Virtual Memories Show:
The Guest List 2020

It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2020’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2021! Thirty guests responded with a a fantastic array of books. (I participated, too, in my rambling way!) The Virtual Memories Show offers up a huge list of books that you’re going to want to read in the new year! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from 30 of our 2020 guests! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded. This year, we also have a Bookshop.org page with a lot of the selections!

Also, check out the 2013, 2014, 2015, 2016, 2017, 2018, and 2019 editions of The Guest List for more great book ideas!




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About our Guests

The guests who participated in this year’s Guest List are Derf Backderf, Philip Boehm, Ruben Bolling (aka Ken Fisher), Betsy Bonner, Henri Cole, Joan Marans Dim, Emily Flake, Jonathan W. Gray, Tom Hart, Arthur Hoyle, Rian Hughes, Richard Kadrey, Ben Katchor, Kathe Koja, Tess Lewis, Ellen Lindner, Margot Mifflin, David Mikics, Otto Penzler, Woodrow Phoenix, Darryl Pinckney, Alta Price, Steve Ronin, Dmitry Samarov, Michael Shaw, Stoya, Benjamin Taylor, Jeff Trexler, John Vercher, Sheila Williams, and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The episode was recorded at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of my 2020 books by me. It’s on my instagram.

Virtual Memories Show 372:
Tom Hart

“For my next book, I’m looking for a new form. Everything feels like the old form. I’m giving myself that luxury. I don’t owe this to anybody but my own creative satisfaction.”

Cartoonist and educator Tom Hart joins the show to talk about how the Sequential Artists Workshop (SAW) is adapting to the pandemic era. We get into Tom’s comics upbringing and his formative years in the Seattle scene, how he managed to avoid superhero comics during his formative years, my discovery of his debut, Hutch Owen’s Working Hard, in 1994, the value of pretension and his drive to bring literary notions to his comics, the experience that led him to create SAW, the challenges of teaching students half his age (& younger), ow teaching his helped him as a cartoonist, the new form he’s seeking for his next book, and why he’s hoping to get out of Florida. Give it a listen!

“In my own work, I’ve removed everything in the idea-generation phase, everything that’s not about death or absolute primal urges.”

“I realized upon reflection that what I was responding to with Peanuts was the heightened emotion contained in boxes & little characters. That was my way of interpreting the adult emotional world around me.”

Enjoy the conversation! Then check out the archives for more great episodes! And visit The COVID-19 Sessions for all those daily episodes about life during the pandemic.

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Adapted from his website:

Hi, I’m Tom Hart, a cartoonist. I started The Sequential Artists Workshop , a school and arts organization in Gainesville, Florida. Before that, I taught at School of Visual Arts for 10 years, a did a bunch of other stuff.

My book about my daughter, Rosalie Lightning, was a NY Times #1 bestseller and been translated into French, Italian, Portuguese and Chinese, and was featured on many best of 2016 lists, and was nominated for two Eisner Awards.

Before that, I was the creator of the Hutch Owen series of graphic novels and books. The Collected Hutch Owen was nominated for best graphic novel in 2000. I was an early recipient of a Xeric Grant for self-publishing cartoonists, and has been on many best-of lists in The Comics Journal and other comix publications. I was called “One of the great underrated cartoonists of our time” by Eddie Campbell and “One of my favorite cartoonists of the decade” by Scott McCloud. The Hutch Owen comic strip ran for 2 years in newspapers in New York and Boston, and his “Ali’s House”, co-created with Margo Dabaie, was picked up by King Features Syndicate.

I was a core instructor at New York City’s School of Visual Arts for 10 years, teaching cartooning to undergraduates, working adults and teens alike. Among my students were Dash Shaw, Sarah Glidden, Box Brown, and other published cartoonists like Leslie Stein, Jessica Fink, Josh Bayer, Brendan Leach , and many others.

Follow Tom on Twitter and Instagram. Check out B Is Dying on Instagram. Check out SAW on Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Tom by someone else. It’s on my instagram.