Daniel Levine talks HYDE

Season 4 episode 14
They Call Me MISTER Hyde!

“I like that we live in an age that’s increasingly curious about this dark side, and not merely in terms of its pure darkness, but of how seemingly ordinary or normal people can commit atrocities.”

Daniel Levine joins us to talk about his debut novel, HYDE, an inventive and gorgeous retelling of The Strange Case of Dr. Jekyll and Mr. Hyde. It’s a fun conversation about our public and private selves, the ways we define evil, the mechanics of storytelling, the luck of human evolution, and more! Give it a listen!

“Art and torture occupy opposite ends of the same spectrum. Art is the attempt at beauty on a superfluous level . . . while torture is pain taken to an almost artistic, a musical level.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Daniel Levine studied English Literature and Creative Writing at Brown University and received his MFA in Fiction Writing from the University of Florida. He has taught composition and creative writing at high schools and universities, including the University of Florida, Montclair State University, and Metropolitan State College of Denver. Originally from New Jersey, he now lives in Colorado. Hyde is his first novel.

Credits: This episode’s music is Dr. Jekyll by Miles Davis. (It was either that or Dr. Heckle & Mr. Jive by Men at Work.) The conversation was recorded at Daniel Levine’s childhood home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Daniel Levine by me.

dgmyersSeason 4 episode 13
Reading Maketh a Full Man,
or, “Where is the Lesbian on This List?”

“I would take an evil delight in asking my colleagues what they were reading, and watching the look of panic on their faces. Because everyone reads scholarship now, and very few primary materials. Our academic specialties are an inch wide and a mile deep.”

Literature professor and book critic DG Myers is dying of cancer, but that doesn’t mean he’s planning to go gentle into that good night. In a far-ranging conversation, we talk about why he believes university English departments will barely outlast him, how he made the move from Southern Baptist to Orthodox Judaism (getting recircumcised a few times along the way), what he’d like to be remembered for, why the idea of The Western Canon is a canard, which books and authors he’s trying to get to before he dies, who he regrets not reading before now, and the identity of the one author he’d like to hear from. Give it a listen!

“Every Shabbos I thank Hashem for my cancer, because it has focused me on what’s good and enabled me to ignore what’s not.”

We also talk about his plans to dispose of his library, the joys of studying under Stanley Elkin, the relation of books to moral life, the things that cease to matter in the face of a terminal diagnosis, the failure of English departments in the age of Theory, the thorny question of whether creative writing can be taught, and what writers and readers should do to save the humanities. Also, check out the list of books that came up in our conversation.

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

DG Myers is the author of The Elephants Teach: Creative Writing Since 1880, a work of literary scholarship. He has been a critic and literary historian for nearly a quarter of a century at Texas A&M and Ohio State universities, and was formerly the fiction critic for Commentary. He has written for Jewish Ideas Daily, the New York Times Book Review, the Weekly Standard, Philosophy and Literature, the Sewanee Review, First Things, the Daily Beast, the Barnes & Noble Review, the Journal of the History of Ideas, American Literary History, and other journals. He is working on a memoir, Life on Planet Cancer, and lives in Columbus, OH, with his wife Naomi and their four children: Dov, Saul, Isaac, and Miriam (“Mimi”). He writes at A Commonplace Blog.

Credits: This episode’s music is First We Take Manhattan by Jennifer Warnes. The conversation was recorded at Prof. Myers’ home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Prof. Myers by me.

tovamirvispostSeason 4 episode 12
Window, Pain

“I set up a scenario where all of my characters were unhappy in one way or another, and they were all watching other people, as opposed to looking inward at their own lives. I didn’t know what people do about that. I was writing a realistic novel, but part of me believed that no one actually acts on their unhappiness.”

Tova Mirvis joins The Virtual Memories Show to talk about her brand-new novel, Visible City and how she learned to act on her unhappiness, as well as the lifelong advice she got from Mary Gordon, the ways that writing a book is like building a stained-glass window, why being an orthodox Jew in Memphis wasn’t just like Designing Women with better wigs, and the advantages of being offline for a week when the New York Times publishes your op-ed about getting divorced. Give it a listen!

“Orthodox Judaism and southern culture meld beautifully. In the south, there’s a way we do things and a way we don’t do things. And it’s the same in orthodox Judaism. They’re both very well-structured worlds. I grew up as a sort of cocktail of those two worlds.”

We also talk about how one person’s urge to freedom is another person’s betrayal, why Visible City took her 10 years to write, what you can discover about yourself in your 40s and what you can leave behind, and the varieties of religious experience (ours, not William James’). BONUS! You also get my essay/monologue about Jews & Geordies! Enjoy the conversation! Then check out the archives for more great episodes!

About our Guest

Tova Mirvis is the author of three novels, Visible City, The Outside World and The Ladies Auxiliary, which was a national bestseller. Her essays have appeared in various anthologies and newspapers including The New York Times Book Review, The Boston Globe Magazine, Commentary, Good Housekeeping, and Poets and Writers, and her fiction has been broadcast on National Public Radio. She has been a Scholar in Residence at the Hadassah-Brandeis Institute at Brandeis University, and Visiting Scholar at The Brandeis Women’s Studies Research Center. She lives in Newton, MA with her three children. Credits: This episode’s music is NYC USA by Serge Gainsbourg. The conversation was recorded at the Houghton Mifflin Harcourt offices on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and monologue were recorded on the same setup in a hotel in Columbus, OH. Processing was done in Audacity and Garage Band. Photo of Ms. Mirvis by me.

sarahdemingSeason 4 episode 11
Stick and Move

“Claressa Shields was the first boxer who showed me that women can be artists in the ring, like men. It was kind of like the first time I read Virginia Woolf.”

Essayist, boxer, novelist, chef and more, Sarah Deming joins The Virtual Memories Show to talk about yoga’s role as a gateway drug into boxing, winning a Golden Gloves tournament, the joys of watching a great fighter, her literary idols, the miracle of Bernard Hopkins’ longevity, and how she found her soul.

“I really like the people who write about boxing with empathy. There’s a lot of subtly disrespectful boxing writing. I think it’s essentially because of the threat the intellectual feels from the athlete, and I think racism underlies it, too.”

We also talk about the spiteful inspiration for her first novel, the thread connecting boxers and adult film stars, the magic in the mundane, and why it’s almost impossible to write something boring about sex or a fight! Give it a listen! (And check out these wonderful essays Sarah wrote about skydiving and vodka-peddling!)

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Sarah Deming is the author of the children’s novel Iris, Messenger (Harcourt, 2007) about the Greek gods in suburbia. Her essays have appeared in the Threepenny Review, the Huffington Post, and WNYC.com. In 2013, she won a Pushcart Prize and was listed as notable in Best American Essays. Sarah has ghostwritten two erotic novels and assisted on ultramarathoner Scott Jurek’s memoir Eat and Run. She was a writer/researcher for CNBC’s boxing coverage of the 2012 Olympics. Before becoming a writer, Sarah was a Golden Gloves boxing champion, chef, and yoga teacher. She volunteers as a strength/conditioning coach for young boxers at the Atlas Cops & Kids Gym in Brooklyn and teaches yoga at New York Health and Racquet Club.

Credits: This episode’s music is Brainy by The National. The conversation was recorded at Ms. Deming’s home on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Deming by me.

mayastein2Season 4 episode 10
The Stars Have Anemia

“There’s a sort of romance in riding a bicycle across the country. It’s something that some people would fantasize about, and when they saw me ride into their town, it brought them back to their own dreams, their own wishes about what they wanted to fill their life with.”

Maya Stein is a poet, a teacher, a photographer, and more. We sat down in her restored trailer, M.A.U.D.E. (Mobile Art Unit Designed for Everyone), to talk about her life as an artist, how she built an audience for her work over the years with her 10-Line Tuesdays, how she got the idea to ride a bicycle (towing a typewriter, folding table and folding chair) from Massachusetts to Wisconsin, and how she got that Type Rider journey funded on Kickstarter.

“I think about ‘making a living’ as ‘making a life’. I don’t think about money being the driving force behind the decisions I make as a writer or artist.”

We also talk about writing prompts, her new initiative to build Little Free Libraries via Type Rider II, and her epiphany in Elkhart, Indiana. And you get to hear my theory on how the internet makes us all normal (except for the crazy people)! Give it a listen!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Maya Stein is a Ninja poet, writing guide, and creative adventuress. Among her latest escapades are a 1,200-mile bicycle journey with a typewriter, a cross-country poetry trip, a French crepe stand at a Massachusetts farmers market, a relocation from San Francisco to suburban New Jersey and most recently, a collaboration — Food for the Soul Train — turning a vintage trailer into a mobile creative workshop space. (She also ran a catering business for six years and specialized in hors d’oeuvres and the finer points of napkin folding.) Her favorite body part is her left hand, as it has gifted her with the ability to sink a nearly invincible hook shot, peel a whole apple without a break, and transcribe the poems living in her heart. You can learn more about Maya’s adventures at www.mayastein.com.

Credits: This episode’s music is Typewriter (Tip Tip Tip) by Kisore Kumar & Asha Bhosle. The conversation was recorded at M.A.U.D.E on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. There was a space heater going, so I used a noise removal filter in Audacity. Photo of Ms. Stein (solo) by me, and photo of Ms. Stein and me by Amy Roth.