bloom_4Virtual Memories Show #151: Harold Bloom

I visited Harold Bloom in New Haven and we recorded a podcast. He recited poetry, and we talked about his new book, The Daemon Knows, the weight of age, the intifada of the young, and the epigraphs of his life. You should give it a listen!

Here’s some of what he said:

“I’m a reader and a teacher. Writing comes out of reading and teaching. Those are all three words for the same thing. I don’t think I’m going to be remembered at all; I don’t think any of us get remembered.”

“Much as I permanently dislike T.S. Eliot’s prose — whether literary criticism (so-called) or his abominable religious writings . . . — or the whole essential nastiness of the man — misogynistic, anti-semitic, proto-fascist, despising Freud, full of a kind of contempt for humankind — at his best as a poet, he’s beyond argument.”

“As you get old you get exhausted. You lose patience, not with your students, but with the nonsense that passes for criticism or passes for scholarship. For a while, I was proud to say I was the pariah of my former profession. Now I don’t even think I’m that. I think they’ve forgotten me, which is good.”

“If in my youth you had asked me, ‘Harold, who is the better, more authentic poet: Alexander Pope or William Blake?’, I would have said Blake, of course. Now I’m not so sure. I read Pope with more pleasure, although I don’t know if Blake wants to be read for pleasure.”

“I’m a Melamed. I don’t teach Tanakh, I don’t teach scripture; I teach the secular canon, but I take the same attitude towards it that Hillel or Akiva said, ‘Build a hedge about the scripture; be resolute in judgement; raise up many disciples.”

“You want to be remembered by whoever’s going to recall you, for as long as they’re alive, with a certain degree of love. That’s about all you can hope for.”

I went full Maron on my intro; the conversation with Bloom starts at the 12-minute mark. Oh, and if you want to find out who he’s reading nowadays and get a list of all the books we talked about, join our Patreon and become a monthly contributor to The Virtual Memories Show!)

Enjoy the conversation!

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About our Guest

24214491192_b2e8cddb17_zHarold Bloom is a Sterling Professor of Humanities at Yale university and a former Charles Eliot Norton Professor at Harvard. His more than 40 books include The Anxiety of Influence, Shakespeare: The Invention of the Human, The Western Canon, and The American Religion. He is a MacArthur Prize Fellow, a member of the American Academy of Arts & Letters, and the recipient of many honorary awards and honorary degrees, including the Academy’s Gold Medal for Belles Lettres and Criticism, the Catalonia International Prize, and the Alfonso Reyes International Prize of Mexico. He lives in New Haven, CT. His new book is The Daemon Knows: Literary Greatness and the American Sublime (Spiegel & Grau).

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Professor Bloom’s studio on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photos of Prof. Bloom by me.

headly

Virtual Memories Show:
The Hollow Man

It’s the ONE-HUNDREDTH EPISODE of The Virtual Memories Show! And they said it would never last! To celebrate hitting the century mark, I asked past guests, upcoming guests and friends of the show to interview me this time around!

This special episode includes questions and recorded segments with Maria Alexander, Ashton Applewhite, John Bertagnolli, Lori Carson, Sarah Deming, Paul Di Filippo, Michael Dirda, Robert Drake, Aaron K. Finkelstein, Mary Fleener, Drew Friedman, Josh Alan Friedman, Kipp Friedman, Richard Gehr, Ben Katchor, Sara Lippmann, Brett Martin, Zach Martin, Seth, Jesse Sheidlower, Ron Slate, Tom Spurgeon, Levi Stahl, Maya Stein, Rupert Thomson, Peter Trachtenberg, Wallis Wilde-Menozzi, Frank Wilson, and Claudia Young.

Find out about my reading childhood, my dream list of pod-guests, my best practices for productivity (don’t have kids!), my favorite interview question, my top guest in the afterlife, the book I’d save if my house was on fire, what I’d do if I won a Macarthur Grant. and more! Give it a listen!

The sorrow of the lonely podcaster

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Gil Roth is the host of The Virtual Memories Show and the president of the Pharma & Biopharma Outsourcing Association.

Credits: This episode’s music is Stupid Now by Bob Mould. Several of the conversations were recorded on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro and the self-interview segments on a Blue Yeti USB Microphone. Processing was done in Audacity and Logic Pro. Photo of me by Aaron K. Finkelstein.

hegelshrunkSeason 4 Episode 24
Peter Kalkavage –
From Billiards to Bach

“No one can be deeply affected by this course of study and not want to go beyond it. It gets you excited about ideas, questions and authors. To read one author is to lead you to another.”

How does a man go from being a ne’er-do-well in a Pennsylvania mining town to a tutor at St. John’s College? Peter Kalkavage joins the show to talk about his path to that Great Books institution, what he’s learned going into his 38th year as a tutor, how he fell in love with the college’s music program, what his study of Hegel taught him, what he’d add to the St. John’s curriculum, what he thinks of the college’s recent rebranding efforts, and more! (Also: Iliad or Odyssey?) Go listen!

“We have to be very careful not to present ourselves in what we think might be an attractive way which misrepresents what we most have to offer our students, the country and the world: our curriculum. That’s the most important thing. Not our location, not our extracurricular activities, but the program. ‘The following teachers are returning to St. John’s next year. . . .'”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Peter Kalkavage has been a tutor at St. John’s College in Annapolis, Md., since 1977. He is director of the St. John’s Chorus. Dr. Kalkavage is the author of The Logic of Desire: An Introduction to Hegel’s Phenomenology of Spirit, and has produced translations of Plato’s Timaeus and Statesman for Focus Philosophical Library. He is also author of two texts that have been used in the St. John’s music program, On the Measurement of Tones and Elements: A Workbook for Freshman Music.

Credits: This episode’s music is the opening credits to Miller’s Crossing by Carter Burwell. The conversation was recorded in Peter Kalkavage’s office during the St. John’s College 2014 Piraeus seminar on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Peter Kalkavage by me.