Virtual Memories Show 416:
Wendung

“At 50, everyone has the face he deserves,” said George Orwell, but he died at 47, so what does he know? To celebrate turning 50, I use an obscure Woody Allen movie to talk about why I can’t take stock of my life. Then the good part: I ask nearly 40 guests of the podcast one question, “What do you wish you’d done before the pandemic?” (You can skip right to that at 18:45.) Participants include Witold Rybczynski, Kathe Koja, John Holl, Emily Flake, Wallis Wilde-Menozzi, Ian Kelley, David Townsend, John Bertagnolli, Jennifer Hayden, Richard Kadrey, Joan Marans Dim, Liniers, Sven Birkerts, Barbara Nessim, David Leopold, Tess Lewis, Ken Krimstein, Michael Shaw, Dmitry Samarov, Maria Alexander, Paul C. Tumey, Kyle Cassidy, Henry Wessells, Warren Woodfin, ES Glenn, Philip Boehm, Woodrow Phoenix, Rian Hughes, Alta L. Price, Derf Backderf, Frank Santoro, Boaz Roth, Carol Tyler, David Mikics, Michael Gerber, Walter Bernard, Whitney Matheson and Dean Haspiel! Help me celebrate, commemorate, commiserate, or whatever, and give it a listen!

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

I’m just this guy, you know?

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. Respondents either recorded their own segments and e-mailed them to me or called my Google Voice # and left a message. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface to record my prattling. All processing and editing done in Adobe Audition CC. Photo of me with this morning’s sunrise by me. It’s on my instagram.

Virtual Memories Show 415:
Jerome Charyn

“Any great work is a shove to the incomprehensible, but it’s JUST on our side instead of the other side. You have to take tremendous risks in order to find your language.”

With his amazing new novel, Sergeant Salinger (Bellevue Literary Press), Jerome Charyn evokes and explores J.D. Salinger’s WWII experience in the Counter Intelligence Corps. We talk about Jerome’s history with Salinger’s work, his disdain for The Catcher in the Rye and his love of Nine Stories and their depiction of NYC of the 1940s and early ’50s, the range of meanings and misunderstandings of Salinger’s later silence, and Jerome’s own terror of writing. Along the way, we get into Jerome’s ventriloquism in his historical fiction, the limits of his artistic audacity, falling in love with Maria Callas, and whether he’d write a pastiche of Hemingway now that Hem’s in public domain. Jerome being Jerome, we also discuss ping-pong, professional basketball, the older Michael Jordan as a Shakespearean character, and why he’s writing a big essay about Mank. Give it a listen (& check out our 2019 conversation)! And go read Sergeant Salinger!

“I’ve never seen a great difference between fiction and non-fiction. They’re still sculpting sentences, and those sentences have to have a certain kind of music.”

“No novel is easy to write. It’s a kind of death you go through. Sometimes you survive it and sometimes you don’t.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Jerome Charyn is the author of more than fifty works of fiction and nonfiction, including Sergeant Salinger; Cesare: A Novel of War-Torn Berlin; In the Shadow of King Saul: Essays on Silence and Song; Jerzy: A Novel; and A Loaded Gun: Emily Dickinson for the 21st Century. Among other honors, his work has been longlisted for the PEN Award for Biography, shortlisted for the Phi Beta Kappa Christian Gauss Award, and selected as a finalist for the Firecracker Award and PEN/Faulkner Award for Fiction. He has also been named a Commander of Arts and Letters by the French Minister of Culture and received a Guggenheim Fellowship and the Rosenthal Family Foundation Award for Fiction from the American Academy of Arts and Letters. He lives in New York.

Follow Jerome on Twitter, Facebook and Instagram, and listen to our 2019 conversation.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Jerome by Philippe Matsas. It’s on my instagram.

Virtual Memories Show:
The Guest List 2020

It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2020’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2021! Thirty guests responded with a a fantastic array of books. (I participated, too, in my rambling way!) The Virtual Memories Show offers up a huge list of books that you’re going to want to read in the new year! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from 30 of our 2020 guests! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded. This year, we also have a Bookshop.org page with a lot of the selections!

Also, check out the 2013, 2014, 2015, 2016, 2017, 2018, and 2019 editions of The Guest List for more great book ideas!




Follow The Virtual Memories Show on iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guests

The guests who participated in this year’s Guest List are Derf Backderf, Philip Boehm, Ruben Bolling (aka Ken Fisher), Betsy Bonner, Henri Cole, Joan Marans Dim, Emily Flake, Jonathan W. Gray, Tom Hart, Arthur Hoyle, Rian Hughes, Richard Kadrey, Ben Katchor, Kathe Koja, Tess Lewis, Ellen Lindner, Margot Mifflin, David Mikics, Otto Penzler, Woodrow Phoenix, Darryl Pinckney, Alta Price, Steve Ronin, Dmitry Samarov, Michael Shaw, Stoya, Benjamin Taylor, Jeff Trexler, John Vercher, Sheila Williams, and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The episode was recorded at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of my 2020 books by me. It’s on my instagram.

Virtual Memories Show 410:
Phillip Lopate

“This book is like a tracing of American history through the essay. The essay is way to process ideas. All these problems we face in America I came to realize we had cycled through again and again: immigration, racism, sexism, disabilities. All of these questions of inclusion and exclusion have been tackled by the essay.”

Essayist and editor Phillip Lopate rejoins the show to celebrate the publication of The Glorious American Essay: One Hundred Essays From Colonial Times To The Present (Pantheon). We talk about the origins of this anthology & how it transformed into a three-part series (two more coming next year!), Phillip’s self-admitted megalomania about the essay form, how the essay both paralleled and helped change American thought over the centuries, and just what’s so Glorious about The Glorious American Essay. We get into the challenge of limiting the collection to 100 essays, the value of canons and the need to revise them, the postwar golden age of the essay, the challenge of compiling work from the 21st century, and Emerson’s role as the key to the American essay (and how Phillip came to understand him through reading his notebooks). We also get into how his pandemic is going, how his students’ essays about lockdown life are better than some of the ones he’s read from older writers, his take on the Mets’ new ownership and why he’s glad sports came back during COVID, and what it was like to read so deeply in the history of American essays and thought during the Trump presidency. Give it a listen! And go read The Glorious American Essay: One Hundred Essays From Colonial Times To The Present!

“One of the plights of the anthologist is that, no matter how many pages they give you, if you just had 200 or 300 more pages, you could really nail that sucker.”

“When someone asked me about this project, ‘What about your own work?’, I said, ‘This IS my own work.’ I’m giving four or five years of my life to being the keeper of the essay.”

“My limitation as an anthologist, and perhaps as a teacher, is that I’m always looking for a spark of humor or irony. Solemnity turns me off.”

“The great thing about writing is that sometimes you write something and then you lose it as a living memory, because now you’re remembering what you wrote about it. Writing replaces the memory.”

“The way I see my own work is connected to tradition, connected to the past, connected to Montaigne, and Hazlitt, and Lamb.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Phillip Lopate is the author of To Show and To Tell: The Craft of Literary Nonfiction, and of four essay collections: Bachelorhood, Against Joie de Vivre, Portrait of My Body, and Portrait Inside My Head. He is the editor of the anthologies The Art of the Personal Essay, Writing New York, and American Movie Critics, as well as the author of Waterfront: A Walk Around Manhattan, Notes on Sontag, and Totally Tenderly Tragically. A professor of writing at Columbia University’s nonfiction MFA program, he lives in Brooklyn. He is the editor of the new anthology The Glorious American Essay.

Listen to our previous conversations from 2013 and 2017.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Phillip by me from 2017. It’s on my instagram.

Virtual Memories Show 403:
Merrill Markoe (+ Emily Flake)

“What you find when you look at your old writings is that you’re a completely different person until you’re about 13 or 14.”

Comedy legend Merrill Markoe returns to the show to celebrate her new graphic memoir, We Saw Scenery: The Early Diaries of Merrill Markoe (Algonquin Books of Chapel Hill)! We talk about how it felt to spend time with her childhood self over the course of the book, the decision to illustrate it and what that process taught her about cartooning, what contemporary Merrill has to say to her younger self, and how she owns up to having a crush on a junior high boy who made Heil Hitler salutes at her. We also get into the influence of Lynda Barry on her work, why she’s considering leaving Malibu for the Pacific Northwest, her decision to auction off her Late Night with David Letterman gear to contribute to charities (like this one!), her love for Pen15, the joy of the Undo button, and how the world has changed for funny women. And speaking of, Emily Flake also joins the show to talk about the Kickstarter for St. Nell’s Humor Writing Residency for Ladies (expiring Oct. 30, so go check it out)! Give it a listen! And go read We Saw Scenery!

(& check out Merrill’s first Virtual Memories Show appearance in 2014)

“Everybody I know who’s compulsively funny for a living, it comes to them young.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guests

Merrill Markoe was the head writer for the original The David Letterman Show (the live NBC morning show that was recognized with a Daytime Emmy Award) and the co-creator and first head writer of NBC’s groundbreaking Late Night with David Letterman, for which she won three additional Emmy Awards. She engineered the majority of the show’s original concepts and created the segments “Stupid Pet Tricks,” “Stupid Human Tricks,” and “Viewer Mail.” Merrill also won a Writer’s Guild award for her writing/performing work on HBO’s Not Necessarily the News. She has written for television shows such as Sex and the City, Newhart, and Moonlighting and has written for many periodicals, including Rolling Stone, Time, US Weekly, People, Esquire, The New York Times, and The Los Angeles Times, and her cartoon work has appeared in The New Yorker. She was recently awarded the Paddy Chayefsky Laurel Award for Television Writing Achievement.

Follow Merrill on Twitter, and Instagram.

Emily Flake‘s cartoons and humorous essays run regularly in The New Yorker, The Nib, and many other publications. Her weekly strip, Lulu Eightball, ran in alt-weeklies for many years. She’s written and illustrated two books: These Things Ain’t Gonna Smoke Themselves and Mama Tried. Her illustrations and cartoons appear in publications all over the world, including the New York Times, Newsweek, the Globe and Mail, The Onion, The New Statesman, and Forbes. She lives in Brooklyn, New York, with her husband, daughter, and a new cat. Her new book is That Was Awkward: The Art and Etiquette of the Awkward Hug (Viking Books).

Follow Emily on Twitter and Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Merrill by . . . someone else. It’s on my instagram.