Virtual Memories Show 349:
Pete Bagge Returns!

“One of the reasons I wrote about these three women for my books is that the lives they led give me something to draw.”

Third time’s the charm! Cartoonist Pete Bagge returns to talk about his new comic biography, Credo: The Rose Wilder Lane Story (Drawn & Quarterly), and we get into the thematic ties of his three biographies — Lane, Margaret Sanger, and Zora Neale Hurston — and how he learned the biographer’s art over the course of those works. We talk about how he discovered Rose Wilder Lane’s walk-the-walk libertarianism, her transition in and out of socialism, the likelihood that she co-wrote her mother’s Little House series of books, Pete’s own history with libertarianism and the uncomfortable questions he’d ask his parents, and why his own biography would be a lot less interesting than those of his subjects. We also discuss his writing and drawing process and how he structured these books, why he’d prefer to produce comics in installments and how economics mitigate against that model, how trying to write for TV made his comics writing more concise, and why he’s likely sticking to shorter biography comics for a while. Oh, and we talk about his ’80s/’90s editorship of the anthology Weirdo, how he followed R. Crumb, and the artists he pissed off as well as the ones to whom he gave their first shot, and the memoir he’s written but has yet to draw. Give it a listen! And go buy Credo: The Rose Wilder Lane Story!

“RAW was full of art and artists that I loved, but it was clearly designed to appeal to people that I hated.”

“Something that I’ve been struggling with since I’ve been a cartoonist is to be more concise. I have a bad habit of being too verbose.”

“There are these 400-page graphic novels out there, and by page 50, I just have no motivation to turn another page.”

“Drawing Buddy Bradley over and over at conventions? It beats drawing nothing.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Cartoonist Peter Bagge is the Harvey Award–winning author of the acclaimed 1990s alternative comic series Hate, starring slacker hero Buddy Bradley, and a regular contributor to Reason magazine. A graduate of the School of Visual Arts in New York City, he got his start in comics in the R. Crumb–edited magazine Weirdo, of which he later became editor. Bagge has published three critically acclaimed books with Drawn & Quarterly: Fire!!: The Zora Neale Hurston Story, Woman Rebel: The Margaret Sanger Story, and the recently published Credo: The Rose Wilder Lane Story. He lives in Tacoma with his wife, Joanne, daughter, and three cats.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Belnord Hotel on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Bagge by me. It’s on my instagram.

Virtual Memories Show 347:
Kevin Huizenga

“I have a split in my writing life. Part of my brain plans everything out, but I know enough now not to listen to that too much, and that I should be more open to improvising.”

Cartoonist Kevin Huizenga joins the show to talk about his new graphic novel, Glenn Ganges in The River at Night (Drawn & Quarterly)! We get into late-night reveries and using a character’s sleepless night as a base camp for a 200-page book, the ways repetition leads to time travel, making an artistic breakthrough partway through his new work, his modular approach to storytelling and how it jibes with his midwestern comics style, and the risk of identifying too much with his stand-in, Glenn Ganges. We also talk about video-game sobriety, whether his favorite creators are spending too much time on Twitter, learning about indy comics before the internet, and our shared cyberpunk upbringing. And we do the math on how many books in our libraries we’ll actually get around to reading! Give it a listen! And go buy The River at Night!

“One of the great rewards of working on something large over time is not planning it out ahead of time but letting it unfold organically and then looking back and seeing the paths that you didn’t plan.”

“Introspection and self-knowledge is a mixed bag. It’s often bad news when you think about it too much.”

“Don’t follow your heroes on social media.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Kevin Huizenga (HIGH zing guh) grew up in a suburb of Chicago, South Holland, which is a small town of Dutch immigrants. He is the son of an accountant and a nurse. In high school he started reading minicomics and quit playing baseball. He attended Calvin College in Grand Rapids, Michigan, where he started drawing the influential mini-comic Supermonster.

On the advice of a fellow cartoonist, Huizenga then moved to St. Louis where he continued to draw comics, which quickly caught the attention of the industry, and led to his comic book series Or Else. Eventually, he created his series Ganges. Huizenga lives in Minneapolis where he taught in the Comic Art program at the Minneapolis College of Art and Design from 2015-2019.

His graphic novels include Curses, The Wild Kingdom, and Gloriana (all published by Drawn & Quarterly). His work has been translated into six languages, including Dutch; he won five Ignatz awards and been nominated for Harvey and Eisner awards. His new book is The River at Night.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Hotel LeVeque during Cartoon Crossroads Columbus (CXC) on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Huizenga by me. It’s on my instagram.

Virtual Memories Show 346:
Ho Che Anderson

“I walked into Star Wars at 7 years old as one person, and I left as someone else. That movie introduced me to the idea of visual storytelling.”

Live from CXC – Cartoon Crossroads Columbus, it’s my Spotlight Session with Ho Che Anderson, cartoonist behind KING, Godhead (Fantagraphics) and plenty more! We get into the ups and downs of Ho’s career, his transition from “frustrated cartoonist” to “somewhat dissatisfied cartoonist”, his twin inspirations of Mister X and Black Kiss, and all the comic, writing and movie influences that went into his science fiction epic Godhead! We also talk about his being labeled an “openly black” cartoonist, how being Canadian gave him a different perspective on Martin Luther King when it came to tackling MLK’s biography, why he prefers writing a story to drawing it, the importance of world building in both his fiction and non-fiction work, and why you should never meet your heroes (unless your hero is Howard Chaykin)! Give it a listen! And go buy Godhead!

“I needed the mental real estate, so I had to get this story done, just so I could think about other things.”

“Even though most people think of me as an artist who writes, I’m more of a writer who draws.”

“My vision hasn’t been to be original per se, but to be good at what I do.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Ho Che Anderson is a Canadian cartoonist living in Toronto. Anderson was launched into the comics scene with the publication of his erotic story I Want To Be Your Dog in 1990. He next embarked on the project he is best known for, KING, his 3-part comic series on the life of civil rights leader Martin Luther King, Jr. His other works include the graphic novels Black Dogs, Miles from Home, Scream Queen and Sand & Fury. His newest book is Godhead, from Fantagraphics.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at CXC – Cartoon Crossroads Columbus on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Drawing of Mr. Anderson by Mr. Anderson. It’s not on my instagram; it’s on his.

Virtual Memories Show 345:
Frank Santoro

“Memory rhymes with these little moments in time, and time folds in on itself in a remarkable way, and comics is a wonderful example of that, unlike film or prose.”

A beautiful and subtle meditation on memory and his parents’ marriage and divorce, Frank Santoro‘s 200-page graphic novel, Pittsburgh (New York Review Comics), is one of my favorite books of 2019. Frank & I get into about Pittsburgh‘s unique visual style, in which he eschews black lines and works directly with color markers, how he solved the problem of word-balloons intruding on a comic page’s color harmony, and how the book’s design and style mirror the reconstruction of memory. We talk about how the book originated with his dad totally opening up to one of Frank’s friends about a story he never told Frank, how interviewing family members for the book brought him closer to them and to understanding them as people, and why I developed the belief that men are far less likely to know how their parents met than women are. We also discuss how his art-training influences his comics compositions, how working for painter Dorothea Rockburne taught him to see the page as music, why he prefers standalone projects to serial publishing, and plenty more. Give it a listen! And go buy Pittsburgh!

“The breath of poetry has a measure; with comics, the measure is the left and right of the page.”

“Part of this story was learning to see my parents as people, and not just as my parents.”

“I had to learn to slow down to make this book, to listen to myself and not push the narrative.”

“When you make a 200-page comic at once — not as serials — you have to stay wide. You can’t put in all the detail, or it’ll become a 10-year project.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Frank Santoro’s work has been exhibited at the American Academy of Arts and Letters in New York City and at the National Archaeological Museum of Naples, Italy. He is the author of Storeyville and Pompeii, and has collaborated with Ben Jones, Dash Shaw, Gary Panter, and others. He lives in Pittsburgh, Pennsylvania. His new book is Pittsburgh (NYRC).

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Hotel LeVeque during Cartoon Crossroads Columbus (CXC) on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Santoro by me. It’s on my instagram.

Virtual Memories Show 344:
Liz Hand

“Henry Darger was a devout Catholic who was engaged in a huge argument with God.”

Transgression vs. transcendence: Elizabeth Hand‘s brand-new novel, Curious Toys (Mulholland Books), explores artistic and cultural taboos through the lens of a serial killer mystery set in the amusement parks of Progressive Era Chicago. We talk about her inspiration for making outsider artist/writer Henry Darger one of the lead characters of Curious Toys, how she first heard about Darger and the Vivian Girls mythology he created in his paintings and 15,000-page (!) novel, the striking similarities between Darger and Tolkien, the tragedy of outsider/visionary artists, and the challenge of casting a nonbinary character a century in the past (the novel’s other lead, not Darger). We also get into why writers have no control over the success of their books, the differences between writing on spec vs. on contract, some hints about her next Cass Neary novel, the time she outdrew Deepak Chopra at a bookstore signing, and more! Give it a listen! And go buy Curious Toys!

And check out our 2015, 2016, and 2017 episodes!

“Transcendence is not easy to achieve, and neither is true transgression.”

“Usually when I’m writing a novel, I start with a place I want to write about. With Curious Toys, I had characters, but had to research the place they populated.”

“I tell my students not to fixate on the publishing part of writing. You really just have to immerse yourself in the process of writing, because at the end of the day, that’s what you’re going to have.”

“Throughout my work, there’s a numinous quality to the world that my characters are struggling to find.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Elizabeth Hand is the author of more than fourteen cross-genre novels and collections of short fiction. Her work has received the Shirley Jackson Award (three times), the World Fantasy Award (four times), the Nebula Award (twice), as well as the James M. Tiptree Jr. and Mythopoeic Society Awards. She’s a longtime critic and contributor of essays for the Washington Post, Los Angeles Times, Salon, Boston Review, and the Village Voice, among many others. She divides her time between the Maine coast and North London. Her new book is Curious Toys, published by Mulholland Books.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Marriott Boston Quincy during Readercon weekend on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Ms. Hand by me. It’s on my instagram.