Virtual Memories Show:
The Guest List 2014

Two years in a row? That makes The Guest List a Virtual Memories Show tradition! I reached out to 2014’s podcast guests and asked them about the favorite book(s) they read in the past year. More than 30 of them responded with a fantastic array of books. So, just in time for Hanukkah and Christmas, the Virtual Memories Show provides you with a huge list of of books that you’re going to want to read! Get ready to update your wish lists!

This episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit the Guest List cheat sheet where you can find links to the books and the guests who responded.

(And check out the 2013 edition of The Guest List, too!)

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About our Guests

The guests who contributed their favorite book from the past year — and that’s “favorite book I read in 2014,” not “favorite book that came out in 2014” — are Maria Alexander, Ashton Applewhite, David Baerwald, Nina Bunjevac, Roz Chast, Sarah Deming, Michael Dirda, Jules Feiffer, Mary Fleener, Nathan Fox, Josh Alan Friedman, Richard Gehr, Paul Gravett, Sam Gross, Rachel Hadas, Kaz, Daniel Levine, Sara Lippmann, Merrill Markoe, Brett Martin, Mimi Pond, George Prochnik, Emily Raboteau, Jonathan Rose, Ron Rosenbaum, Dmitry Samarov, Seth, Katie Skelly, Ron Slate, Maya Stein, Rupert Thomson, and Frank Wilson. Check out their episodes at our archives!

Credits: This episode’s music is The Book I Read by Talking Heads. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Garage Band.

baerwaldSeason 4 Episode 26
David Baerwald –
Fail Better

“Artistically, LA’s a disaster. It’s full of amazing stories. But as a city, it’s not a city. Nobody but bus-drivers see the whole place.”

Singer-songwriter, musician, inventor, dad, reader, and writer David Baerwald joins the show to talk about the ups and downs of his career in the music biz, his crazy family history, the perils of grafting personalities onto up-and-coming musicians, and why he doesn’t trust happiness. We also talk about the Watchmen-like trail of destruction that followed Sheryl Crow’s breakthrough album, why the drug business is notoriously filled with short-tempered people, how being a script analyst for a movie studio taught him how to write a song, and why he’s a firm believer in the notion that to tell a big story, you have to tell a small one. Go listen!

“You just want to do something decent when you make a record, but then it becomes a whole thing. It becomes an industry, and you’re always on display and people are tearing you apart psychologically, and you just feel like a buffoon.”

coverblock-440x440We also get into the difference between writing poems and writing songs, the writers who inspired his work on the David + David album, Boomtown, and why he thinks Thomas Pynchon understood things about the world that people are only now coming to grips with. (BONUS: I clean up some loose ends from last week’s podcast with Merrill Markoe)

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

David Baerwald was one half of David + David (along withDavid Ricketts), a band whose one album, Boomtown, scored a gold record. They split up and Baerwald put out several solo records — Bedtime Stories, Triage and Here Comes The New Folk Underground — between 1990 and 2002. He’s written songs for plenty of acts you know, and he wrote many of the songs on Sheryl Crow’s breakthrough album, which is a story he gets into in our conversation. He’s also done a lot of work in movies and TV, both scoring music and writing songs. David’s IMDB page lists many of his songwriting credits, including Come What May, the love song for Moulin Rouge, which was nominated for a Golden Globe award. He also wrote Supermodel, for the movie Clueless, which proves he’s not ALL grim and gloomy.

Credits: This episode’s music is Welcome to the Boomtown (David + David), Colette (David Baerwald), If (David Baerwald), and Heroes (David + David). The conversation was recorded in Mr. Baerwald’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Baerwald by me.