Virtual Memories Show 364:
Stoya

“Coming from porn you deal with a small slice of human emotion: lust, arousal, maybe some basic things. It’s a lot like sketch comedy: it runs on stereotypes and tropes.”

Writer, actress and adult performer & producer Stoya joins the show to talk about her upcoming NYC theater appearance in Dean Haspiel‘s new play, The War of Woo (March 19-April 4, 2020). We get into how she’s grown as an actress, why porn is like sketch comedy, her joy in the surprises of live theater, publishing Philosophy, Pussycats & Porn, and the mental benefit of moving the decimal. We discuss her vision for her online erotic magazine, ZeroSpaces, the history of labor exploitation in adult entertainment, running a monthly Sex Lit book club, what she’s learned as the sex & relationship advice columnist at Slate, her interest in higher education and the next stage of her career, the learning curve of identifying and interacting with different segments of her audience, the unexpected obstacles to intimacy with people outside the adult industry, and why reading a novel is her favorite escape. Give it a listen! And go buy Philosophy, Pussycats & Porn!

“One of the points of privilege for entertainers is that we get to be all of our selves.”

“Porn is an American industry; of course it’s exploitive. That’s not a porn problem, it’s an American capitalism problem.”

“I’m more interested in working with the reality we have, than in writing fiction or plays.”

“There’s trouble when you don’t have a connection to history: that’s true in sex-work and it’s true when I was talking to a reporter in Macedonia.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Stoya has been a pornographer since 2006 and a writer since 2012. She was written for the New York Times, the Guardian, Playboy, and others. She has acted in a Serbian sci-fi feature, A.I. Rising, and three of Dean Haspiel‘s plays, in Brooklyn and Manhattan. She lives with two cats and a platonic domestic partner named Steve. Her first book is Philosophy, Pussycats & Porn (Not A Cult).

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Stoya’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Stoya & Pixel by me. It’s on my instagram.

Virtual Memories Show 264:
Dean Haspiel

“I decided at age 12 that I wanted to dedicate my life to making comics, so I became otherwise unemployable.”

Cartoonist and playwright Dean Haspiel joins the show to talk about his new play, The Last Bar At The End Of The World (running April 10-15, 2018!) and how he looks at his life & career after turning 50. We get into his New Brooklyn series of webcomics, our mutual upbringing on superhero comics, the inherent lie of being a freelancer, his father’s friendship with Marilyn Monroe, writing for theater vs. comics, his devotion to Mamet’s On Directing Film, my theory that most of Tarantino’s movies are about acting, fulfilling his youthful dream of drawing the Fantastic Four, and the validity of Jack Kirby’s (apocryphal) statement, “Comics will break your heart.” Give it a listen! And go see The Last Bar At The End Of The World!

“As much as I’ve studied film and storytelling structure, I like to throw curveballs, because I think that’s what life is: a bunch of curveballs.”

“I think a lot of auteur artists are trying to arrive at a shorthand, a signature, a calligraphy, that lets you show stories.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Emmy and Ringo award winner Dean Haspiel has created the comic characters Billy Dogma, and The Red Hook. He illustrated for HBO’s Bored To Death, is a Yaddo fellow, a playwright, and helped pioneer personal webcomics. Dino has written, drawn and collaborated on many superheroes and literary graphic novels (including The Quitter with Harvey Pekar, and The Alcoholic with Jonathan Ames) for DC/Vertigo, Marvel, Archie, IDW, Dark Horse, Heavy Metal, LINE Webtoons, and more. The Last Bar At The End Of The World is Dean’s third play, sharing a universe with his two other plays, Switch To Kill, and Harakiri Kane.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Dino’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Dino by me. It’s on my instagram.