Virtual Memories Show 278:
Dmitry Samarov

“The curse of knowing more is that you see more.”

After our pre-opening tour of the Milton Resnick and Pat Passlof Foundation museum, artist Dmitry Samarov and I repaired to a cafe where we recorded a noisy conversation while Dmitry sketched me. This ridiculously casual episode gets into artists and suicide, the process and revelations of assembling 20 years’ worth of work for a mid-career retrospective (as well as his new exhibition of his CTA illustrations), the losing proposition of chasing stats, the launch of his own semisorta podcast, the fanciest dumb-phone around, becoming a journalist/reviewer, and how you gotta find the right tool for the job/art. Give it a listen! And go sign up for Dmitry’s weekly e-mail!

“People are so involved in their screens that they won’t look up in a 45-minute bus ride, which makes them the perfect subjects/victims for my art.”

“The goal is to outlive my parents. Everything is just gravy.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Dmitry Samarov is a painter and writer who lives in Chicago, IL. His first two books are Hack: Stories from a Chicago Cab, and Where To?: A Hack Memoir. Here’s his sketch of me.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Irving Coffee Roasters on Orchard St. on a Zoom H2n digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Samarov by me. It’s on my instagram.

thanksgiving-college-humor

For Thanksgiving this year, I decided to eschew the regular interview-based podcast and ask all of my past guests what they’re thankful for. Since it’s a mere couple of weeks from the 2016 U.S. Presidential election, responses were all over the spectrum. Listen to the show via MP3 download or on iTunes!

Here’s everyone who participated (with links to their episodes of the podcast):

A few guests sent along material in addition to their written or recorded responses. Liz Hand sent a link to this video about Lincolnville, ME’s Move It! Project:

Bob Eckstein (who you oughtta follow on Twitter at @bobeckstein) sent two of his cartoons, including the one at the top of this page:

low-first-3-d-thanksgiving

Jonathan C. Hyman’s contribution is the most involved, and requires a little unpacking. In the podcast, he says, “Despite the 2016 presidential election and the myriad social, environmental, and economic issues that have fractured our society, I am thankful that we are, and hopeful we will remain, a vibrant culture where people are free to speak openly and publicly.”

Background information and narrative: Known for his decade-long project which documents the vernacular public art, public speech, and memorial language that emerged across the United States in response to the 9/11 attacks, documentary photographer and past Virtual Memories guest Jonathan C. Hyman photographed the signage, displays, and public dialogue surrounding the 2016 presidential election.

His work on the election — including the seven images he contributed to this Thanksgiving podcast — is not meant to endorse or disparage Hillary Clinton, Donald Trump, or their supporters. As a photographer with an interest in public expression — visual and speech — and in “things by the side of the road,” Hyman traveled within an approximate 150-mile radius from his home in Sullivan County, NY to areas in New Jersey, New York, and Pennsylvania.

Here, Hyman presents a sampling of the images in this series as they appeared when he came upon them. He photographed each display keeping in mind his interest in handmade objects, the American flag, and the houses, buildings, and neighborhoods people live and work in. The majority of the signs he saw, many handmade, were supportive of Donald Trump. The large majority of the handmade signs he encountered were displayed by Trump supporters on their own property. Realizing that his findings are anecdotal, Hyman says, “I have no doubt others have seen things I have not and that there were signs supporting Hillary Clinton in areas I have both visited and not traveled to. Nonetheless, it was clear to me that where pro-Hillary Clinton signs did exist, they tended to be of the more pre-fabricated, generic lawn sort and generally less likely to be on front lawns.”

Photographs © 2016 Jonathan C. Hyman All rights Reserved

Click to enlarge each picture:

election-2016-pay-me-or-else-j-hyman-photo

election-2016-vote-trump-dont-get-humped-j-hyman-photo

election-sign-public-speech-j-hyman-photo

flag-w-trump-sign-j-hymnan-photo

hasidic-boys-no-trump-j-hyman-photo

election-2016-eff-trump-j-hyman-photo

election-2016-love-trumps-hate-j-hyman-photo-wm

In addition to being featured on the PBS NewsHour, Hyman’s work has been featured in Time Magazine, The New York Times, the Journal of American History, and several well-known European newspapers and magazines in print and online. In the fall of 2008 Hyman toured Europe as a U.S. State Department Cultural Envoy (as part of a program organized by the American embassy in Vienna and the University of Graz, Austria.), lecturing at universities in Berlin and Tuebingen, Germany, Vienna and Graz Austria, Brno, Czech Republic, and Zagreb, Croatia about his 9/11 related photographs. In addition to lecturing publicly since 2002 at well known academic institutions, from 2008-2016 Hyman was Associate Director for Conflict and Visual Culture Initiatives at Bryn Mawr College’s Solomon Asch Center for Study of Ethnopolitical Conflict, where he also supervised the Center’s online gallery.

For More Information:

Jonathan C. Hyman can be reached at arthoops55@gmail.com


The thing I’m most thankful for is having such wonderful guests who are willing to pitch in to projects like this (and otherwise help keep me sane)!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The episode was recorded primarily at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. Portions by Summer Pierre, Zachary D. Martin and Scott Edelman were recorded separately and shared by e-mail. All processing and editing was done in Adobe Audition CC. Cartoons by Bob Eckstein, photos by Jonathan C. Hyman.

a_decent_ride_book_cover_smallerVirtual Memories Show #135:
Irvine Welsh / Dmitry Samarov

“What would young, pre-Trainspotting Irvine Welsh think of you now?”

“He’d think I was a total wanker.”

Irvine Welsh has created unforgettable characters in his novels, beginning with the cast of Trainspotting in 1993. We caught up in his Chicago home and talked about writing, boxing, the art world, the White Sox, the creative flourish that’s seen him publish three novels in four years, the perils of success and exhausting your autobiography, the periods of life he’s interested in writing about, his first meeting with Iggy Pop, his childhood and the school-days’ balance of being a reader and being a jock, the narcissism of online living, Trainspotting over the years, Edinburgh’s failed gentrification, the ways that America’s friendlier than Scotland, and more! Give it a listen!

“I think it’s good for me as a writer not to be hanging out with writers all the time.”

We also talk about his critique of global capitalism, the problems with permanent austerity, American and UK tabloid culture, standing up David Bowie (twice), returning to Ulysses every few years, the ways William S. Burroughs helps rewire his brain, and the great anonymous allure of the first-time novelist.

“Instagram is like Methodone to Twitter’s heroin”

dmitrybookshelfThen Dmitry Samarov rejoins the show to talk about his memoir-in-progress, his paintings, his latest readings, and his decision to jump off the social network treadmill. This episode also includes my justification for being a New York Yankees fan, as well as my problematic relationship with superhero comics. Give it a listen!

We mention quite a few books in this episode. Here’s they are:

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guests

Irvine Welsh is the author of Trainspotting, Ecstasy, Filth (adapted for film in 2013), Glue, and Crime, among other works. His latest novel is A Decent Ride. Welsh is also producing movies and writing screenplays. A native of Edinburgh, he lives in Chicago and Miami. You can find a more extensive bio at his website.

Dmitry Samarov was born in Moscow, USSR, in 1970. He emigrated to the United States with his family in 1978. He got in trouble in first grade for doodling on his Lenin Red Star pin and hasn’t stopped doodling since. He graduated with a BFA in painting at printmaking from the School of the Art Institute of Chicago in 1993. Upon graduation he promptly began driving a cab — first in Boston, then after a time, in Chicago. He is the author of two books, Hack: Stories from a Chicago Cab, and Where To?: A Hack Memoir. Go check out his paintings, and maybe buy some.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald. The conversations were recorded in the homes of Irvine Welsh and Dmitry Samarov on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same equipment in a hotel room in Washington, DC. Processing was done in Audacity and Logic Pro.

Virtual Memories Show:
The Guest List 2014

Two years in a row? That makes The Guest List a Virtual Memories Show tradition! I reached out to 2014’s podcast guests and asked them about the favorite book(s) they read in the past year. More than 30 of them responded with a fantastic array of books. So, just in time for Hanukkah and Christmas, the Virtual Memories Show provides you with a huge list of of books that you’re going to want to read! Get ready to update your wish lists!

This episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit the Guest List cheat sheet where you can find links to the books and the guests who responded.

(And check out the 2013 edition of The Guest List, too!)

[powerpress]

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guests

The guests who contributed their favorite book from the past year — and that’s “favorite book I read in 2014,” not “favorite book that came out in 2014” — are Maria Alexander, Ashton Applewhite, David Baerwald, Nina Bunjevac, Roz Chast, Sarah Deming, Michael Dirda, Jules Feiffer, Mary Fleener, Nathan Fox, Josh Alan Friedman, Richard Gehr, Paul Gravett, Sam Gross, Rachel Hadas, Kaz, Daniel Levine, Sara Lippmann, Merrill Markoe, Brett Martin, Mimi Pond, George Prochnik, Emily Raboteau, Jonathan Rose, Ron Rosenbaum, Dmitry Samarov, Seth, Katie Skelly, Ron Slate, Maya Stein, Rupert Thomson, and Frank Wilson. Check out their episodes at our archives!

Credits: This episode’s music is The Book I Read by Talking Heads. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Garage Band.

Dmitry Samarov Taxis in to The Virtual Memories ShowSeason 4 Episode 38
Dmitry Samarov:
A Sense of Someplace To Go

“The great [storytelling] advantage to driving a cab is that you have the back of your head to the person. It makes them open up in a way that, if they saw my face, I don’t think they could have. Then they would have had to reckon with me as a person, and I really wasn’t a person to most of them.”

This podcast often hangs out at the intersection of art and commerce, so I was happy when Dmitry Samarov drove up in a cab with his sketchbook!* Dmitry recently published Where To?: A Hack Memoir (Curbside Splendor Press), his second book of essays and art about his experiences behind the wheel of a taxi in Chicago and Boston. We talk about the job’s intersection with his fine arts background, his compulsion to chronicle his working life in words and images, how he made the transition from ‘zine to blog to book deal, how John Hodgman helped him get his break into publishing, what it’s like to run a website built in 2004, why he fled Parsons School of Design after one semester, and how it felt to leave the cab-driving world behind.

We also talk about his family’s emigration from the Soviet Union when he was a child (and his affinity for The Americans), what it was like to attend the School of the Art Institute of Chicago with Chris Ware, and why he hates Boston with the passion of a thousand burning suns. Most importantly, we find out what an appropriate tip is for a cab-ride! That’s worth the price of admission by itself!

* Actually, I drove out to Newark Airport to pick up Dmitry on his book tour

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Dmitry Samarov was born in Moscow, USSR, in 1970. He emigrated to the United States with his family in 1978. He got in trouble in first grade for doodling on his Lenin Red Star pin and hasn’t stopped doodling since. After a false start at Parsons School of Design in New York, he graduated with a BFA in painting at printmaking from the School of the Art Institute of Chicago in 1993. Upon graduation he promptly began driving a cab — first in Boston, then after a time, in Chicago. He is the author of two books, Hack: Stories from a Chicago Cab, and Where To?: A Hack Memoir. You should go watch five teaser clips of the Chicago Hack series (dir. John McNaughton), which use Dmitry’s art and writing for a half-hour scripted TV series. You should also check out his paintings, and maybe buy some.

Credits: This episode’s music is A Nice Piece For Orchestra by Bernard Herrmann (from the Taxi Driver soundtrack, duh). The conversation was recorded at Chez Virtual Memories on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Samarov by me.