Virtual Memories Show 404:
Michael Shaw

“The Elements of Stress is the perfect gift for the person who HAD everything.”

Got the election / pandemic / climate change / midlife / inexplicable rash blues? Then listen to me and cartoonist & humorist Michael Shaw talk about his new book, The Elements of Stress and the Pursuit of Happy-ish in this Current Sh*tstorm (co-authored by the great Bob Eckstein, from Weekly Humorist Press)! We get into how Michael and Bob managed to mash up Strunk & White with Thurber & White to create a prose & cartoons handbook to dealing with This Whole Situation, then explore Michael’s history in cartooning and humor, how he balances that with a day job in writing and editing, his discovery that if he drew cartoons any better he’d be terrible, and why he took a hiatus from submitting gags to The New Yorker (and whether they know he’s taken said hiatus). We also get into his literary loves, the perils of listening to William S. Burroughs audiobooks on late-night commutes, how his florid-rococo style balances with Eckstein’s Hemingway-on-valium approach, the lesson he learned from Milton Glaser about One Element of Dissonance, and more! Give it a listen! And go read The Elements of Stress and the Pursuit of Happy-ish in this Current Sh*tstorm!

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Michael Shaw’s cartoons have appeared in The New Yorker since 1999 and have a habit of going viral—appearing on an ABC news special following the World Trade Tower attack and on 60 Minutes as one of New Yorker cartoon editor Bob Mankoff’s “top five favorites.” Shaw’s cartoon on Charlie Hebdo led to his appearance on Ronan Farrow Daily on MSNBC. His cartoons have appeared in The New Yorker Book of Literary Cartoons, The Complete Cartoons of The New Yorker, The Rejection Collection I and II, The New Yorker Encyclopedia of Cartoons, The Ultimate Cartoon Book series, and in The St. Louis Post-Dispatch, Harvard Business Review, Weekly Humorist, and Prospect magazine. His new book, with co-author Bob Eckstein, is The Elements of Stress and the Pursuit of Happy-ish in this Current Sh*tstorm.

Follow Michael on Twitter and Instagram and visit the Chinese sports gambling site that took over his website after he let the domain name lapse.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Michael by . . . someone else. It’s on my instagram.

Virtual Memories Show 403:
Merrill Markoe (+ Emily Flake)

“What you find when you look at your old writings is that you’re a completely different person until you’re about 13 or 14.”

Comedy legend Merrill Markoe returns to the show to celebrate her new graphic memoir, We Saw Scenery: The Early Diaries of Merrill Markoe (Algonquin Books of Chapel Hill)! We talk about how it felt to spend time with her childhood self over the course of the book, the decision to illustrate it and what that process taught her about cartooning, what contemporary Merrill has to say to her younger self, and how she owns up to having a crush on a junior high boy who made Heil Hitler salutes at her. We also get into the influence of Lynda Barry on her work, why she’s considering leaving Malibu for the Pacific Northwest, her decision to auction off her Late Night with David Letterman gear to contribute to charities (like this one!), her love for Pen15, the joy of the Undo button, and how the world has changed for funny women. And speaking of, Emily Flake also joins the show to talk about the Kickstarter for St. Nell’s Humor Writing Residency for Ladies (expiring Oct. 30, so go check it out)! Give it a listen! And go read We Saw Scenery!

(& check out Merrill’s first Virtual Memories Show appearance in 2014)

“Everybody I know who’s compulsively funny for a living, it comes to them young.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guests

Merrill Markoe was the head writer for the original The David Letterman Show (the live NBC morning show that was recognized with a Daytime Emmy Award) and the co-creator and first head writer of NBC’s groundbreaking Late Night with David Letterman, for which she won three additional Emmy Awards. She engineered the majority of the show’s original concepts and created the segments “Stupid Pet Tricks,” “Stupid Human Tricks,” and “Viewer Mail.” Merrill also won a Writer’s Guild award for her writing/performing work on HBO’s Not Necessarily the News. She has written for television shows such as Sex and the City, Newhart, and Moonlighting and has written for many periodicals, including Rolling Stone, Time, US Weekly, People, Esquire, The New York Times, and The Los Angeles Times, and her cartoon work has appeared in The New Yorker. She was recently awarded the Paddy Chayefsky Laurel Award for Television Writing Achievement.

Follow Merrill on Twitter, and Instagram.

Emily Flake‘s cartoons and humorous essays run regularly in The New Yorker, The Nib, and many other publications. Her weekly strip, Lulu Eightball, ran in alt-weeklies for many years. She’s written and illustrated two books: These Things Ain’t Gonna Smoke Themselves and Mama Tried. Her illustrations and cartoons appear in publications all over the world, including the New York Times, Newsweek, the Globe and Mail, The Onion, The New Statesman, and Forbes. She lives in Brooklyn, New York, with her husband, daughter, and a new cat. Her new book is That Was Awkward: The Art and Etiquette of the Awkward Hug (Viking Books).

Follow Emily on Twitter and Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Merrill by . . . someone else. It’s on my instagram.

Virtual Memories Show 402:
Darryl Pinckney

“The vote has to be rethought in our American hearts as a radical act, because so many people don’t want you to vote. We have to think about the vote as the center of American culture and American purpose, that cuts across lines of identity that people have drawn so vividly.”

Writer and cultural critic Darryl Pinckney joins the show to celebrate the new edition of Blackballed: The Black Vote and US Democracy (NYRB) and the paperback of Busted in New York and Other Essays (Picador). We talk about revisiting his Obama-era writings in the post-2016 world, the importance of the vote and the question of whether there’s a Black vote, or Black voters. We discuss his surprise at the persistence of makeup of the BLM protests, his place in the historical chain and the moment he felt out of touch, and his history at the New York Review of Books and its roots in the anti-Vietnam War movement. We also get into the fractured relationship between Jews and Blacks (following their close ties during the civil rights movement), the companionship of books during the pandemic, the commodification of the arts, the memoir he’s working on about Elizabeth Hardwick and 1970s NYC, and more, including an image I’ve pondered for years: Jesse Jackson’s tears the night of Obama’s election in 2008. Give it a listen! And go read Blackballed and Busted in New York!

“Our generation didn’t think we were getting older the way we saw the previous generation get older. People made the mistake of thinking their children were their friends. They’re not; they’re your judges.”

“The past is so case by case, there’s no one rule for confronting it. Because there’s no end to what you can find out.”

“We have a lot of books, most of which I’ve not read. Now that I’m aware time is running out, I’m more enchanted by the book as an object than ever. The companionship of a book at a time like this means a lot to me.”

“None of this was ever certain. That things worked out the way they did is the surprise.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Darryl Pinckney, a longtime contributor to The New York Review of Books, is the author of the novel High Cotton (winner of a Los Angeles Times Book Prize), and the works of nonfiction, Blackballed: The Black Vote and US Democracy, Out There: Mavericks of Black Literature, and Busted in New York and Other Essays. He is a recipient of the Harold D. Vursell Memorial Award for Distinguished Prose from the American Academy of Arts and Letters. He lives in New York.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Banner photo of Darryl by Dominique Pinckney; office photo by by Rich Gilligan. It’s on my instagram.

Virtual Memories Show 401:
John Keene

“How do we think about the past in this country? What tends to be erased? Once we start to dig deeper into a story, we don’t wind up just in one rabbit-hole, but a warren of sorts.”

Author, translator, professor and MacArthur Fellow John Keene joins the show to talk about how voices are found and how they’re erased. We get into how Benedictine monks started him on the road to translation, which languages he wishes he had, the perils of knowing just enough of a language to get in trouble, and how translation trains one to let go of ego. We discuss his amazing but uncharacterizable fiction collection, Counternarratives (New Directions), along with his powerful essay, Translating Poetry, Translating Blackness, and how to explore Black representation across cultural boundaries. We also get into the performative aspects of BLM by corporations and institutions and would it would take to transform into real change, the impact of his MacArthur “genius” grant, why he’s trying to move away from Counternarratives’ narrative density in his new work, and more. Give it a listen! And go read Counternarratives!

“With George Floyd, and Breonna Taylor, and Ahmaud Arbery, and you go on throughout the list, and these moments remind us of how much still needs to be done, in terms of rethinking how this society functions, and our relationship to each other.”

“With Counternarratives, I wanted to write a book that was grounded in specificity but also pulled away from the self, from myself. Which runs counter to today’s trend for autofiction.”

“There’s no frictionless change.”

TUNEIN LINK TK

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

John R. Keene was born in St. Louis in 1965. He graduated from the St. Louis Priory School, Harvard College, and New York University, where he was a New York Times Fellow. In 1989, Mr. Keene joined the Dark Room Writers Collective, and is a Graduate Fellow of the Cave Canem Writers Workshops. He is the author of Annotations, and Counternarratives, both published by New Directions, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst’s novel Letters from a Seducer. He is the recipient of many awards and fellowships—including a MacArthur ‘Genius’ Award, the Windham-Campbell Prize, and the Whiting Foundation Prize for fiction. He teaches at Rutgers University-Newark.

Follow John on Twitter and Instagram and harass him about blogging more.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of John by Nina Subin. It’s on my instagram.

Virtual Memories Show 400:
Michael Musto

“I learned you have to only interview people you love, really do your research so you’re not asking them obvious questions, and treat it like a conversation, so you can get something human out of them, something spontaneous.”

Legendary entertainment columnist Michael Musto joins the show to talk about the evolution of gossip, nightlife, New York City, celebrity, and queer representation over the years! We get into the origins of his La Dolce Musto column in The Village Voice (and what led to the magazine’s decline and death), the parallels and differences between the AIDS crisis and COVID-19, the highs and lows of ’80s NYC and how the city will bounce back post-pandemic, the impact of RuPaul on the culture, his Warhol story, the generational gaps in gay upbringing, the bridges he’s burned, the reason he never had the nerve to talk to Madonna face to face, the best gift-bag he ever received, how his folks came around about his being gay but were always worried about his being a journalist, why he only reads celebrity memoirs, and more. It’s a heck of a way to celebrate our 400th episode! Give it a listen!

“In the COVID era, celebrities have become extra-irrelevant, because they can’t do what they do: make films or do live performances.”

“I felt not only survivor’s guilt, but the need to live for everyone who couldn’t live.”

“I’d wave at a celebrity I was quote-friends-unquote with, but who I’d written something maybe not positive about, and they’d always give me the side-eye. I learned the valuable lesson: keep on writing the truth, because who cares if you’re friends with celebrities? My job wasn’t to be their friend.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

When I asked Michael for a bio, he wrote, “I wrote the La Dolce Musto column for The Village Voice, I have written four books, including Downtown and Manhattan on the Rocks, and I have long also been a TV commentator on pop culture topics.”

Follow Michael on Twitter and you’ll find so much great stuff, including these recent pieces on COVID’s effect on queer culture, and being a misfit gay.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Michael in red by Andrew Werner; in brocade by someone else. It’s on my instagram.