Virtual Memories Show 367:
Whitney Matheson

“Music, film, TV, books: those are the things that tell you when you’re a kid that there’s a world out there.”

It’s the end of the world as we know it, and we feel fine! A few weeks before the COVID-19 lockdowns began, pop culture writer and REM maniac Whitney Matheson joined the show to talk about how she managed to blaze her own journalistic trail by writing about the music, movies, TV and books that she loved. We get into how pop culture writing and blogging have changed since she launched Pop Candy at USA Today in 1999, why she left NYC and why she had to come back, the importance of having great content on her Patreon, what it’s like being defined by work in her early 20s, how a post about a KFC sandwich remains her most-read piece, and how she has to do triage to figure out what to keep up with. We also get into her upcoming kid’s book about the Loch Ness monster, her most recent celebrity freakout, how she taught interviewing skills to students who are unused to talking on the phone, the importance of having a career plan (and trying to stick to it), and how parenthood introduced her to a different world of pop. Oh, and because she’s all about lists, we find out her top three American rock bands (including REM, of course). Give it a listen! And go support Whitney via Patreon!

“I just wrote about the things that I loved, and the things that I loved happened to be very different from what was being covered in a very large, mainstream publication.”

“The comics industry has the most kindness and camaraderie of any entertainment-industry I’ve worked in.”

“I love the things that aren’t getting much attention.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Whitney Matheson is a New York-based writer best known for creating Pop Candy (1999-2014), USA Today’s award-winning pop-culture blog. She has appeared on MSNBC, VH1, BBC America, E! and Turner Classic Movies, and her work has appeared in a variety of publications, including Playboy, Mental Floss, Slate and The Hollywood Reporter. Her first children’s book, We Make Comics!, was released in May 2019. Subscribe to Whitney’s weekly pop-culture newsletter and get exclusive content like comics, short stories and more at patreon.com/whitneymatheson.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at a cartooning studio in Gowanus on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Whitney by me. It’s on my instagram. Except for the one in the Automatic For The People T-shirt. That’s probably by her.

Virtual Memories Show 364:
Stoya

“Coming from porn you deal with a small slice of human emotion: lust, arousal, maybe some basic things. It’s a lot like sketch comedy: it runs on stereotypes and tropes.”

Writer, actress and adult performer & producer Stoya joins the show to talk about her upcoming NYC theater appearance in Dean Haspiel‘s new play, The War of Woo (March 19-April 4, 2020). We get into how she’s grown as an actress, why porn is like sketch comedy, her joy in the surprises of live theater, publishing Philosophy, Pussycats & Porn, and the mental benefit of moving the decimal. We discuss her vision for her online erotic magazine, ZeroSpaces, the history of labor exploitation in adult entertainment, running a monthly Sex Lit book club, what she’s learned as the sex & relationship advice columnist at Slate, her interest in higher education and the next stage of her career, the learning curve of identifying and interacting with different segments of her audience, the unexpected obstacles to intimacy with people outside the adult industry, and why reading a novel is her favorite escape. Give it a listen! And go buy Philosophy, Pussycats & Porn!

“One of the points of privilege for entertainers is that we get to be all of our selves.”

“Porn is an American industry; of course it’s exploitive. That’s not a porn problem, it’s an American capitalism problem.”

“I’m more interested in working with the reality we have, than in writing fiction or plays.”

“There’s trouble when you don’t have a connection to history: that’s true in sex-work and it’s true when I was talking to a reporter in Macedonia.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Stoya has been a pornographer since 2006 and a writer since 2012. She was written for the New York Times, the Guardian, Playboy, and others. She has acted in a Serbian sci-fi feature, A.I. Rising, and three of Dean Haspiel‘s plays, in Brooklyn and Manhattan. She lives with two cats and a platonic domestic partner named Steve. Her first book is Philosophy, Pussycats & Porn (Not A Cult).

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Stoya’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Stoya & Pixel by me. It’s on my instagram.

Virtual Memories Show 359:
Joan Marans Dim & Antonio Masi

“Immigration is the central meaning and purpose of the Statue of Liberty.”

In a time where immigration is under attack, Joan Marans Dim and Antonio Masi demonstrate the history and importance of immigration in America with Lady Liberty: An Illustrated History of America’s Most Storied Woman (Fordham University Press). We get into what drew the writer and watercolor painter to the Statue of Liberty, how they came to their previous collaboration on the bridges of New York City, the need to put landmarks into their social, political and economic context, how Emma Lazarus’ New Colossus poem invested the statue with purpose, and how the meaning of liberty has changed in America over the centuries. We also talk about the engineering marvel of the Statue of Liberty, how it was transported from France and assembled in America, the secrets of the hard-hat tour of Ellis Island, and the ways the meaning of liberty has changed in America. But there’s also room to talk about Joan and Antonio’s differences of approach to a topic, how differently writers and painters approach a topic, how the large scale of Masi’s watercolors helps him engage with the work, the E.L. Doctorow piece that Joan turns to before starting any writing project (the intro to this), and more! Give it a listen! And go buy bridges of New York City!

“When I came over at 11, all the Statue of Liberty symbolized was that we’d arrived in America.”

“You cannot get into the rhythm of a painting when you’re sitting at a table and you’re working small and all you’re doing is moving your wrist.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guests

Antonio Masi is a world-class and award-winning artist often honored for his depictions of bridges; his magnificent paintings are exclusively featured in the book New York’s Golden Age of Bridges. Masi is also president of the American Watercolor Society. His artistry has been featured in Artist’s Magazine, PBS–Sunday Arts, NBCToday, Newsday, and many other venues. He also participated in the New York Times’s video Living City: A Tale of Two Bridges. A sought-after artistic master and scholar, he travels the world as a teacher, demonstrator, and lecturer.

Joan Marans Dim is a historian, novelist, and essayist. Her published work includes the novel Recollections of a Rotten Kid. She also co-wrote two histories—the saga of New York University, The Miracle on Washington Square, and, most recently, New York’s Golden Age of Bridges. Her essays and op-eds have appeared in the New York Times, the New York Daily News, Barron’s, Investor’s Business Daily, The Huffington Post, and many other publications. She also participated in the New York Times’s video Living City: A Tale of Two Bridges. Critics, citing the scope and depth of her work, describe her prose as laced with impressive depth, a droll wit, and an elegant narrative.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Ms. Marans Dim’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Marans Dim & Mr. Masi by me. It’s on my instagram. Paintings by Mr. Masi.

Virtual Memories Show 358:
Daniel Mendelsohn

“Achilles is a hero who is mesmerizing without being penetrable, whereas Odysseus I think I understand (perhaps hubristic to say that).”

His wondrous new collection, Ecstasy and Terror: From the Greeks to Game of Thrones (NYRB), brings a dizzying array of Daniel Mendelsohn‘s critical-essayistic-memoir pieces together. We sat down to talk about the work of the critic and the drama that makes for a great critical piece, as well as the temptation to make a name by going after easy targets, his need to criscross genres and categories with personal writing and criticism, and why his negative review of Mad Men got him more pushback than anything else he’s written. We get into his amazing 2017 memoir, An Odyssey: A Father, A Son, and an Epic, its gorgeous structure and its insight into Homer and our present day, while we try to suss out why the great Greek translators have either produced a great Iliad or a great Odyssey, but not both (he’s working on a new translation of The Odyssey). We also discuss the Marvel Cinematic Universe and the nature of contemporary mythmaking, my pet theory about the tragedy of Achilles in the Iliad, Emily Wilson’s question about Odysseus’ true homophrosyne, the role of erudition in criticism, how institutions like The New Yorker, New York Review of Books, Paris Review etc. handle succession, our love of the finale of The Americans, his one conversation with Philip Roth, and SO much more. Give it a listen! And go buy Ecstasy and Terror: From the Greeks to Game of Thrones and An Odyssey: A Father, A Son, and an Epic!

“When you start as a critic, there’s a great drive to make your mark and be noticed.”

“You need to be bothered a little bit by something, in order to want to investigate it.”

“There is no act of intimacy in the world of literature that is greater than translating.”

“Identity becomes more interesting the more multiplex it is.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Daniel Mendelsohn teaches at Bard and is Editor-at-Large at The New York Review of Books. His books include An Odyssey: A Father, A Son, and an Epic; The Lost: A Search for Six of Six Million; How Beautiful It Is And How Easily It Can Be Broken: Essays, and, from New York Review Books, Waiting for the Barbarians: Essays from the Classics to Pop Culture. His new book is Ecstasy and Terror: From the Greeks to Game of Thrones, also from NYRB.

There’s a longer version at his website.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mr. Mendelsohn’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Mendelsohn by me. It’s on my instagram.

Virtual Memories Show:
The Guest List 2019

It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2019’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2020! More than two dozen responded with a dizzying array of books. (I participated, too!) The Virtual Memories Show offers up a huge list of books that you’re going to want to read in the new year! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from 25 of our recent guests (and one upcoming guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014, 2015, 2016, 2017, and 2018 editions of The Guest List for more great book ideas!

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guests

The guests who participated in this year’s Guest List are Christopher Brown, Nina Bunjevac, Caleb Crain, Joan Marans Dim (episode coming 2020), Boris Fishman, Katelan Foisy, Mort Gerberg, Eva Hagberg, Peter Kuper, Kate Lacour, Liniers, Kate Maruyama, Edie Nadelhaft, Sylvia Nickerson, James Oseland, Dawn Raffel, Witold Rybczynski, Frank Santoro, Ersi Sotiropoulos, Karl Stevens, James Sturm, Frederic Tuten, Chris Ware, and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The episode was recorded at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of my 2019 books by me. It’s on my instagram.