Virtual Memories Show 334:
Caleb Crain

“My first novel was about growth and integration, and this one’s more about death and disintegration in the face of technological change.”

Occupy, telepathy, the surveillance state, and poetic treatment of reversion in 16th/17th century English poetry: Caleb Crain’s brand-new novel, Overthrow (Viking) has it all! Caleb & I talk about the image that evoked his new book, why this one is his “dark novel”, and how its writing was filled with a sense of inevitability (and maybe a little bit of prophecy). We get into the notion of self-surveillance and why he carries a dumb-phone (even though it almost led to his failure to show up for our podcast session), the way gay people have a theory of mind for straight people but not necessarily vice versa, the optimism of Occupy and the dreadful fate of Aaron Swartz, the difference between fiction and nonfiction editing, the importance of unscheduled nap-time, and the challenge of writing a novel about the weaponization of our relationships. Give it a listen! And go buy Overthrow!

“There are these moments now when it feels like the existing governance structure fractures and can’t handle things.”

“Gay life is different than straight life, and it’s different across a wide spectrum of experience, not just in bed.”

“To write, I have to be alone. And if I had a smartphone, I would never be alone.”

“Why should human communication be the exclusive property of one corporation that’s making ethically dubious choices?”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Caleb Crain has written for The New Yorker, Harper’s, the Paris Review, The Atlantic, The New York Review of Books, n+1, and The New York Times Book Review. He is the author of the novel Necessary Errors and the critical work American Sympathy: Men, Friendship, and Literature in the New Nation. He was born in Texas, raised in Massachusetts, and lives in Brooklyn, New York. His new novel is Overthrow.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at stately Virtual Memories Manor on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Crain by me. It’s on my instagram.

Virtual Memories Show 333:
Gil Roth AMA

Because of a last-minute guest cancellation, I had no show lined up for this week! Rather than take a second week off this summer, I decided it was time for another Gil Roth AMA episode, since the last one was almost 5 years ago. Thirty-two past and upcoming guests and Patreon supporters came through with questions for me, including (in the order I answered them): Ken Krimstein, Hugh Ryan, Barry Corbett, Joe Ciardiello, Glynnis Fawkes, Kyle Cassidy, Ian Kelley, Kate Lacour, Dean Haspiel, Eddy Portnoy, Kate Maruyama, Tom Spurgeon, Jonathan Hyman, David Leopold, Paine Proffitt, David Townsend, Boaz Roth, Chris Reynolds, Liniers, Caleb Crain, Bob Eckstein, Ersi Sotiropoulos, Andrea Tsurumi, Henry Wessells, Vanessa Sinclair, Jim Ottaviani, Maria Alexander, Mary Fleener, Stephen Nadler, Charles Blackstone, Lauren Weinstein, and David Shields. We cover everything from creative lessons learned from my guests to “why so many cartoonists?”, from what books I re-read and why to who is on my Mount Rushmore list of dream guests, from the comics and GNs that have affected me most to what I think about the Peak TV era, from how running has affected my podcast-practices to who my most obstreperous guest has been, and plenty more! And it was all done in a single two-hour take, so give it a listen!

NOTES:

  • Chris Reynolds’ question included a couple of links, so here’s what he wrote: I’ve been carrying on with “Comics as Radio”, influenced by the KCRW Organist podcast. My friend Alan Jackson did a performance of my Comics as Radio story “Sexton Blake and the 64th Floor” at the Train of Thought Gallery in Worthing, and we discuss it here with John Parke, whose idea it was. So my question is: What do you think of ‘Comics as Radio’?
  • Pre-order Dean Haspiel’s forthcoming collection of The Red Hook: WAR CRY, from Image Comics (comes out Oct. 9)
  • Barry Corbett has started a fundraiser for The Food Pantry, so contribute! You can find his graphic memoir, Terminal Velocity, here
  • Maria Alexander has a new short story collection, 12 Tales Lie | 1 Tells True from Cemetery Dance

BONUS: I’ve got a belated answer to Maria Alexander’s question, “What’s the spookiest thing that’s ever happened to you?” In high school, my English teacher was driving me and another classmate to a creative writing conference in New Brunswick. Somehow, the topic of birthdays came up and — swear to the Unifactor — it turned out that all three of us had the same birthday. I know that’s not ghost-possessed ventriloquist spooky, but it’s still spooky, so I’m going with that one.

SECOND BONUS: When I talked about the movie Magic during the episode, I meant Anthony Hopkins, not Anthony Perkins. If that’s the only mistake I made during the show, I’ll be amazed.

Enjoy the monologue! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Gil Roth is the host of The Virtual Memories Show, a weekly literary-cultural conversation podcast. He’s also the founder and president of the Pharma & Biopharma Outsourcing Association, a nonprofit trade group representing contract manufacturing organizations and other service providers in the bio/pharma sector. His wife is a photographer, he runs for recreation and reads a lot, and their greyhound is named after the prince’s hunting dog in The Leopard.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at my house on a Blue enCORE 200 Microphone feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me & Yorick by me at Cathy B. Graham‘s studio. Header photo is a chapter title card from an episode of Frasier, so it’s not on my instagram.