joshalanfriedmanSeason 4 episode 4
Crackers and Bagels

“Among the many things that writing does, it gives you the chance for revenge, clarification; there are a lot of basic human emotions that you can address by being able to write about them.”

Josh Alan Friedman, author of Black Cracker, is the third Friedman brother I’ve interviewed, as part of my “Capturing the (Other) Friedmans” series of podcasts. (I really gotta rename that.) Josh is an accomplished author and guitarist, and has plenty of stories of New York at its most sordid. We met up at a cafe in Times Square to talk about his old days writing for Al Goldstein’s Screw magazine, why it took him more than 30 years to write Black Cracker, his “Lewis & Martin” theory about his estrangement from his brother Drew, his parents’ successful divorce, and more!

“I want my list of works to be lean and mean and everything was urgent and had to be done. Nothing to play the market. My family’s had to suffer for that, that I haven’t done commercial jobs just to bring home the bacon.”

Along the way, we also develop an idea for a high-concept movie, talk lewdly in front of some tourists, pay homage to his literary idols, and figure out that therapy just gets in the way of making good art. If you’ve got a problem with any of that (especially the coarse language) then you should skip this episode.

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

In 1987, writer-guitarist Josh Alan Friedman sold his soul to the devil at the crossroads (the Crossroads of the World: Broadway & 42nd Street) and moved to Texas. He’d just written Tales of Times Square, a cult classic. Josh’s latest book is Black Cracker, the story of his tumultuous childhood as the only white boy at Long Island’s last segregated school. In 2008, he wrote Tell the Truth Until They Bleed: Coming Clean in the Dirty World of Blues and Rock ‘n’ Roll. He has also written When Sex Was Dirty, and I, Goldstein: My Screwed Life (with Al Goldstein), and co-edited Now Dig This: The Unspeakable Writings of Terry Southern, 1950-1995. Josh also set off satirical fires and lawsuits as writer-half of the Friedman Bros, the most feared cartooning duo of the late ’70s and ’80s. Two anthologies remain in print, featuring the art of Josh’s brother, Drew Friedman: Warts and All, and Any Similarity to Persons Living or Dead is Purely Coincidental (Two). On the music front, as “Josh Alan,” he barnstormed the state of Texas for 20 years, rocking whole arenas with his Guild D-40. Copping three Dallas Observer Music Awards for Best Acoustic Act, he released four albums: Famous & Poor, The Worst!, Blacks ‘N’ Jews (the title of which became a documentary on Josh’s life) and Josh Alan Band.

Credits: This episode’s music is Jeff’s Boogie by Josh Alan (Friedman). The conversation was recorded at the Cafe Edison on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded in a hotel room in London on the same gear. Processing was done in Audacity and Garage Band. Photo of Josh Alan Friedman by me.

emilyraboteauSeason 4 episode 2
A Place To Rest

“We reach for stories to be able to take risks.”

Emily Raboteau, author of Searching for Zion: The Quest for Home in the African Diaspora (Atlantic Monthly Press), joins the Virtual Memories Show to show to talk about the many notions of “home” for black people. Along the way, we talk about the many notions of what constitutes a black person. As Ms. Raboteau discovered in the travels chronicled in her book — encompassing Israel, Jamaica, Ethiopia, Ghana and America’s deep south — there are a lot of ideas about who’s black and what blackness means.

“As my husband told me, ‘You can’t valorize the oppressed just because they were oppressed. It doesn’t make them saintly; more often than not, it makes them want to step on someone else to elevate themselves.'”

We also talk about churchgoing in New York City, what it’s like to travel to Antarctica, why the story of Exodus is so pivotal in the black American experience, why Jewish book reviewers thought she was pulling a bait-and-switch, why she chose to explore her black roots instead of her white ones for this book, what motherhood means, and what it was like to give a talk about faith on behalf of Bobby McFerrin.

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Emily Raboteau is the author of a novel, The Professor’s Daughter (Henry Holt, Picador), and a work of creative nonfiction, Searching for Zion: The Quest for Home in the African Diaspora (Grove/Atlantic), named one of the “Best Books of 2013” by The Huffington Post and the grand prize winner of the New York Book Festival. She recently visited Antarctica and Cuba to research her next novel, Endurance, about a shipbuilder and his autistic son. Her fiction and essays have been widely published and anthologized in Best American Short Stories, Best American Non-required Reading, Tin House, The Oxford American, The Guardian, Guernica, The Believer and elsewhere. Honors include a Pushcart Prize, The Chicago Tribune’s Nelson Algren Award, and fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, the Christopher Isherwood Foundation and the Howard Foundation. An avid world traveler, she resides in New York City and teaches creative writing in Harlem at City College, once known as “the poor man’s Harvard.”

Credits: This episode’s music is Promised Land by Johnnie Allan. The conversation was recorded at the home of a friend of Emily’s on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded at home on a Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Emily Raboteau by me.