Virtual Memories Show 361:
Dmitry Samarov

“I’ve been very fortunate to have an undying inner need to keep expressing myself, in the face of fairly universal indifference. It just doesn’t discourage me; it might be some sort of insanity.”

With his new memoir, Soviet Stamps, artist & writer Dmitry Samarov explores his experience of emigrating from the USSR as a child, finding his way through late-’70s and ’80s America, and becoming an artist. We talk about the book’s winding path to self-publication, how his story does and doesn’t fit in to the history of Soviet Jewry, how he overcame the embarrassment of including his adolescent art in the book, his 4th grade autobiography and how it managed to predict much of his career, and the possible Dmitry-lives that could have resulted from decisions that were out of his hands. We also get into his notion that art requires disengagement, his gauge for the life and death of artworks, the value of the apprentice system over art school, why he’s writing fiction for his next book, and which self-promotional event he hates more: the book reading or the gallery opening. (Oh, and check out our previous conversations: 2014, 2015, and 2018) Give it a listen! And go buy Soviet Stamps!

“It’s mind-blowing to me to think about the chances my parents took, the leap they took into the unknown, and everything they had to give up.”

“I think I’m better at walking away from paintings than I used to be.”

“You can’t really see inside another person no matter how well you know them, and you can’t see what you’re looking at if you’re in the middle of it.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Dmitry Samarov paints and writes in Chicago, Illinois. He’s the author of four published books: Hack, and Where To?, both illustrated memoirs of his taxi-driving days, Music To My Eyes, and Soviet Stamps. You should sign up for his weekly e-mail and listen to his occasional Blather podcast.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Society of Illustrators on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Painting of Dmitry Samarov by him, so it’s not on my instagram.

Virtual Memories Show 278:
Dmitry Samarov

“The curse of knowing more is that you see more.”

After our pre-opening tour of the Milton Resnick and Pat Passlof Foundation museum, artist Dmitry Samarov and I repaired to a cafe where we recorded a noisy conversation while Dmitry sketched me. This ridiculously casual episode gets into artists and suicide, the process and revelations of assembling 20 years’ worth of work for a mid-career retrospective (as well as his new exhibition of his CTA illustrations), the losing proposition of chasing stats, the launch of his own semisorta podcast, the fanciest dumb-phone around, becoming a journalist/reviewer, and how you gotta find the right tool for the job/art. Give it a listen! And go sign up for Dmitry’s weekly e-mail!

“People are so involved in their screens that they won’t look up in a 45-minute bus ride, which makes them the perfect subjects/victims for my art.”

“The goal is to outlive my parents. Everything is just gravy.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Dmitry Samarov is a painter and writer who lives in Chicago, IL. His first two books are Hack: Stories from a Chicago Cab, and Where To?: A Hack Memoir. Here’s his sketch of me.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Irving Coffee Roasters on Orchard St. on a Zoom H2n digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Samarov by me. It’s on my instagram.

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For Thanksgiving this year, I decided to eschew the regular interview-based podcast and ask all of my past guests what they’re thankful for. Since it’s a mere couple of weeks from the 2016 U.S. Presidential election, responses were all over the spectrum. Listen to the show via MP3 download or on iTunes!

Here’s everyone who participated (with links to their episodes of the podcast):

A few guests sent along material in addition to their written or recorded responses. Liz Hand sent a link to this video about Lincolnville, ME’s Move It! Project:

Bob Eckstein (who you oughtta follow on Twitter at @bobeckstein) sent two of his cartoons, including the one at the top of this page:

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Jonathan C. Hyman’s contribution is the most involved, and requires a little unpacking. In the podcast, he says, “Despite the 2016 presidential election and the myriad social, environmental, and economic issues that have fractured our society, I am thankful that we are, and hopeful we will remain, a vibrant culture where people are free to speak openly and publicly.”

Background information and narrative: Known for his decade-long project which documents the vernacular public art, public speech, and memorial language that emerged across the United States in response to the 9/11 attacks, documentary photographer and past Virtual Memories guest Jonathan C. Hyman photographed the signage, displays, and public dialogue surrounding the 2016 presidential election.

His work on the election — including the seven images he contributed to this Thanksgiving podcast — is not meant to endorse or disparage Hillary Clinton, Donald Trump, or their supporters. As a photographer with an interest in public expression — visual and speech — and in “things by the side of the road,” Hyman traveled within an approximate 150-mile radius from his home in Sullivan County, NY to areas in New Jersey, New York, and Pennsylvania.

Here, Hyman presents a sampling of the images in this series as they appeared when he came upon them. He photographed each display keeping in mind his interest in handmade objects, the American flag, and the houses, buildings, and neighborhoods people live and work in. The majority of the signs he saw, many handmade, were supportive of Donald Trump. The large majority of the handmade signs he encountered were displayed by Trump supporters on their own property. Realizing that his findings are anecdotal, Hyman says, “I have no doubt others have seen things I have not and that there were signs supporting Hillary Clinton in areas I have both visited and not traveled to. Nonetheless, it was clear to me that where pro-Hillary Clinton signs did exist, they tended to be of the more pre-fabricated, generic lawn sort and generally less likely to be on front lawns.”

Photographs © 2016 Jonathan C. Hyman All rights Reserved

Click to enlarge each picture:

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In addition to being featured on the PBS NewsHour, Hyman’s work has been featured in Time Magazine, The New York Times, the Journal of American History, and several well-known European newspapers and magazines in print and online. In the fall of 2008 Hyman toured Europe as a U.S. State Department Cultural Envoy (as part of a program organized by the American embassy in Vienna and the University of Graz, Austria.), lecturing at universities in Berlin and Tuebingen, Germany, Vienna and Graz Austria, Brno, Czech Republic, and Zagreb, Croatia about his 9/11 related photographs. In addition to lecturing publicly since 2002 at well known academic institutions, from 2008-2016 Hyman was Associate Director for Conflict and Visual Culture Initiatives at Bryn Mawr College’s Solomon Asch Center for Study of Ethnopolitical Conflict, where he also supervised the Center’s online gallery.

For More Information:

Jonathan C. Hyman can be reached at arthoops55@gmail.com


The thing I’m most thankful for is having such wonderful guests who are willing to pitch in to projects like this (and otherwise help keep me sane)!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The episode was recorded primarily at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. Portions by Summer Pierre, Zachary D. Martin and Scott Edelman were recorded separately and shared by e-mail. All processing and editing was done in Adobe Audition CC. Cartoons by Bob Eckstein, photos by Jonathan C. Hyman.

a_decent_ride_book_cover_smallerVirtual Memories Show #135:
Irvine Welsh / Dmitry Samarov

“What would young, pre-Trainspotting Irvine Welsh think of you now?”

“He’d think I was a total wanker.”

Irvine Welsh has created unforgettable characters in his novels, beginning with the cast of Trainspotting in 1993. We caught up in his Chicago home and talked about writing, boxing, the art world, the White Sox, the creative flourish that’s seen him publish three novels in four years, the perils of success and exhausting your autobiography, the periods of life he’s interested in writing about, his first meeting with Iggy Pop, his childhood and the school-days’ balance of being a reader and being a jock, the narcissism of online living, Trainspotting over the years, Edinburgh’s failed gentrification, the ways that America’s friendlier than Scotland, and more! Give it a listen!

“I think it’s good for me as a writer not to be hanging out with writers all the time.”

We also talk about his critique of global capitalism, the problems with permanent austerity, American and UK tabloid culture, standing up David Bowie (twice), returning to Ulysses every few years, the ways William S. Burroughs helps rewire his brain, and the great anonymous allure of the first-time novelist.

“Instagram is like Methodone to Twitter’s heroin”

dmitrybookshelfThen Dmitry Samarov rejoins the show to talk about his memoir-in-progress, his paintings, his latest readings, and his decision to jump off the social network treadmill. This episode also includes my justification for being a New York Yankees fan, as well as my problematic relationship with superhero comics. Give it a listen!

We mention quite a few books in this episode. Here’s they are:

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guests

Irvine Welsh is the author of Trainspotting, Ecstasy, Filth (adapted for film in 2013), Glue, and Crime, among other works. His latest novel is A Decent Ride. Welsh is also producing movies and writing screenplays. A native of Edinburgh, he lives in Chicago and Miami. You can find a more extensive bio at his website.

Dmitry Samarov was born in Moscow, USSR, in 1970. He emigrated to the United States with his family in 1978. He got in trouble in first grade for doodling on his Lenin Red Star pin and hasn’t stopped doodling since. He graduated with a BFA in painting at printmaking from the School of the Art Institute of Chicago in 1993. Upon graduation he promptly began driving a cab — first in Boston, then after a time, in Chicago. He is the author of two books, Hack: Stories from a Chicago Cab, and Where To?: A Hack Memoir. Go check out his paintings, and maybe buy some.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald. The conversations were recorded in the homes of Irvine Welsh and Dmitry Samarov on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same equipment in a hotel room in Washington, DC. Processing was done in Audacity and Logic Pro.

Virtual Memories Show:
The Guest List 2014

Two years in a row? That makes The Guest List a Virtual Memories Show tradition! I reached out to 2014’s podcast guests and asked them about the favorite book(s) they read in the past year. More than 30 of them responded with a fantastic array of books. So, just in time for Hanukkah and Christmas, the Virtual Memories Show provides you with a huge list of of books that you’re going to want to read! Get ready to update your wish lists!

This episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit the Guest List cheat sheet where you can find links to the books and the guests who responded.

(And check out the 2013 edition of The Guest List, too!)

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Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guests

The guests who contributed their favorite book from the past year — and that’s “favorite book I read in 2014,” not “favorite book that came out in 2014” — are Maria Alexander, Ashton Applewhite, David Baerwald, Nina Bunjevac, Roz Chast, Sarah Deming, Michael Dirda, Jules Feiffer, Mary Fleener, Nathan Fox, Josh Alan Friedman, Richard Gehr, Paul Gravett, Sam Gross, Rachel Hadas, Kaz, Daniel Levine, Sara Lippmann, Merrill Markoe, Brett Martin, Mimi Pond, George Prochnik, Emily Raboteau, Jonathan Rose, Ron Rosenbaum, Dmitry Samarov, Seth, Katie Skelly, Ron Slate, Maya Stein, Rupert Thomson, and Frank Wilson. Check out their episodes at our archives!

Credits: This episode’s music is The Book I Read by Talking Heads. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Garage Band.