Virtual Memories Show 279:
Hal Mayforth

“As a kid, I was scared of Superman comics. Robots, too.”

Illustrator-painter-cartoonist-musician Hal Mayforth joins the show to talk about making art out of the everyday. We get into his daily sketchbook practice (along with transcendental meditation), the shelf-life of illustrators’ styles, the music he makes out of found vocals, and how he balances personal art alongside his professional work. We also talk about his explorations into AbEx and how he made the shift from illustration to fine art, how he built his portfolio by doctoring alt-weekly articles with his own illustrations, why playing in a band offsets the solitary aspects of making art, his Screaming Yellow Zonkers animation that never aired, whether living in New England (Burlington, VT especially) helped or hurt his illustration career, the inspiration of EO Wilson on his Biophilia paintings, teaching himself portraiture by working his way through an old World Book encyclopedia, his campaign to get May 4th declared a national holiday and why he feels upstaged by Star Wars fans, and why he chooses soul over technical perfection (and Lightnin’ Hopkins over Steve Vai). Give it a listen! And go check out Hal’s art and listen to his music!

“I wanted to be a rock star; the arts thing came later.”

“I think George Herriman is like Shakespeare, Michelangelo and Leonardo in one package.”

Want a little bonus podcast action? Check out this minute-long video of Hal playing his favorite guitar prior to our pod-session:

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Humorous Illustrator Hal Mayforth was born and raised in Vermont. He was lucky to have graduated from Skidmore College with a degree in Fine Art because he spent most of his 4 years playing rock and roll in bars. He started his illustration career in Boston, returned to Vermont to raise 3 boys with his wife and recently, like a yo-yo, returned to the greater Boston area. Hal has been the recipient of many awards and honors including a swimming award at Camp Abnaki in the early ’60’s. In addition to drawing little guys with big eyes and big noses for money, he is also serious about drawing in his sketchbooks every morning and fashioning those drawings into paintings.

Hal Mayforth’s paintings have been featured in exhibitions in museums and galleries throughout the US, including the Housatonic Museum in Bridgeport, CT; the Berkshire Museum in Pittsfield, MA; La Luz de Jesus Gallery in Los Angeles; the Sylvia Schmidt Gallery in New Orleans; Monserrat College in Beverly, MA; the Wood Gallery of the Vermont College of Fine Art in Montpelier; the Virginia Lynch Gallery in Tiverton, RI; the Furchgott-Sourdiffe Gallery in Shelburne, VT; Studio Place Arts in Barre, VT; The Helen Day Art Center in Stowe, VT, The Quimby Gallery at Lyndon State College in Lydonville, VT and the Tarrant Gallery at the Flynn Center for Performing Arts in Burlington, VT.

As a nationally recognized humorous illustrator, Hal’s work is published in national magazines and newspapers, including Time, Newsweek, US News and World Report, Rolling Stone, Forbes, Outside, Road and Track, Reader’s Digest, Mother Jones, The New York Times, The Wall Street Journal and The Boston Globe.

He’s also recorded 4 albums.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Hal’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Hal & his sketchbook & studio by me. It’s on my instagram.

Virtual Memories Show 278:
Dmitry Samarov

“The curse of knowing more is that you see more.”

After our pre-opening tour of the Milton Resnick and Pat Passlof Foundation museum, artist Dmitry Samarov and I repaired to a cafe where we recorded a noisy conversation while Dmitry sketched me. This ridiculously casual episode gets into artists and suicide, the process and revelations of assembling 20 years’ worth of work for a mid-career retrospective (as well as his new exhibition of his CTA illustrations), the losing proposition of chasing stats, the launch of his own semisorta podcast, the fanciest dumb-phone around, becoming a journalist/reviewer, and how you gotta find the right tool for the job/art. Give it a listen! And go sign up for Dmitry’s weekly e-mail!

“People are so involved in their screens that they won’t look up in a 45-minute bus ride, which makes them the perfect subjects/victims for my art.”

“The goal is to outlive my parents. Everything is just gravy.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Dmitry Samarov is a painter and writer who lives in Chicago, IL. His first two books are Hack: Stories from a Chicago Cab, and Where To?: A Hack Memoir. Here’s his sketch of me.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Irving Coffee Roasters on Orchard St. on a Zoom H2n digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Samarov by me. It’s on my instagram.

Virtual Memories Show 270:
Ilana C. Myer

“The writing has a plan, and it does whatever it wants with me.”

Fresh from her book tour, Ilana C. Myer joins the show to talk about her new novel, Fire Dance (Tor). We get into the jump she made for her second book, the process of crossing Celtic poets with troubadours and Mediterranean aesthetics and mythology as part of her world-building, the challenge of seducing the reader, why she writes fantasy instead of history, and her fixation on “books with magic in them” as a kid. We also get into how she balances life in Israel and the US, her process of self-discovery and her religious epiphany in a college astronomy class, the challenge of shutting out social media voices while keeping up a strong Twitter presence, and more! Give it a listen! And go buy Fire Dance (and Ilana’s first novel Last Song Before Night)!

“Without our history, without our traditions, who are we? I refuse to be someone who doesn’t have an identity.”

“You can’t predict how people will respond to the work. To retain my sanity and creative integrity, I had to not pay attention to the responses, even the positive ones.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Ilana C. Myer has worked as a journalist in Jerusalem and a cultural critic for various publications. As Ilana Teitelbaum she has written book reviews and critical essays for The Globe and Mail, the Los Angeles Review of Books, Salon, and the Huffington Post. Last Song Before Night was her first novel, followed by Fire Dance. She lives in New York.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ilana’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Myer by Ezra Butler, so it’s not on my instagram.

Virtual Memories Show 267:
JJ Sedelmaier

“Parody is a wonderful realm to work in, because you get to do a technique but you get to use it as a device beyond what it was developed for. You can speak two languages at the same time.”

Director/Producer JJ Sedelmaier has been in and around animation for nearly 40 years. We sat down to talk about the false choice of art and commerce, how the advertising and animation businesses have changed over the years he’s been working in them, using animation for good instead of evil, how working in a Greek restaurant as a teen prepared him to run his own animation studio, the insane process of animating the first season of Beavis & Butthead, the joy of working with his favorite artists and cartoonists, not worrying about his road-not-traveled, stepping away from SNL’s TV Funhouse after 3 years (during which time he co-created Ace & Gary, the Ambiguously Gay Duo), the time he met Steve Ditko, how Mark Newgarden & Paul Karasik have taught him to appreciate Nancy, the trap of tapping into nostalgia (and the missed opportunity of that Geico ad with He-Man), his responses to my totally unfair “X or Y” questions (incl. “Herriman or McCay?” and “Kurtzman or Eisner?”), and plenty more! Give it a listen!

“As much as I loved working on a scene when I was an animator, the flexibility to work on different things on different levels and timelines, and to pull it off, means more to me.”

“It’s wild when my idols come up to me and say they know my work.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

J.J. Sedelmaier is the President/Director of J.J. Sedelmaier Productions, Inc., a animation and design studio that he established with his wife Patrice in 1990. It has created and produced some of the most influential broadcast productions in the past quarter century. MTV’s Beavis and Butthead, NBC/Saturday Night Live’s Saturday TV Funhouse cartoon series (including The Ambiguously Gay Duo), Cartoon Network/Adult Swim’s Harvey Birdman, Stephen Colbert’s Tek Jansen, all had their beginnings at JJSP! In addition to TV network cartoon series, the White Plains, NY studio has produced over 500 animated commercial films and won over 700 prestigious awards with screenings in over 100 festivals in 25 different countries. Sedelmaier is an experienced educator (NYU), curator of exhibits on animation and design, and an architectural preservationist with two structures on the National Register Of Historic Preservation. He is a regular editor/author for Print Magazine’s Imprint design blog.

He is also a regular presenter at comic cons throughout the U.S. and a subject of numerous interviews on TV and radio. J.J.’s interests are wide and varied, If you Google him, you’ll become very confused . . . he likes that.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the offices of JJ Sedelmaier Productions on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of JJ by me. They’re on my instagram.

Virtual Memories Show 265:
Jaime Hernandez

“Whenever I write Maggie & Hopey, they’re always looking at the past, always thinking back about what they were. I didn’t mean for it to be that way, but that’s what I do: ‘Remember when we were like that, well, we’re not like that anymore. . . .'”

He’s been on my list of dream-guests since I launched the podcast, and now Love & Rockets cartoonist Jaime Hernandez joins the show! We talk about his new book, The Dragon Slayer: Folktales from Latin America (TOON Graphic), the family-centric folktales of his own youth in Oxnard, CA, the fun of drawing for kids, and the times he’s felt Maggie Chascarillo had nothing left to say. We get into the origins of Love & Rockets, how he learned to tell a story and still develop characters, the L&R story that marked a turning point for him, what prompted a big reunion storyline of his key characters, the thing he most hates drawing, the first time he saw someone with a Love & Rockets tattoo (and the stories of his own tattoos), and the vital question: is punk rock dead? Plus, Katie Skelly (My Pretty Vampire) talks about what Jaime’s comics mean to her! Give it a listen! And go buy The Dragon Slayer: Folktales from Latin America and Fantagraphics Studio Edition: Jaime Hernandez!

“I like getting cartoony when it comes to kids, because the drawings are more alive. They bust out more, they create a life of their own.”

“Writing a story that takes four years and happens in two nights drives me crazy!”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Jaime Hernandez lives in Pasadena, CA with his wife and daughter. He is co-creator of the long-running, award-winning, and critically acclaimed series Love and Rockets. His new book is The Dragon Slayer: Folktales from Latin America.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ink48 on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Jaime & Katie Skelly by me. It’s on my instagram.