Virtual Memories Show 264:
Dean Haspiel

“I decided at age 12 that I wanted to dedicate my life to making comics, so I became otherwise unemployable.”

Cartoonist and playwright Dean Haspiel joins the show to talk about his new play, The Last Bar At The End Of The World (running April 10-15, 2018!) and how he looks at his life & career after turning 50. We get into his New Brooklyn series of webcomics, our mutual upbringing on superhero comics, the inherent lie of being a freelancer, his father’s friendship with Marilyn Monroe, writing for theater vs. comics, his devotion to Mamet’s On Directing Film, my theory that most of Tarantino’s movies are about acting, fulfilling his youthful dream of drawing the Fantastic Four, and the validity of Jack Kirby’s (apocryphal) statement, “Comics will break your heart.” Give it a listen! And go see The Last Bar At The End Of The World!

“As much as I’ve studied film and storytelling structure, I like to throw curveballs, because I think that’s what life is: a bunch of curveballs.”

“I think a lot of auteur artists are trying to arrive at a shorthand, a signature, a calligraphy, that lets you show stories.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Emmy and Ringo award winner Dean Haspiel has created the comic characters Billy Dogma, and The Red Hook. He illustrated for HBO’s Bored To Death, is a Yaddo fellow, a playwright, and helped pioneer personal webcomics. Dino has written, drawn and collaborated on many superheroes and literary graphic novels (including The Quitter with Harvey Pekar, and The Alcoholic with Jonathan Ames) for DC/Vertigo, Marvel, Archie, IDW, Dark Horse, Heavy Metal, LINE Webtoons, and more. The Last Bar At The End Of The World is Dean’s third play, sharing a universe with his two other plays, Switch To Kill, and Harakiri Kane.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Dino’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Dino by me. It’s on my instagram.

Virtual Memories Show:
The Guest List 2017

It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2017’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2018! Three dozen responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Hanukkah and/or Christmas purchases, The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from 36 of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014, 2015, and 2016 editions of The Guest List for more great book ideas!

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guests

The guests who participated in this year’s Guest List are Pete Bagge, Kathy Bidus, Sven Birkerts, RO Blechman, Kyle Cassidy, Graham Chaffee, Howard Chaykin, Joe Ciardiello, John Clute, John Crowley, John Cuneo, Ellen Datlow, Samuel R. Delany, Nicholas Delbanco, Barbara Epler, Joyce Farmer, Sarah Williams Goldhagen, Paul Gravett, Liz Hand, Vanda Krefft, Michael Meyer, Cullen Murphy, Jeff Nunokawa, Mimi Pond, Eddy Portnoy, Keiler Roberts, Martin Rowson, Matt Ruff, Ben Schwartz, Vanessa Sinclair, Ann Telnaes, Michael Tisserand, Gordon Van Gelder, Shannon Wheeler, Wallis Wilde-Menozzi, Matt Wuerker . . . and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The episode was recorded on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC.

Virtual Memories Show 225: Howard Chaykin

“I want to be loved; I just don’t work too hard at it.”

Comics legend Howard Chaykin joins the show to talk about his career, the early assignment he’ll never live down, getting clean and being boringly sober, how Gil Kane taught him how to behave as a cartoonist, why he’s never gone to a strip club, what it’s like to be a brand but not a fan-favorite, his love of television and his hatred of writing for television, the reason he brought Jewish leads (and reformed shitheels) to mainstream comics, the narrative values that led to his innovative page designs, discovering his bastardy in his 40s, the role of music and musicality in his work, why Jersey Boys makes him cry, and the influence of American Flagg! on multiple generations of cartoonists (for better and worse). Give it a listen! And go buy a whole ton of his work!

“Comic-book fans don’t like to hear about the money aspect of it, but the fact is that it’s a calling, but it’s also a career.”

“People who are successful in southern California for the most part are people who have experienced actual travail. By which I mean weather.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Howard Chaykin is a longtime veteran of the comic book business, serving as an artist and writer for nearly every publisher of comics in the past four decades, and counting. He took the ’90s off to work on mostly unwatchable television, so he missed the money and dreck that was comics in that execrable decade. He is responsible, some might say culpable, for introducing a number of previously unexplored themes to comic books. If you’re not hip to what that’s supposed to mean, there’s always Wikipedia.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Howard’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same equipment, because I’m on the road this week. All processing and editing done in Adobe Audition CC. Photo of Mr. Chaykin by me. It’s on my instagram.