUNEIN

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Michael Carroll’s debut story collection, Little Reef and Other Stories, won the Sue Kaufman Prize for First Fiction from American Academy of Arts and Letters and was shortlisted for the Lambda Literary Award for Gay Fiction and the Publishing Triangle Award. His work has appeared in Ontario Review, Boulevard, The Yale Review, Southwest Review, Open City, and The New Penguin Book of Gay Short Stories. Originally from Jacksonville, Florida, he is married to writer Edmund White and lives in New York City. His new book is Stella Maris: And Other Key West Stories, from Turtle Point Press.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Michael’s home on a Zoom H2n digital recorder (I got too much fuzz on the H5 so I went with the backup). I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Michael and of Edmund White by me. It’s on my instagram.

Virtual Memories Show 304:
Edmund White

“Queerness has become less arty, less intellectual, less cultural, more physical, more gym-oriented, more commercial. Lady Gaga instead of Maria Callas.”

Novelist, memoirist, essayist and queer literary icon Edmund White joins the show to talk about his new memoir, The Unpunished Vice: A Life of Reading (Bloomsbury USA)! We get into how his implied reader has changed identities over the years, the differences between writing memoir, autofiction and imaginative fiction, the boom and bust of the “gay fiction” bookstore category, the challenges of his massive biography of Genet and how he navigated about French attitudes toward gossip, and having the gay version of a shotgun wedding. We also get into his HIV diagnosis in 1985, outliving what he thought was a two-year death sentence, and being crazy enough to take on a long-term writing project in the midst of it. In between, we get to his status as a blurb-slut, what it’s like for him to write on a computer for the first time, the pressure to write for a gay audience and how The Flaneur opened him up to a very different reader, and more! Give it a listen! And go buy The Unpunished Vice: A Life of Reading!

“I hate the term ‘creative nonfiction,’ which always sounds to me like, you know, lying.”

“I felt my Genet biography was political. I wanted to remind people that gays had a history before AIDS and that it didn’t just involve disease.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Edmund White is the author of many novels, including A Boy’s Own Story: A Novel, The Beautiful Room Is Empty, The Farewell Symphony, and Our Young Man. His nonfiction includes City Boy, Inside a Pearl, and other memoirs; The Flaneur, about Paris; and literary biographies and essays, including Genet: A Biography and Marcel Proust: A Life. He was named winner of the 2018 PEN/Saul Bellow Award for Achievement in American Fiction. He lives in New York. His most recent book is The Unpunished Vice: A Life of Reading.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mr. White’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. White by me. It’s on my instagram.