Virtual Memories Show 307:
Mort Gerberg

“People submitting comics to the New Yorker could expect a 98% rejection rate. What kind of a sane person would go into that field?! You have to have some sort of personality aberration to do this!”

On the eve of his exhibition at the New-York Historical Society (Feb. 15 to May 5, 2019), legendary cartoonist Mort Gerberg reflects on more than five decades of cartooning and art. We talk about his new collection, Mort Gerberg On The Scene: A 50-Year Cartoon Chronicle (Fantagraphics Underground), and what he learned in the process of culling the selection of his work for the show. We get into the roots of his groundbreaking civil rights cartoons (and how he got away with making weed jokes in the Saturday Evening Post in 1965), his pioneering comics reportage, how his spontaneity and energy secretly come from laziness, the challenge of drawing people on NYC subways, his intense focus on the business side of cartooning (and how it might be tied into his late start as a cartoonist), and how he tied vacations and even his honeymoon into work assignments. Give it a listen! And go buy Mort Gerberg On The Scene and check out the new exhibition of Mort’s work at the New-York Historical Society!

“When I would see something that looked like an injustice, I had to do something.”

“The first day I walked into the Saturday Evening Post, they told me the cartooning business was dying. That was 1962, and it’s been dying ever since.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Mort Gerberg is an award-winning, multi-genre cartoonist and author best known for his cartoons in The New Yorker, Playboy and many other magazines, and for Cartooning: The Art and the Business, considered “the most comprehensive, authoritative book on the subject.”

He has drawn three nationally-syndicated newspaper comic strips and has written, edited and/or illustrated 43 books for adults and children, including the best-selling More Spaghetti, I Say!.

Mort has been a content provider for television and online sites, posted daily topical cartoons, and performed a weekly on-camera-drawing feature. He also wrote and drew animated fables and did live cartoon election coverage. He has done on-the-scene sketch reportage for magazines and newspapers, covering national and international politics, sports and travel.

He taught cartooning for 15 years at Parsons School of Design, was a founder and president of the Cartoonists Guild, and is a member of the National Cartoonists Society. He was voted as Best Magazine Cartoonist of 2007 and 2008 by the National Cartoonists Society, and was a CCNY Commuications Hall of Fame Honoree in 2010.

Mort lives in New York Cit with his wife, Judith. He pitches for the New Yorker softball team, plays tennis and the piano, and sings in a choir.

He’s on Twitter and Instagram as mortgerberg.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mort’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Gerberg by me. It’s on my instagram.

 Virtual Memories Show 302:
Jerome Charyn

“In most historical novels, you’re dealing with events, and I’m really dealing with trauma and wounds.”

On the latest stop on his blog tour, author Jerome Charyn joins the show to talk about his new novel, The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt and His Times (Liveright Publishing). We get into the image that inspired the book, the challenges & rewards of historical fiction, and the quest to separate Teddy Roosevelt’s myth from his story. Along the way, we get into ping pong, whether LeBron James should have gone somewhere besides LA, the magic of Allegra Kent & Balanchine’s ballet, the loneliness of Van Gogh’s garret, the joy of collaborating on graphic novels, and the miracle of Jerome becoming a writer. Leave a comment about this episode below to enter a raffle to win Jerome’s new book & a his earlier novel, I Am Abraham: A Novel of Lincoln and the Civil War! Check out the rest of the blog tour in support of The Perilous Adventures of the Cowboy King! Give it a listen! And go buy The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt and His Times!

”I’m afraid of everything, but I’m fearless on the page. Everything frightens me, but writing doesn’t frighten me.”

“In America today, everything is monetized, and nothing has value.”


Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Jerome Charyn is an award-winning American author. With more than 50 published works, Charyn has earned a long-standing reputation as an inventive and prolific chronicler of real and imagined American life.

Pulitzer Prize-winning novelist Michael Chabon calls him “one of the most important writers in American literature.” New York Newsday hailed Charyn as “a contemporary American Balzac,” and the Los Angeles Times described him as “absolutely unique among American writers.”

Since the 1964 release of Charyn’s first novel, Once Upon a Droshky, he has published thirty novels, three memoirs, eight graphic novels, two books about film, short stories, plays, and works of non-fiction. Two of his memoirs were named New York TimesBook of the Year.

Charyn has been a finalist for the PEN/Faulkner Award for Fiction. He received the Rosenthal Award from the American Academy of Arts and Letters and was named Commander of Arts and Letters by the French Minister of Culture. Charyn is Distinguished Professor Emeritus of Film Studies at the American University of Paris.

In addition to writing and teaching, Charyn is a tournament table tennis player, once ranked in the top ten percent of players in France. Noted novelist Don DeLillo called Charyn’s book on table tennis, Sizzling Chops & Devilish Spins, “The Sun Also Rises of ping-pong.”

Charyn’s most recent novel, Jerzy, was described by The New Yorker as a “fictional fantasia” about the life of Jerzy Kosinski, the controversial author of The Painted Bird.  In 2010, Charyn wrote The Secret Life of Emily Dickinson, an imagined autobiography of the renowned poet, a book characterized by Joyce Carol Oates as a “fever-dream picaresque.”

Charyn lives in New York City.  He’s currently working with artists Asaf and Tomer Hanuka on an animated television series based on his Isaac Sidel crime novels.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Jerome’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Jerome & racket by me. It’s on my instagram.

Virtual Memories Show:
The Guest List 2018 and Bill Kartalopoulos

Comics scholar (and curator, and editor, and educator) Bill Kartalopoulos joins the show to talk about his role as the series editor of Best American Comics (HMH)! We get into the process of winnowing down the year’s best, working with a new guest editor each year, Bill’s history in comics, the challenges of fitting everything to a standard page size, programming festivals and his tricks for getting a weird mix of panelists, his upcoming general history of North American comics, and plenty more! Give it a listen (Bill’s conversation starts at 46:00) and pick up this year’s edition of The Best American Comics 2018!

But first, it’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2018’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2019! Nearly 3 dozen responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Christmas purchases (or a belated Hanukkah gift), The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from nearly 3 dozen of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014, 2015, 2016, and 2017 editions of The Guest List for more great book ideas!

Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Tumblr, and RSS!

About our Guests

The guests who participated in this year’s Guest List are Jerry Beck, Christopher Brown, Dave Calver, Roz Chast, Mark Dery, Michael Gerber, Cathy B Graham, Dean Haspiel, Steven Heller, Richard Kadrey, Paul Karasik, Ken Krimstein, Nora Krug, John Leland, Alberto Manguel, Hal Mayforth, Dave McKean, Mark Newgarden, Audrey Niffenegger, Jim Ottaviani, Robert Andrew Parker, Shachar Pinsker, Nathaniel Popkin, Chris Reynolds, Lance Richardson, JJ Sedelmaier, David Small, Willard Spiegelman, Levi Stahl, Lavie Tidhar, Mark Ulriksen, Irvin Ungar, Henry Wessells . . . and me, Gil Roth! Check out their episodes at our archives!

About our Guest

Bill Kartalopoulos is a comics critic, educator, curator and editor. He is the Series Editor for the #1 New York Times best-selling Best American Comics series published annually by Houghton Mifflin Harcourt. He teaches classes at Parsons and at SVA. He lives in Brooklyn, where he is writing a book about comics.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Bill Kartalopoulos’ home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Bill by me. It’s on my instagram.

Virtual Memories Show 297:
Shachar Pinsker

“This is the story of Jewish migration through the lens of coffeehouses.”

Jews have a long tradition with coffee (I can attest!). In A Rich Brew: How Cafés Created Modern Jewish Culture (NYU Press), Professor Shachar Pinsker explores the intersection of modernistic Hebrew literature and coffee. We get into the story of Jewish migration through Europe and into America and Israel, why coffeehouses were the silk road of secular Jewish creativity, the golden age of feuilletons, the semitic roots of coffee culture, the way A Rich Brew is about big cities as much as it is about coffeehouses, the importance of thirdspace to bridge the social and the private, and how Shachar narrowed the book down to 6 representative cities. We also get into how his Yeshiva education helped his secular literary studies, his night-and-day visits to Warsaw, and just how we define “modern Jewish culture”! Give it a listen! And go buy A Rich Brew: How Cafés Created Modern Jewish Culture!

“This topic and this book took me to places I never imagined I was going to go, both metaphorically and physically.”

“Some say that what characterizes modern Jewish culture is exactly asking the question of what it is.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Taken from Shachar’s faculty page:

As a specialist in modern Hebrew and Jewish literature and culture, I am interested in Hebrew literature  written in Palestine/Israel, Europe and America, as well as Jewish literature in Yiddish, English, German and other languages. I have a joint appointment at the department of Middle Eastern Studies and the Frankel Center for Judaic Studies at the University of Michigan.

I am the author of A Rich Brew: How Cafés Created Modern Jewish Culture (NYU Press, 2018), the award-winning book Literary Passports: The Making of Modernist Hebrew Fiction in Europe (Stanford, 2011). My third book (in progress) is A Silent Language? Yiddish in Israeli Literature.

I am the editor of Women’s Hebrew Poetry on American Shores: Poems by Anne Kleiman and Annabelle Farmelant (Wayne State University, 2016), and  the editor of In the Place where Sea and Sky Meet: Israeli Yiddish Stories (Magnes Press, forthcoming 2018), in Hebrew. I am also the co-editor of Hebrew, Gender and Modernity: Critical Responses to Dvora Baron’s Fiction (Maryland, 2007).

I publish articles in scholarly journals, as well as in Ha’aertz, The New Republic, The Jewish Week and other journals and newspapers.

I lecture widely around the world on all aspects of my research and writing, and as part of the AJS Distinguished Lectureship Program.

I teach a variety of courses in English and Hebrew for undergraduate and graduate students. I am also teaching a course abroad in Tel Aviv and Jerusalem. I integrate technology and Digital Humanities in my scholarship and teaching.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mykonos Blue Grill on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Pinsker by me. It’s on my instagram.

Virtual Memories Show 295:
Angela Himsel

“In the end, sometimes, your writing becomes what it wants to be, despite yourself.”

How did Angela Himsel make the transformation from rural Indiana and apocalyptic, fundamentalist Christianity to the Upper West Side of Manhattan and observant Judaism? Her new memoir, A River Could Be a Tree (Fig Tree Books) chronicles that process, bringing to life a story of family and discovery. I talk with the award-winning columnist about how she came to Judaism from the Worldwide Church of God, when she met Jews for the first time, what Israel means to her, and what she considers the weirdest aspect of Judaism. We get into the difference between seeing the world as the emanation of God and seeing it as the Devil’s playground, her conversion to Philip Roth-ism, the beautiful family secret she uncovered in the process of writing her book, the decision to include her terrible teenage poetry in the memoir, why God may need therapy, and the Rapture-based prank she and her siblings still pull on each other. Give it a listen! And go buy A River Could Be a Tree: A Memoir!

“The toughest part of making the decision to convert was saying, ‘I’m just going to leave the past behind, it’s really not working.'”

“It was hard for me to put my self in my own story, to be honest.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Angela Himsel’s writing has appeared in The New York Times, The Jewish Week, Forward, Lilith and elsewhere. Her column “Angetevka” ran on Zeek.net won two American Jewish Press Association Awards. Angela holds a BA from Indiana University, which included two years at The Hebrew University in Jerusalem, and an MFA from The City College of New York. She grew up the seventh of eleven children in rural southern Indiana in a fundamentalist, doomsday, Christian faith. She converted to Judaism and lives in New York City. A River Could Be a Tree traces that journey.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Angela’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me & Ms. Himsel by me. It’s on my instagram. (Not sure who the main image is by.)