Virtual Memories Show 319:
Katelan Foisy

“Magic is opening doors you didn’t know existed.”

Her first crush was Nosferatu, she started reading Burroughs at 12, she’s fused Roma and Santeria, and now Katelan Foisy joins the show to talk about making art, magic, and a personal mythology. We get into the course of her artistic career, the perils of a public persona, the experience of making art for Smashing Pumpkins and William Patrick Corgan (& the genesis of their friendship), understanding the tarot as storyboards, learning to paint mosaics to make the Sibyls Oraculum, the allure of old hotels, the duality of Al Capone, and why she traded the East River for Lake Michigan. Plus, the great advice she got from Molly Crabapple, forming a Third Mind with Vanessa Sinclair, her adherence to William Burroughs’ twin beliefs that you can write your way out of any problem and that photographs can change the future, and how her art tries to capture the Romany notion of the Stopping Place. Give it a listen! And go check out Katelan’s marketplace for art and magic!

“Everything I make as commercial art still plays into my personal mythology.”

“I discovered Burroughs when I was 12 or 13, and I remember thinking, ‘This doesn’t feel good, but I can’t stop.'”

“The reason I met Molly Crabapple is that we had the same idea. But she was doing it and I was just thinking it.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Katelan Foisy is a multimedia artist, occultist, and writer. Her fine art pieces have been displayed at The Worcester Art Museum, Ohio History Museum, MODA, WEAM, A&D Gallery, and Last Rights. She has graced the pages of the Grammy Award programs and the stage of Cynthia von Buhler’s immersive historical plays “Speakeasy Dollhouse” and “The Brothers Booth.” Katelan has been featured in the NY Times, Elle magazine, Paper Magazine, GQ Italy, Time Out NY, Witches & Pagans, and many others—for her work as an artist, curator and occultist. She has written for Motherboard/VICE, Electric Literature, Luna Luna, ERIS magazine, COILHOUSE and held events with Atlas Obscura and lectured at Morbid Anatomy. Her short films have been shown at Cinamatique Francaise as part of the Romani Avante Garde Film Sessions and her illustrations are featured on The Smashing Pumpkins “Shiny And Oh So Bright” Tour as well as William Patrick Corgan’s “Ogilala” tour. She is the artist for the Sibyls Oraculum with Tayannah McQuillar and the forthcoming Hoodoo Tarot. Chaos of the Third Mind, with Vanessa Sinclair, will be released in 2020 from Fulgar Ltd, UK. She’s on Instagram and Twitter as katelanfoisy. She was called a “Female Jack Kerouac” by Taylor Mead, a “Modern Day Francesca Woodman” by Cynthia von Buhler, and William Patrick Corgan has said, “They used to burn witches like Katelan.”

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Katelan’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. “About Our Guest” pix of Katelan by me. Other pix by her, I think. Mine are on my instagram.

enhanced-23675-1436538713-1Virtual Memories Show #150:
Molly Crabapple

“I always like smart, rebellious young people who feel like the world has done them bad.”

Artist Molly Crabapple joins the show to talk about writing her new memoir, Drawing Blood (Harper), making illustrated journalism from Syria, Guantanamo and Abu Dhabi, translating Nizar Qabbani, growing into her parents’ legacy of art, Marxism and argumentation, finding her soul in the Damascus Room at the Met, balancing community and competition, stepping back from the idea that we’re in an “Age of Outrage” and more! Give it a listen!

“The world hates refugees. I’m convinced that if there was a major crisis in Canada and we had 10 million white refugees, we’d still think of some reason to keep them out. People hate impoverished people fleeing over borders.”

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We also talk about Charlie Hebdo, the Occupy movement, Molly’s success at bypassing the gallery model and whether her path is replicable, the scariest place she’s ever visited as a journalist, her biggest artistic, literary and journalistic influences, and more! (And if you want to find out who she’s reading nowadays, join our Patreon and become a monthly contributor to The Virtual Memories Show!)

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Molly Crabapple is an artist and writer in New York. She is a contributing editor for VICE, and has written for The New York Times, Paris Review, and the Guardian, among other publications. Her work is in the permanent collection of the Museum of Modern Art. Follow her on Twitter and Tumblr.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Ms. Crabapple’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Ms. Crabapple by me.