Virtual Memories Show 365:
Ben Katchor

“A dairy restaurant feels to me like an urban, walled Garden of Eden, but it’s in this world, so it gets trapped in the doings of this world.”

The great cartoonist Ben Katchor rejoins the show to talk about his brand-new book, The Dairy Restaurant (Schocken), a 500-page illustrated history of, um, dairy restaurants! We get into what drew him to the milekhdike personality, the remnants of Eastern European Jewish culture that call to him, why this book had to be prose-with-pictures rather than comics, the decades of research and interviews he conducted, and why these restaurants came to represent the history of how Jews moved away from their parents’ professions. We also discuss just what went wrong with the world, why his favorite books are old Chicago Yellow Pages directories, why just studying Jewish history can constitute a sort of Judaism, his fascination with interwar Warsaw, his plea for a controlled economy, and why The Dairy Restaurant had to begin in the Garden of Eden. Give it a listen (and check out our past conversations from 2013 and 2016)! And go buy The Dairy Restaurant!

“Text is about time, and pictures are about space.”

‘I miss the restaurants I never went to.”

“I think everybody for a few moments should think about everything they know, and say, ‘What do I know about it and how does it impinge on my life?'”


Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Ben Katchor is the author of, among other books, Julius Knipl, Real Estate Photographer; The Cardboard Valise; Hand-Drying in America: And Other Stories; and The Jew of New York. He was the first cartoonist to receive a MacArthur Fellowship. He teaches at Parsons/The New School in New York City. His new book is The Dairy Restaurant.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Parsons on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Ben Katchor by me. It’s on my instagram.

katchorbykeetjaallardVirtual Memories Show #191:
Ben Katchor

“How can you keep experimenting within your own work? When they say people reinvent themselves, they just mean they put on new clothes or something.”

Ben Katchor rejoins the show to talk about the 25th anniversary edition of Cheap Novelties: The Pleasures of Urban Decay (Drawn & Quarterly)! We talk about those aforementioned pleasures, the boredom of the modern flaneur, his evolution from genre fandom to “literary comics” (my awful term, not his), the danger in comics becoming over-academic, the challenges of writing a world history, and more! Give it a listen! And go buy Cheap Novelties!

“You spend the first 20 years of your life figuring out how the culture works, another 20 years figuring out how to make a living in that culture, and maybe the last part you’re in oblivion, saying, ‘What did I do?'”

cheapnovelties-casewrap

We also get into the tedium of the latest iteration of New York City, the experience of capitalism’s end-game, why his comics are a product of a unique moment, his discovery of Undergrounds, the challenges of making anything new, how he found a readership that isn’t interested in comics, and more! Now go listen to the show!

“All these people who weren’t born or were babies when Cheap Novelties came out, now they’re going to look at it and say, ‘What does this mean? How does this even relate to us?'”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

ben_katchor_close_upBen Katchor lives in New York, where he is an Associate Professor at Parsons School of Design—The New School. As director of Parsons’ Illustration program, he runs The New York Comics & Picture-story Symposium, a weekly lecture series for the study of text-image work. He has been the recipient of both a Guggenheim Fellowship and a MacArthur Fellowship.

Along with his long-running comic-strip work — Julius Knipl, Real-Estate Photographer, The Cardboard Valise, Hotel & Farm, The Jew of New York, and a monthly strip for Metropolis magazine—Katchor has also collaborated with musician Mark Mulcahy on a number of works for musical theatre. These works include The Rosenbach Company (a tragi-comedy about the life and times of Abe Rosenbach, the preeminent rare-book dealer of the 20th century); The Slug Bearers of Kayrol Island, or, The Friends of Dr. Rushower, an absurdist romance about the chemical emissions and addictive soft-drinks of a ruined tropical factory-island; A Checkroom Romance, about the culture and architecture of coat-checkrooms; and Up From the Stacks, about a page working the stacks of the New York Public Library in 1975. Katchor is the only cartoonist to have won an Obie for Best New American Work, for his libretto and drawings for The Carbon Copy Building, a collaboration with Bang on a Can. His TED Talk is titled Comics of Bygone New York. He is on Twitter at benkatchor.

His books include the 25th anniversary edition of Cheap Novelties: The Pleasures of Urban Decay, Hand-Drying in America: And Other Stories, The Cardboard Valise, Julius Knipl, Real Estate Photographer: Stories, Julius Knipl, Real Estate Photographer: The Beauty Supply District, and The Jew of New York.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded in the garden at the rear of the Columbus Metropolitan Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and then into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Katchor at his drawing desk by Keetja Allard, photo from his Twitter avatar by ???.

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Virtual Memories Show:
The Hollow Man

It’s the ONE-HUNDREDTH EPISODE of The Virtual Memories Show! And they said it would never last! To celebrate hitting the century mark, I asked past guests, upcoming guests and friends of the show to interview me this time around!

This special episode includes questions and recorded segments with Maria Alexander, Ashton Applewhite, John Bertagnolli, Lori Carson, Sarah Deming, Paul Di Filippo, Michael Dirda, Robert Drake, Aaron K. Finkelstein, Mary Fleener, Drew Friedman, Josh Alan Friedman, Kipp Friedman, Richard Gehr, Ben Katchor, Sara Lippmann, Brett Martin, Zach Martin, Seth, Jesse Sheidlower, Ron Slate, Tom Spurgeon, Levi Stahl, Maya Stein, Rupert Thomson, Peter Trachtenberg, Wallis Wilde-Menozzi, Frank Wilson, and Claudia Young.

Find out about my reading childhood, my dream list of pod-guests, my best practices for productivity (don’t have kids!), my favorite interview question, my top guest in the afterlife, the book I’d save if my house was on fire, what I’d do if I won a Macarthur Grant. and more! Give it a listen!

The sorrow of the lonely podcaster

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Gil Roth is the host of The Virtual Memories Show and the president of the Pharma & Biopharma Outsourcing Association.

Credits: This episode’s music is Stupid Now by Bob Mould. Several of the conversations were recorded on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro and the self-interview segments on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of me by Aaron K. Finkelstein.