Virtual Memories Show 407:
Virginia Postrel

“The history of textiles engages with the history of technology and science in interesting ways; it engages with economics and culture similarly.”

Journalist and scholar Virginia Postrel rejoins the show to celebrate her brand-new book, The Fabric of Civilization: How Textiles Made The World (Basic Books). We get into how textiles intersect with technology, culture, commerce, politics, and more, the long gestation of this book & the dress that started it all, humanity’s textile-amnesia, and Virginia’s reversal of Arthur C. Clarke’s third law of technology. We talk about the textile skills she learned (or tried to learn) in prep for the book and how she’s now the owner of several looms, the extensive travel she undertook for research, how the book wouldn’t have been possible during the pandemic, the notion of civilization as both survival technology and a cumulative process, how social technologies were just as key as physical ones to our development, and more! Give it a listen! And go read The Fabric of Civilization!

“It’s fascinating to focus on the technology and the production of textiles, but the whole reason that we do all that stuff is because we want to have cloth to use. It’s all about the consumers, ultimately.”

“In the past couple of decades, we’ve had the first truly global civilization. There were many different cultures, but a shared civilization is something new. And now it’s in danger of coming to an end after a short life.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Virginia Postrel is an award-winning journalist and independent scholar. She is a columnist for Bloomberg Opinion and has been a columnist for the Atlantic, the Wall Street Journal, and the New York Times. She is the author of the highly acclaimed The Substance of Style and The Power of Glamour. Her research is supported by the Alfred P. Sloan Foundation. She lives in Los Angeles. Her new book is The Fabric of Civilization: How Textiles Made The World, from Basic Books.

Follow Virginia on Twitter, Facebook, Instagram, YouTube, and Vimeo, and go listen to our 2013 conversation.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Virginia by Sonya Isenberg. It’s on my instagram.

Virtual Memories Show 406:
David Shields

“So much of American history has been a fairy-tale children’s history, and so much of Trump’s dealing with COVID was a Norman Vincent Peale ‘think positively and it’ll all go away.’ So much of the connection is an absence of reality hunger, not to name-check my own work.”

In 2018, essayist David Shields wrote Nobody Hates Trump More Than Trump: An Intervention (Thought Catalog). For Election Day 2020, we decided to revisit that book, how he would write it differently now, and why Trump is the Bizarro World’s Personal Essayist #1. I prompt David with the adventitious sight of a car that bore the message, “Compassion Is Another Word For Control,” and we go off to the conversational races, talking politics, the superior messaging tactics of the right-wing, concerns about far-left cultural policies, faith in radical skeptical intelligence, the absence of reality hunger vis-a-vis the history of America, why rage isn’t a primary emotion but rather a cover for fear and pain, the lessons of Howard Stern, and why “An Intervention” is not for Trump but for the American people. Give it a listen! And go read David’s books!

“I’m really interested in strength, weakness, confessionality, brokenness, and woundedness, and obviously Trump and I approach those in very different ways.”

“The conversation is not getting this guy right. In terms of the left media coverage, it’s wrong in the sense that it’s just the taxi-meter running on their moral indignation, covering Trump 90% to Biden’s 10%.”

“It’s like Antonio Porchia said: ‘Man is weak and when he makes strength his profession, he makes himself weaker.'”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

David Shields is the internationally bestselling author of twenty-two books, including Reality Hunger (recently named one of the 100 most important books of the last decade by LitHub), The Thing About Life Is That One Day You’ll Be Dead (New York Times bestseller), Black Planet (finalist for the National Book Critics Circle Award), and Other People: Takes & Mistakes (NYTBR Editors’ Choice). Nobody Hates Trump More Than Trump: An Intervention was published in 2018; The Trouble With Men: Reflections on Sex, Love, Marriage, Porn, and Power appeared in 2019. James Franco’s film adaptation of I Think You’re Totally Wrong: A Quarrel, which Shields co-wrote and co-stars in, was released in 2017 (available now on Amazon Prime, iTunes/Apple TV, Vudu, Vimeo, Kanopy, and Google Play). Shields wrote, produced, and directed Marshawn Lynch: A History, a 2019 documentary about Marshawn Lynch’s use of silence, echo, and mimicry as key tools of resistance (rave reviews in the New Yorker, Nation, and dozens of other publications; film festival awards all over the world; available now on Sundance TV/AMC, Amazon Prime, iTunes/Apple TV, Google Play, etc.). A recipient of Guggenheim and NEA fellowships and a senior contributing editor of Conjunctions, Shields has published fiction and nonfiction in the New York Times Magazine, Harper’s, Esquire, Yale Review, Salon, Slate, Tin House, A Public Space, McSweeney’s, Believer, Huffington Post, Los Angeles Review of Books, and Best American Essays. His work has been translated into two dozen languages.

Follow David on Twitter, Facebook and Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of David by someone else. Photo of us from 2019 by me. They’re on my instagram.

Virtual Memories Show 405:
Jeff Trexler

“When you think about what law has meant to comics, it isn’t just about censorship. A lot of it is about access, about personal freedom. People want to be able to express themselves, and they want their work to be out there for other people to read.”

Lawyer, ethics advisor and comics nerd Jeff Trexler joins the show to talk about his new role as Interim Executive Director of the Comic Book Legal Defense Fund. We get into his plans to help rebuild the CBLDF’s reputation and ethics code after the sexual harassment scandal of its previous director, his experiences helping people pursue their harassment claims and launching antiharassment campaigns in the fashion world, how the Fund’s role has changed over the decades, and why he’s comfortable with that interim title. We also get into his obsessions with comics and design, the broad meaning of First Amendment law (and why R Sikoryak‘s recent Constitution Illustrated should be required reading), how to learn from ethics disasters, how nonprofits can grow and how they can become sclerotic, his childhood McLuhan-inspired interpretation of the theme to the Batman TV show, how our mutual friend Tom Spurgeon was the hub of the comics industry, and what it’s been like to live without him. Give it a listen!

“One of the things that’s impressed me about the comics community is that they take law seriously.”

“People don’t trust the law when they feel the legal system is detached from them.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Jeff Trexler is a long-time member of the comics community as well as an attorney and ethics advisor. He currently serves as CBLDF’s Interim Executive Director, bringing expertise that developed through his work advising nonprofit organizations, media companies, and fashion brands.

Prior to joining CBLDF, Jeff served as Associate Director of the Fashion Law Institute, where his work on ethics issues included advising government officials on sexual harassment legal reform. He is a member of the Ethics Committee at Kering Americas and also served on the board of the Museum of Comics and Cartoon Art.

In addition to creating the Fashion Ethics course at Fordham Law School, Jeff has taught at Yale, SMU, Pace University, and Saint Louis University. He has also been part of dozens of panels at comic-cons and continuing legal education programs. He holds a J.D. from Yale Law School and a Ph.D. in American Religious History from Duke University, and he is admitted to the U.S. Supreme Court and New York bars.

Jeff’s favorite comic book sequence is from the last issue of Grant Morrison’s run of The Doom Patrol: “There is another world. There is a better world. Well . . . there must be.”

You can find Jeff’s writing on comics and the law at The Beat, TCJ.com, and, via the Wayback Machine, Blog@Newsarama.

Follow Jeff on Twitter.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Jeff by someone else. It’s on my instagram.

Virtual Memories Show 404:
Michael Shaw

“The Elements of Stress is the perfect gift for the person who HAD everything.”

Got the election / pandemic / climate change / midlife / inexplicable rash blues? Then listen to me and cartoonist & humorist Michael Shaw talk about his new book, The Elements of Stress and the Pursuit of Happy-ish in this Current Sh*tstorm (co-authored by the great Bob Eckstein, from Weekly Humorist Press)! We get into how Michael and Bob managed to mash up Strunk & White with Thurber & White to create a prose & cartoons handbook to dealing with This Whole Situation, then explore Michael’s history in cartooning and humor, how he balances that with a day job in writing and editing, his discovery that if he drew cartoons any better he’d be terrible, and why he took a hiatus from submitting gags to The New Yorker (and whether they know he’s taken said hiatus). We also get into his literary loves, the perils of listening to William S. Burroughs audiobooks on late-night commutes, how his florid-rococo style balances with Eckstein’s Hemingway-on-valium approach, the lesson he learned from Milton Glaser about One Element of Dissonance, and more! Give it a listen! And go read The Elements of Stress and the Pursuit of Happy-ish in this Current Sh*tstorm!

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Michael Shaw’s cartoons have appeared in The New Yorker since 1999 and have a habit of going viral—appearing on an ABC news special following the World Trade Tower attack and on 60 Minutes as one of New Yorker cartoon editor Bob Mankoff’s “top five favorites.” Shaw’s cartoon on Charlie Hebdo led to his appearance on Ronan Farrow Daily on MSNBC. His cartoons have appeared in The New Yorker Book of Literary Cartoons, The Complete Cartoons of The New Yorker, The Rejection Collection I and II, The New Yorker Encyclopedia of Cartoons, The Ultimate Cartoon Book series, and in The St. Louis Post-Dispatch, Harvard Business Review, Weekly Humorist, and Prospect magazine. His new book, with co-author Bob Eckstein, is The Elements of Stress and the Pursuit of Happy-ish in this Current Sh*tstorm.

Follow Michael on Twitter and Instagram and visit the Chinese sports gambling site that took over his website after he let the domain name lapse.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Michael by . . . someone else. It’s on my instagram.

Virtual Memories Show 402:
Darryl Pinckney

“The vote has to be rethought in our American hearts as a radical act, because so many people don’t want you to vote. We have to think about the vote as the center of American culture and American purpose, that cuts across lines of identity that people have drawn so vividly.”

Writer and cultural critic Darryl Pinckney joins the show to celebrate the new edition of Blackballed: The Black Vote and US Democracy (NYRB) and the paperback of Busted in New York and Other Essays (Picador). We talk about revisiting his Obama-era writings in the post-2016 world, the importance of the vote and the question of whether there’s a Black vote, or Black voters. We discuss his surprise at the persistence of makeup of the BLM protests, his place in the historical chain and the moment he felt out of touch, and his history at the New York Review of Books and its roots in the anti-Vietnam War movement. We also get into the fractured relationship between Jews and Blacks (following their close ties during the civil rights movement), the companionship of books during the pandemic, the commodification of the arts, the memoir he’s working on about Elizabeth Hardwick and 1970s NYC, and more, including an image I’ve pondered for years: Jesse Jackson’s tears the night of Obama’s election in 2008. Give it a listen! And go read Blackballed and Busted in New York!

“Our generation didn’t think we were getting older the way we saw the previous generation get older. People made the mistake of thinking their children were their friends. They’re not; they’re your judges.”

“The past is so case by case, there’s no one rule for confronting it. Because there’s no end to what you can find out.”

“We have a lot of books, most of which I’ve not read. Now that I’m aware time is running out, I’m more enchanted by the book as an object than ever. The companionship of a book at a time like this means a lot to me.”

“None of this was ever certain. That things worked out the way they did is the surprise.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Darryl Pinckney, a longtime contributor to The New York Review of Books, is the author of the novel High Cotton (winner of a Los Angeles Times Book Prize), and the works of nonfiction, Blackballed: The Black Vote and US Democracy, Out There: Mavericks of Black Literature, and Busted in New York and Other Essays. He is a recipient of the Harold D. Vursell Memorial Award for Distinguished Prose from the American Academy of Arts and Letters. He lives in New York.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Banner photo of Darryl by Dominique Pinckney; office photo by by Rich Gilligan. It’s on my instagram.