Virtual Memories Show 259:
Lavie Tidhar

“You must be doing something right if you’re pissing people off. I just wish it was easier to piss people off.”

Science fiction author Lavie Tidhar joins the show to talk about the five topics that Israeli novelists are allowed to write about, his affinity for pulp fiction tropes, when it’s okay to make fun of Hitler (which he does at great length in A Man Lies Dreaming), why he finds utopias sinister (hint: he was raised on a kibbutz), how to build a career on ambitious failure, the eye-opening experience of editing world anthologies of SF, the difference between having fans and having readers, the distracting joy of Twitter, why not getting published in Israel felt like a reverse-BDS movement, and what it’s like never knowing which shelf a bookstore will decide to put his books. Give it a listen! And go buy A Man Lies Dreaming (among other works of his)!

“No one is doing what I’m doing, looking at big historical processes — like the Holocaust and 9/11 — but doing it through this particular pulp lens and through alternate history.”

“England keeps you thin because you don’t want to eat anything here.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Lavie Tidhar is the World Fantasy Award-winning author of Osama (2011), of The Violent Century (2013) and of the Jerwood Fiction Uncovered Prize winning A Man Lies Dreaming (2014), in addition to many other works and several awards. His latest novel is the Campbell Award-winning and Clarke Award nominated Central Station (2016). He works across genres, combining detective and thriller modes with poetry, science fiction and historical and autobiographical material. His work has been compared to that of Philip K. Dick by the Guardian and the Financial Times, and to Kurt Vonnegut’s by Locus. He’s also co-editor and co-founder of The Jewish Mexican Literary Review.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the home of John & Judith Clute on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Tidhar by me. It’s on my instagram.

Virtual Memories Show 258:
Willard Spiegelman

“When you review old pieces, you have a double-sided response: On the one hand, it’s ‘Gosh, how was I so smart? How could I write such a beautiful sentence?’ On the other hand, it’s ‘Gosh, what a piece of crap! How I could I be so banal, so jejune, so ignorant?’ The combination of legitimate pride and legitimate embarrassment is a standard one.”

Critic and essayist Willard Spiegelman returns to the show to talk about his new book, If You See Something, Say Something: A Writer Looks at Art (SMU Press), collecting his art reviews from the Wall Street Journal. We get into the notion of legacy after his retirement from 45 years of teaching, then tackle the process of learning to look at paintings, his favorite museums, the question of whether Hockney’s happiness makes him less of an artistic genius than grim/tormented artists, whether one should buy art to match one’s furniture, his love of Marfa, TX, the differences between being a pilgrim and a tourist, the role of curiosity as a remedy for boredom, the challenge of editing a literary magazine in this day and age, whether he’s a role model to younger gay people, the first time he had a student who was the child of one of his first students (that is, when he realized he was getting old), and more! Give it a listen! And go buy If You See Something, Say Something!

“One of the things I’m proud of is that, as a teacher, I’m still learning from teachers. Not university teachers, but dance teachers, swimming instructors, yoga teachers. When you hear somebody putting you through your paces, you learn how they teach.”

“Stoner is not a book to give to a man who has just retired from being an English teacher after 45 years. I was on the train, reading the last 30-40 pages, and I was in tears. I was so glad there were few people on the train with me to see me embarrassing myself.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Willard Spiegelman recently retired from his role as the Hughes Professor of English at Southern Methodist University in Dallas, where since 1971 he taught generations of students how to read, to write, and to think. From 1984 until 2016, he was also the editor in chief of Southwest Review. He has written many books and essays about English and American poetry. For more than thirty years, he has been a regular contributor to the Leisure and Arts pages of The Wall Street Journal. He has two previous appearances on The Virtual Memories Show in 2013 and 2016.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Willard’s NYC apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Spiegelman by me. It’s on my instagram.

Virtual Memories Show 254:
Ann Hulbert

“It’s so easy as a parent to project your own hopes and ambitions on your child, even when you think you’re not. Getting beyond that to see your kid as a person independent of you is the goal.”

Atlantic Monthly literary editor Ann Hulbert joins the show to talk about her new book, Off the Charts: The Hidden Lives and Lessons of American Child Prodigies (Knopf). We get into the history of child prodigies and what we can learn from the rest of their lives, how the prodigy experience can be a version of normal childhood writ large, and how to deal with the “race to nowhere” aspects of our high achievement culture. We also talk about Ann’s career as a literary editor (from The New Republic to Slate to The Atlantic), the advantages of living outside the New York publishing ecosystem, the challenges of assigning books for review, the perils of monomania, her father’s belief that children are “guests in the house”, and more! Give it a listen! And go buy Off the Charts!

“Pursuing something without the expectation of being really good at it was one of the pleasures of my childhood.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Ann Hulbert is the author of Raising America: Experts, Parents, and a Century of Advice About Children, The Interior Castle: The Art and Life of Jean Stafford, and Off the Charts: The Hidden Lives and Lessons of American Child Prodigies. Her articles and reviews have appeared in many publications, including The New York Times Book Review, The New York Review of Books, and The Atlantic, where she is the literary editor. She is a graduate of Harvard and spent a year at Cambridge University. She lives with her husband, Stephen Sestanovich, in Washington D.C.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Knopf offices in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Hulbert by Nina Subin, so it’s not on my instagram.

Virtual Memories Show:
The Guest List 2017

It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2017’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2018! Three dozen responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Hanukkah and/or Christmas purchases, The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from 36 of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014, 2015, and 2016 editions of The Guest List for more great book ideas!

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guests

The guests who participated in this year’s Guest List are Pete Bagge, Kathy Bidus, Sven Birkerts, RO Blechman, Kyle Cassidy, Graham Chaffee, Howard Chaykin, Joe Ciardiello, John Clute, John Crowley, John Cuneo, Ellen Datlow, Samuel R. Delany, Nicholas Delbanco, Barbara Epler, Joyce Farmer, Sarah Williams Goldhagen, Paul Gravett, Liz Hand, Vanda Krefft, Michael Meyer, Cullen Murphy, Jeff Nunokawa, Mimi Pond, Eddy Portnoy, Keiler Roberts, Martin Rowson, Matt Ruff, Ben Schwartz, Vanessa Sinclair, Ann Telnaes, Michael Tisserand, Gordon Van Gelder, Shannon Wheeler, Wallis Wilde-Menozzi, Matt Wuerker . . . and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The episode was recorded on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC.

Virtual Memories Show 244:
Nicholas Delbanco

“It’s a rare day when I’m not at my desk by 6.”

He’s been blackening the blank page for more than 50 years, and now Nicholas Delbanco joins The Virtual Memories Show to talk about writing, teaching, and sleepwalking through life! We get into his new essay collection, Curiouser and Curiouser, the importance of establishing a writing routine or habit, the process of revising a decades-old trilogy in light of his growth as a writer, the art of faking spontaneity on the page, the value of a good MFA program, his refutation of his friends’ belief that language is a finite resource and not a renewable one, his assessment that he’s a minor writer (or, even worse, “a writer’s writer”), and the place the deracinated consider home. Plus: I fall back into the trap of Acquisitive Alchemy! Give it a listen! And go buy Curiouser and Curiouser: Essays!

“Writers probably don’t have more than two or three major topics, and the passage of time is one of mine.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Nicholas Delbanco is the recently retired Robert Frost Distinguished University Professor of English Language and Literature at the University of Michigan. He has published thirty books of fiction and non-fiction. His most recent novels are The Years, and The Count of Concord; his most recent works of non-fiction Lastingness: The Art of Old Age and The Art of Youth: Crane, Carrington, Gershwin, and the Nature of First Acts. As editor he has compiled the work of, among others, John Gardner and Bernard Malamud. He was the long-term Director of the MFA Program as well as the Hopwood Awards Program at the University of Michigan, he has served as Chair of the Fiction Panel for the National Book Awards, received a Guggenheim Fellowship and, twice, a National Endowment for the Arts Writing Fellowship. His newest book is Curiouser and Curiouser: Essays.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Delbanco’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Delbanco by me. It’s on my instagram.