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Virtual Memories Show:
Walter Kirn – The Confidence Man

“He could not imagine what went on in other people’s hearts and minds any more than you and I could imagine what it’s like to live on Jupiter.”

Author and journalist Walter Kirn joins the show to discuss his latest book, Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade (Liveright Press), which chronicles his relationship with con artist/sociopath “Clark Rockefeller”. We talk about how Clark hacked the social software, how attending Princeton and Oxford prepared Walt to be fooled by Clark’s lies, why he thinks Clark was actually a progenitor of the social media age, whether writing his best book was worth losing his faith in humanity, what it felt like to be the Nick Carraway to Rockefeller’s Gatsby, and more! Give it a listen!

“One thing I learned is that I might never have found out about Clark’s lies if he hadn’t made a mistake.”

16481866937_cfb3fbe682_zWe also talk about the three things that are most often smuggled into California prisons, what (if anything) can be done to pre-empt sociopaths, the experience of getting trolled by a convicted murderer, the advice he gleaned from Joan Didion before starting up his Great American Novel, what he thinks of New York under DeBlasio, what brought him to Montana and what keeps him there, and where the name “Virtual Memories” comes from!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Walter Kirn is the author of eight books and an e-book. His most recent is Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade, a memoir of his friendship with the con artist and murderer, Clark Rockefeller. His other books include Up in the Air, Thumbsucker (both of which have been made in to feature films), Mission to America, My Mother’s Bible (e-book), The Unbinding, She Needed Me, My Hard Bargain, and Lost in the Meritocracy. His work has appeared in The New Yorker, The New York Times Magazine, The New York Times Book Review, The New Republic, GQ, New York, and Esquire, among other publications.

Credits: This episode’s music is The Secret Silken World by David Baerwald. The conversation was recorded at Mr. Kirn’s apartment on a Zoom H2n digital recorder, because the XLR cables I bought from Monoprice turned out to be crap. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Mr. Kirn by me.

Virtual Memories Show:
Anthea Bell – From Asterix to Zweig

“There were a lot of books in the school library, and they weren’t in English, and I was mad keen to get at them.”

Renowned literary translator Anthea Bell joins the show to talk about getting her start in foreign languages, the schisms in the world of literary translation, the most challenging authors she’s worked on, the one language she’d love to learn, translating everything from Asterix to Zweig, and more! Give it a listen!

“Heinrich Heine goes into English with almost suspicious ease, but Goethe is very, very difficult.”

Anthea Bell on The Virtual Memories Show
We also talk about where she thinks WG Sebald’s fiction would have gone had he not died so early, why Asterix has never gotten over in America, the one word that’s the bane of her existence for U.S./UK split editions, her worries for the future of translation, her family’s history during the War, and her theory for why Asterix’s druid-pal should keep the name “Getafix”!

“If we had to have the Romantic period — and I do say we did, although I like the Enlightenment a lot better — I say the Germans did it better than anyone.”

We talk about a ton of books in this episode, so here’s a handy guide!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Anthea Bell is a freelance translator from German and French. Her translations include works of non-fiction; modern literary and popular fiction; books for young people including the Asterix the Gaul strip cartoon series; and classics by E.T.A. Hoffmann, Freud, Kafka and Stefan Zweig. She has won several translation awards.

Credits: This episode’s music is Where Are We Now? by David Bowie. The conversation was recorded at Ms. Bell’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Ms. Bell by me.

YASMINA REZA (2010)Virtual Memories Show:
Yasmina Reza – Silence in Translation

“When you write a novel with a classical structure, you’re writing horizontally. [In Happy Are The Happy, I can] speak as a character, and the character is also somewhere in the spirit of another. It allows you to see the characters in many ways that naturalism would not allow.”

Playwright and author Yasmina Reza joins the show to talk about her new book, Happy are the Happy (Other Press). We also discuss the confluence and divergence of love and happiness, her surprise when “Art” was produced in Iran and Afghanistan, the appeal of Sarkozy as a literary character, her love of The Wire, and why she let James Gandolfini transpose The God of Carnage from Paris to Brooklyn. We also get to talking about writing a novel like a constellation, being unapologetic for writing intelligent plays that are accessible, the playwrights in her theater pantheon, and why she’s French first, Jewish second, and nothing third. Give it a listen!

“A play is good if it can be seen in different cultures, in different languages, different actors. That’s the strength of a play. Just to be played in Paris would have been for me a kind of failure.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Yasmina Reza is a playwright and novelist whose works have been translated into more than 30 languages and include Art and God of Carnage, both winners of the Tony Award for Best Play. The film adaptation of the latter, Carnage, was directed by Roman Polanski in 2011. She has written six books, including Dawn Dusk or Night: A Year with Nicolas Sarkozy (Knopf, 2008). Her newest book is Happy are the Happy. She lives in Paris.

Credits: This episode’s music is The Paris Match by Style Council. The conversation was recorded on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Ms. Reza by Pascal Victor.

ronhoganVirtual Memories Show:
Ron Hogan & Josh Alan Friedman – It Came From Gen X!

“You grow up imagining all these writers live in mansions and have their private, elegant writing rooms. But the working reality for most writers is not that different from the working reality for working class to middle class people.”

Editor, book-blogger and podcaster Ron Hogan joins the show to talk about his 20-year history with the literary internet, launching Beatrice.com, interviewing his favorite writers, podcasting Life Stories, taking the wrong lessons from the work of Harlan Ellison, defending Hudson Hawk, retaining his inner fanboy, discovering romance fiction, overcoming gender/race imbalances in publishing (and podcasting), using Foucault as cover for being a pugnacious asshole, getting to meet James Ellroy, Norman Mailer, Gore Vidal, and Cornel West, and generally trying to overthrow the hegemony. Give it a listen!

“We severely underestimated the ability of corporate media to assimilate challenges to it.”

IMG_1689But first, Josh Alan Friedman offers us his reminiscences and reflections on the great Joe Franklin, who passed away last weekend at the age of 88. Josh wrote a wonderful piece on Joe in 2012, so I called him down in Texas and invited him to tell us about this legendary celebrity fixture of New York. (That’s “Handsome Dick” Manitoba” with Joe in March 2014.) (Oh, and check out our first Josh Alan Friedman episode over here!)

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Ron Hogan helped create the literary Internet by launching Beatrice.com in 1995. He is currently an editor at Regan Arts, acquiring both fiction and nonfiction titles. He maintains an active presence in New York City’s literary scene, hosting and curating events such as Lady Jane’s Salon, the first monthly reading series dedicated to romance fiction. (Previously, he curated a series of conversations between authors and bloggers at Brooklyn’s Greenlight Bookstore.)

He was a columnist at Shelf Awareness, and has written book reviews and feature stories for publications like Tor.com, the Dallas Morning News, Buzzfeed and The Daily Beast. He spent several years writing about the business side of publishing as a senior editor for GalleyCat, then briefly worked with Houghton Mifflin Harcourt as their director of e-marketing strategy. He speaks frequently at book festivals and publishing conferences about how to make the best use of social networking tools, advances in digital publishing, and other transformative trends in the publishing industry.

Credits: This episode’s music is Here and Now by Letters to Cleo, on account of all the Gen X references we made. The conversation was recorded on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Hogan by me. Photo of Joe Franklin & “Handsome Dick” Manitoba by me.

levismallVirtual Memories Show:
Levi Stahl – Simple Tricks and Nonsense

“The biggest thing I learned editing The Getaway Car is that a working writer’s work is never done.”

Let’s kick off 2015 with a podcast about one of the 20th century’s great America writers, Donald Westlake! Our guest, Levi Stahl, is the editor of The Getaway Car: A Donald Westlake Nonfiction Miscellany (University of Chicago Press). We talk about his history with Westlake’s crime novels, why Parker is Westlake’s greatest achievement, why the author wrote under so many pseudonyms, what it was like to be a working writer and how that concept may not exist nowadays, and what Westlake project he’d love to bring into print.

We also talk about Levi’s day job as publicity manager for U of Chicago Press, his advice for people looking to get into publishing, why he loves twitter, how the internet has helped and hurt book criticism, what makes him put a book down, what he’s learned about book marketing over the years, his favorite menswear store in NYC, how he can support both the St. Louis Cardinals and the Chicago Cubs, and more! Give it a listen!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Levi Stahl is the publicity manager for the University of Chicago Press. He has served as the poetry editor for the Quarterly Conversation, and has written for the Poetry Foundation, the Chicago Reader, the Second Pass, the Bloomsbury Review, the Front Table, the New-York Ghost, the New York Moon, and McSweeneys Internet Tendency. He tweets at @levistahl

Credits: This episode’s music is Life of Crime by The Triffids. The conversation was recorded on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of Mr. Stahl by me.