“People should be free to do Shakespeare anyway they like: in 5 minutes, 5 seconds, 5 days, 5 hours, underwater, in a desert, on a mountain. It’ll always work; he’s indestructible, in that sense.”
With his new book, Shakespearean: On Life and Language in Times of Disruption (Pegasus Books), author & literary editor Robert McCrum uses Shakespeare’s plays, poems, life and history to examine how Shakespeare is a mirror of human experience, and why his lines continue to resonate 400+ years after his death. We talk about Robert’s history with the plays (beginning with his role as First Fairy in A Midsummer Night’s Dream at the age of 13) and the 2017 performance of Julius Caesar in Central Park that inspired the book, the ways in which the Plays and the Sonnets complement each other, and how those works influence our understanding of the self and self-consciousness. We also get into the vicissitudes of literary reputation, the way Shakespearean fits as the capstone of Robert’s Disruption Trilogy, along with My Year Off and Every Third Thought, the first play Robert’s Shakespeare Club plans to see post-pandemic, the snobbery that drives Shakespeare denialism, how America became Shakespearean, and the urban myth that Shakespeare wrote King Lear during lockdown, as well as the ways plague influenced Shakespeare’s entire career. Plus: where I should begin with Wodehouse, what prompted Robert to finally finish Proust (and then re-read him), and the nightmare of interviewing Philip Roth! Give it a listen! And go read Shakespearean: On Life and Language in Times of Disruption (as well as My Year Off and Every Third Thought)!
“Any writer can tell you: if you write things down, you begin to make sense of things. If you’re surrounded by chaos and you begin to make notes, you begin to make sense.”
“It seems that Shakespeare and his contemporaries got used to the plague, so the plague references in his work are comparatively few and far between, and they’re not striking. And yet there’s no doubt of a connection between then and now.”
TUNEIN PLAYER TK
About our Guest
Robert McCrum was born and educated in Cambridge. For nearly twenty years he was editor-in-chief of the publishers Faber & Faber, and then literary editor of the Observer from 1996 to 2008. He is now an associate editor of the Observer. He is the author of Every Third Thought, My Year Off, Wodehouse: A Life, six novels, and the co-author of the international bestseller, The Story of English. His new book is Shakespearean: On Life and Language in Times of Disruption.
Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Robert by Katherine Anne Rose for The Guardian. It’s on my instagram.