Merrill-Markoe_by_John-Dolan_jpg_627x325_crop_upscale_q85Season 4 Episode 25
Merrill Markoe –
Dogs of LA

“I hate to find out that people I admire are schmucks.”

Legendary comedy writer, producer and performer Merrill Markoe let me into her home after seeing pix of my adorable greyhounds, and we got to spend an hour talking about how she co-created Late Night with David Letterman, how she was too worried about getting canceled to appreciate changing the nature of comedy on TV, which show she would love to write for if she was starting out today, what Letterman of 25 years ago would have thought of Letterman of today, and more! Along the way, she proves Christopher Hitchens wrong (women can be very funny), weighs in on Steven Colbert’s prospects taking over the Late Show, and talks about her literary influences and favorite cartoonists. And then we get overrun by her dogs, including Wally Markoe. Go listen!

Wally Markoe

“Had I been able to rewrite the whole thing from the ground up, it would’ve been far preferable not to be involved personally [with the host of Late Night] and to only have been a writer. To have doubled up on that was a real big mistake.”

We also find out about her favorite Stooge, The Merrill Markoe Method of Sleepywriting (which she learned while recovering from a double-hip replacement), how she learned to stop sweating the details and start cartooning, and what she fears will be the first line of her obit. (BONUS: I offer a greyhound adoption PSA of sorts and tell silly stories about my dogs.)

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Merrill Markoe has written for TV series such as Newhart and Sex and the City, and co-created the original David Letterman show, for which she won five Emmys. She’s published eight books: four collections of funny essays (How to Be Hap-Hap-Happy Like Me!, Merrill Markoe’s Guide to Love, What the Dogs Have Taught Me: And Other Amazing Things I’ve Learned, and Cool, Calm & Contentious) and four novels (It’s My F—ing Birthday, Walking in Circles Before Lying Down, The Psycho Ex Game (with Andy Prieboy), and Nose Down, Eyes Up) and has written for a wide variety of publications including but not limited to NYTimes, LATimes, Time, Rolling Stone, Real Simple, Vanity Fair, etc. etc. She also does standup and did a number of her own specials for HBO in the 80s and 90s, including being a performer writer on Not Necessarily the News. She had a talk radio show for a while and was a funny lifestyle reporter for local news for a few years. You can follow her on twitter at @merrillmarkoe.

Credits: This episode’s music is Pets by Porno for Pyros. The conversation was recorded in Ms. Markoe’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Wally Markoe by me. B/W photo of Ms. Markoe by John Dolan.

hegelshrunkSeason 4 Episode 24
Peter Kalkavage –
From Billiards to Bach

“No one can be deeply affected by this course of study and not want to go beyond it. It gets you excited about ideas, questions and authors. To read one author is to lead you to another.”

How does a man go from being a ne’er-do-well in a Pennsylvania mining town to a tutor at St. John’s College? Peter Kalkavage joins the show to talk about his path to that Great Books institution, what he’s learned going into his 38th year as a tutor, how he fell in love with the college’s music program, what his study of Hegel taught him, what he’d add to the St. John’s curriculum, what he thinks of the college’s recent rebranding efforts, and more! (Also: Iliad or Odyssey?) Go listen!

“We have to be very careful not to present ourselves in what we think might be an attractive way which misrepresents what we most have to offer our students, the country and the world: our curriculum. That’s the most important thing. Not our location, not our extracurricular activities, but the program. ‘The following teachers are returning to St. John’s next year. . . .'”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Peter Kalkavage has been a tutor at St. John’s College in Annapolis, Md., since 1977. He is director of the St. John’s Chorus. Dr. Kalkavage is the author of The Logic of Desire: An Introduction to Hegel’s Phenomenology of Spirit, and has produced translations of Plato’s Timaeus and Statesman for Focus Philosophical Library. He is also author of two texts that have been used in the St. John’s music program, On the Measurement of Tones and Elements: A Workbook for Freshman Music.

Credits: This episode’s music is the opening credits to Miller’s Crossing by Carter Burwell. The conversation was recorded in Peter Kalkavage’s office during the St. John’s College 2014 Piraeus seminar on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Peter Kalkavage by me.

sethSeason 4 Episode 23
Seth –
Haste Ye Back

The great cartoonist (and designer and illustrator) Seth joins the Virtual Memories Show to talk about memory and time, his love of digression, being “Mr. Old-Timey”, what it means to be a Canadian cartoonist, and learning to let go of the finish and polish that used to characterize his work. Listen now!

“When I was young, I thought there were an infinite possibility of stories you could do. As you get older, you realize you’re following a thread, and that you don’t have as much choice about what you’re writing about as you thought.”

“Style’s a funny thing. I think it’s important, but I think it’s a matter of the choices the artist makes that lead to the finished product. It is chosen, bit by bit over time, with each decision you make.”

“People only have a limited patience for listening to you go on and on about your own ideas, your own mind, your own memories. Art allows you to have that perfect experience of putting that down on paper without anyone growing tired and making you stop.”

“You add things onto yourself bit by bit through life to create the kind of person you want to be. Eventually, to some degree, it IS you. You picked these things deliberately.”

Seth: The Virtual Memories Conversation. Go listen!

“There’s some little thing that makes it hard to let it go of trying to create that fetish object you always wanted, that comic strip that looks like the best you can make it.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Seth is the pen name of Gregory Gallant, a Canadian comic book artist and writer. He is best known for comics such as his ongoing anthology Palookaville, George Sprott: (1894-1975), Wimbledon Green, The Great Northern Brotherhood of Canadian Cartoonists, and It’s a Good Life, If You Don’t Weaken, all published by Drawn and Quarterly. His illustrations have appeared in The New Yorker, The Washington Post, Details, Spin, The New York Times, and Saturday Night, and he has designed books and DVDs for a variety of publishers, including Fantagraphics (The Complete Peanuts), Random House (The Portable Dorothy Parker), and Criterion (Make Way for Tomorrow). Here are his favorite Criterion releases.

Credits: This episode’s music is Time Stand Still by Rush (because Seth’s Canadian, see, and his work revolves around memory and — oh, never mind). The conversation was recorded in Seth’s hotel room during the Toronto Comic Arts Festival on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Seth by me.

Thomson_Secrecy-252x390Season 4 Episode 22
Rupert Thomson –
Wax, Rhapsodic

“There is a kind of comfort in having a part of yourself that will never be known, can never be known, by others.”

Genre-jumping author Rupert Thomson joins the show to talk about his new novel, Secrecy (Other Press). Along the way, we talk about the arbitrariness of “historical fiction,” the perils of researcher’s block (as opposed to writer’s block), what he learned from a 90-minute audience with James Salter, discovering archaic Italian curses, letting one’s art follow one’s unconscious, the joys of visiting the graves and/or homes of his literary idols, why finding the psychological truth of a story is more important than the details and background, and why it always helps to know a good histopathologist. Go listen!

“When I first started out, what I liked was the unlikely image, the unlikely metaphor. What I like now is finding that simple sentence that captures something you haven’t thought of before.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Rupert Thomson is the author of nine highly acclaimed novels: Dreams of Leaving, The Five Gates of Hell, Air And Fire, The Insult, Soft!, The Book of Revelation, Divided Kingdom, Death of a Murderer, which was short-listed for the 2007 Costa Novel Award, and Secrecy. His memoir, This Party’s Got To Stop, won the Writers’ Guild Non-Fiction Award. He lives in London.

Credits: This episode’s music is Hotwax by Beck. The conversation was recorded at the Other Press offices on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Mr. Thomson by Graeme Robertson.

cov175Season 4 Episode 21
Katie Skelly –
Theory and Practice

“I’m never gonna be a parent, but if I were, I’d be like, ‘We’re skippin’ this Goodnight, Moon thing; you’re goin’ to Pale Fire.'”

Cartoonist Katie Skelly joins the show to talk about her new book, Operation Margarine (AdHouse Books), which is really just an opportunity for us to talk about Barthes, Edie Sedgwick, and The Maxx, before getting to the moment when she was 15 and read the least “YA”-friendly book ever for all the wrong reasons. Along the way, we also talk about how she manages to work on her comics while holding down a (respectable) full-time job, why she’d rather hunt for a rare comic than buy something new, what it was like to belong to a high school anime club that only had two members. Go listen!

“6 o’clock hits, it’s time to leave the office; what are you going to do with the four or five hours you have before going to sleep?”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Katie Skelly lives and works in Queens, NY. Her first graphic novel, Nurse Nurse, was published by Sparkplug Books in 2012. Her latest book, Operation Margarine, was published by AdHouse Books in 2014. You can find her on her website, on Tumblr, and on Twitter.

Credits: This episode’s music is Katie’s Been Gone by The Band. The conversation was recorded in my hotel room during the 2014 Toronto Comic Arts Festival on a Zoom H2n (I had some weird distortion/flutter on my usual Blue enCORE 200 microphones feeding into a Zoom H4n recorder, so I went with my backup recording). The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Skelly by Amy Roth.