“The writing has a plan, and it does whatever it wants with me.”
Fresh from her book tour, Ilana C. Myer joins the show to talk about her new novel, Fire Dance (Tor). We get into the jump she made for her second book, the process of crossing Celtic poets with troubadours and Mediterranean aesthetics and mythology as part of her world-building, the challenge of seducing the reader, why she writes fantasy instead of history, and her fixation on “books with magic in them” as a kid. We also get into how she balances life in Israel and the US, her process of self-discovery and her religious epiphany in a college astronomy class, the challenge of shutting out social media voices while keeping up a strong Twitter presence, and more! Give it a listen! And go buy Fire Dance (and Ilana’s first novel Last Song Before Night)!
“Without our history, without our traditions, who are we? I refuse to be someone who doesn’t have an identity.”
“You can’t predict how people will respond to the work. To retain my sanity and creative integrity, I had to not pay attention to the responses, even the positive ones.”
About our Guest
Ilana C. Myer has worked as a journalist in Jerusalem and a cultural critic for various publications. As Ilana Teitelbaum she has written book reviews and critical essays for The Globe and Mail, the Los Angeles Review of Books, Salon, and the Huffington Post. Last Song Before Night was her first novel, followed by Fire Dance. She lives in New York.
Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ilana’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Myer by Ezra Butler, so it’s not on my instagram.