Virtual Memories Show:
The Guest List 2014

Two years in a row? That makes The Guest List a Virtual Memories Show tradition! I reached out to 2014’s podcast guests and asked them about the favorite book(s) they read in the past year. More than 30 of them responded with a fantastic array of books. So, just in time for Hanukkah and Christmas, the Virtual Memories Show provides you with a huge list of of books that you’re going to want to read! Get ready to update your wish lists!

This episode features selections from nearly 3 dozen of our recent guests! So go give it a listen, and then visit the Guest List cheat sheet where you can find links to the books and the guests who responded.

(And check out the 2013 edition of The Guest List, too!)

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About our Guests

The guests who contributed their favorite book from the past year — and that’s “favorite book I read in 2014,” not “favorite book that came out in 2014” — are Maria Alexander, Ashton Applewhite, David Baerwald, Nina Bunjevac, Roz Chast, Sarah Deming, Michael Dirda, Jules Feiffer, Mary Fleener, Nathan Fox, Josh Alan Friedman, Richard Gehr, Paul Gravett, Sam Gross, Rachel Hadas, Kaz, Daniel Levine, Sara Lippmann, Merrill Markoe, Brett Martin, Mimi Pond, George Prochnik, Emily Raboteau, Jonathan Rose, Ron Rosenbaum, Dmitry Samarov, Seth, Katie Skelly, Ron Slate, Maya Stein, Rupert Thomson, and Frank Wilson. Check out their episodes at our archives!

Credits: This episode’s music is The Book I Read by Talking Heads. Most of the episode was recorded at Virtual Memories Manor on a Blue Yeti USB Microphone. A few segments were recorded by the guests and e-mailed in (which is to say: don’t blame me!). Processing was done in Audacity and Garage Band.

feiffer by seth kushnerVirtual Memories Show:
Jules Feiffer –
Slow Learner

“There are certain things that come up when you age, the abandonment of some old things and the incredible opportunity to do new things. . . . I discovered at the age of 80 I could do what I couldn’t do at 16, 20 or 30.”

9780871403148_custom-b0771fa3ef5d0597c9f10225e2fb9c898fff7266-s99-c85Jules Feiffer’s professional cartooning career began in 1945 and he’s still going strong. He achieved Mt. Rushmore status as a cartoonist, satirist, playwright and screenwriter, and his new book, the 150-page graphic novel Kill My Mother: A Graphic Novel (Liveright/WW Norton), signals both a new phase in his body of work and a return to the films noir (and comics and romans noir) that first inspired him. We talked about the new book, why he left political satire behind, how it felt to ‘learn to draw’ in his 80s, why we both hate the term “graphic novel”, how Waiting for Godot made him reconsider the possibilities of a 6-panel comic strip, what he learned about storytelling while working on a long-form comic, and more! Give it a listen!

“People like Lenny Bruce and William Steig gave me permission. And once they give you permission you walk through that door that they opened and then it’s up to you to go further. If I’ve played a role doing that, that’s great.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Jules Feiffer‘s Pulitzer Prize-winning comic strip ran for 42 years in the Village Voice and 100 other papers. He is the author of a wide range of additional creative work, including the Obie award-winning play Little Murders, the screenplay for Carnal Knowledge, and the Oscar-winning short animation Munro. Other words include the plays Knock Knock (a Tony award nominee), and Grown Ups; the novels Harry, The Rat with Women and Ackroyd; the screenplays Popeye and I Want To Go Home (winner of the best screenplay award at the Venice Film Festival); the memoir Backing Into Forward; the children’s books The Man in the Ceiling, Bark, George, and Rupert Can Dance; and the illustrations for Which Puppy? by his daughter Kate and the children’s classic The Phantom Tollbooth by Norton Juster. His latest book is Kill My Mother: A Graphic Novel (Liveright/WW Norton).

Credits: This episode’s music is Retrospective (Duke Ellington), Passionella Prelude, and I Yam What I Yam (Robin Williams). The conversation was recorded at Mr. Feiffer’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Portrait photo of Mr. Feiffer by Seth Kushner. 

MrWickerCoverWebVirtual Memories Show:
Maria Alexander –
The Way of Pen and Sword

“The samurai believed that to be a complete person, you had to study the sword, but you also had to study the pen. They called it Bun Bu Ryo Do, the way of pen and sword. You were complete if you were a writer and a warrior, and I’ve really embraced that in my life.”

Maria Alexander joins the Virtual Memories Show to talk about her debut novel, Mr. Wicker, her intern/protege relationships with Clive Barker and Neil Gaiman, and the art of shinkendo swordplay and what George R.R. Martin gets wrong about swords. Also, we learn what happens when Lovecraftian pastiche goes wrong, how Maria realized that even geniuses have to write drafts, how her parents took syncretism to new heights, how Mr. Wicker made its way from short story to screenplay to first novel, how she deals with severe carpal tunnel syndrome, and what her love of swords has taught her about editing her work! Give it a listen!

“My mother believed everything she saw on ‘In Search Of . . .’, so our household was very imaginative.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Maria Alexander writes pretty much every damned thing and gets paid to do it. She’s a produced screenwriter and playwright, published games writer, virtual world designer, award-winning copywriter, interactive theatre designer, prolific fiction writer, snarkiologist and poet. Her stories have appeared in publications such as Chiaroscuro Magazine, Gothic.net and Paradox, as well as in acclaimed anthologies alongside legends such as David Morrell and Heather Graham. Her second poetry collection – At Louche Ends: Poetry for the Decadent, the Damned and the Absinthe-Minded – was nominated for the 2011 Bram Stoker Award. And she was a winner of the 2004 AOL Time-Warner “Time to Rhyme” poetry contest. When she’s not wielding a katana at her local shinkendo dojo, she’s being outrageously spooky or writing Doctor Who filk. She lives in Los Angeles with two ungrateful cats, a pervasive sense of doom, and a purse called Trog. Her new novel is Mr. Wicker (Raw Dog Screaming Press).

Credits: This episode’s music is Ironside (Excerpt), Battle Without Honor or Humanity, The Chase, and Woo Hoo from the Kill Bill soundtrack. The conversation was recorded at Ms. Alexander’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Alexander by me.

Season 4 Episode 42
Richard Gehr:
I Was A Teenage Structuralist!

“I’ve read enough Roland Barthes and Foucault to know it’s all fiction, man.”

Richard Gehr’s new book, I Only Read It for the Cartoons: The New Yorker’s Most Brilliantly Twisted Artists (Amazon/New Harvest), profiles a dozen New Yorker cartoonists. We talk about the genesis of that project, lament the dearth of cartooning in print and online, bond over Abe Vigoda, and ponder why it is that so many New Yorker cartoonists had teachers or educators for parents. We also get into Richard’s history in the arts-journalism racket, the joys of Robert Walser, his time in the Boy Scouts with Matt Groening, how he built a career out of his oddball enthusiasms, and the most mind-blowing “Which celebrity did you totally melt down around?” story in the history of this podcast. (Seriously.) Give it a listen!

“I love New Yorker cartoons, but they might be the whitest form of art ever conceived.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Richard Gehr has been writing about music, culture, and travel for quite a while. He has been an editor for the Los Angeles Reader, Spin, and Sonicnet/MTV Interactive. He currently writes for Rolling Stone, Spin, The Village Voice, Relix, AARP: The Magazine, and other publications. He was a senior writer for the book Alt. Culture: An A-To-Z Guide to the ’90S – Underground, Online, and Over-The-Counter and co-authored The Phish Book with the Vermont quartet. His new book is I Only Read It for the Cartoons: The New Yorker’s Most Brilliantly Twisted Artists. He resides in the Brooklyn arrondissement.

Credits: This episode’s music is Homesickness by Tsegue-Maryam Guebrou (because I’m on the road for a week). The conversation was recorded at Mr. Gehr’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on the same setup in a hotel room in San Diego, when my voice was shot from a three-day podcast-athon in Los Angeles. Processing was done in Audacity and Garage Band. Photo of Mr. Gehr by me.

Ashton Applewhite on The Virtual Memories Show

Season 4 Episode 40
Ashton Applewhite:
Much Abides

“Knowing that things are finite gives life meaning. Avoiding mortality means you’re avoiding living, not avoiding dying. Aging is living.”

Ashton Applewhite is on a crusade against ageism (lack of gray hair notwithstanding). She joins the show to discuss the myths and roots of ageism and her talk series, This Chair Rocks. We also discuss her Yo Is This Ageist site, why she scoffs at the Life Extension crew, how her critique of ageism intertwines with her critique of capitalism, what it’s like to suffer from analexophobia, why we should all consider ourselves old people in training, and how she launched the Truly Tasteless Jokes empire. Give it a listen!

And if you’re in NYC, you can go hear Ashton’s This Chair Rocks talk on October 27! Details here!

Bonus: my yearbook picture from 1989!

“It drives me crazy when I get the AARP bulletin and the only gray-haired person in it is Bill Clinton.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

The voice of This Chair Rocks and Yo Is This Ageist, Ashton Applewhite is a Knight Fellow, a New York Times Fellow, and a Columbia Journalism School Age Boom Fellow. She is the author of Cutting Loose: Why Women Who End Their Marriages Do So Well, media liaison to the board of the Council on Contemporary Families, and a staff writer at the American Museum of Natural History.

Credits: This episode’s music is Golden Years by David Bowie (it was either that or Never Get Old). The conversation was recorded at Ms. Applewhite’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. The intro and outro were recorded on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Applewhite by me.