Virtual Memories Show 218: RO Blechman

“Time may have taught me things, but I don’t think I learned anything.”

Legendary cartoonist, illustrator, animator, ad-man, artist RO Blechman joins the show to talk about his work and life. We get into the importance of play, the development of his trademark squiggly line (and how he feels when he sees it in other people’s work), his literary upbringing, his News of the Weak series of painting/collages, why he counsels against going to art school, the fateful career decision that he rues 60+ years later, his Mad Men experience and what he learned about management from running his own animation studio, the mistake of turning down a Curious George movie, creating a fore-runner of the graphic novel, and being a 2-D character in a 3-D world. Give it a listen! And go buy all his books, including Dear James: Letters to a Young Illustrator, Amadeo & Maladeo: A Musical Duet, The Juggler of Our Lady, and Talking Lines!

“I really should have been a filmmaker. I really screwed up my life in a terrible way, because I had a chance to be a full-time filmmaker and I threw it away, and it just kills me.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Born Oscar Robert Blechman in 1930, RO Blechman‘s internationally acclaimed artwork spans decades, mediums, and industries. He is one of the first contemporary cartoonists to pen a full-length graphic novel with The Juggler of Our Lady in 1953, which he published after graduating from Oberlin College. His illustrations and comic strips have graced magazines, anthologies, and newspapers. He has created more than a dozen New Yorker covers. Blechman is also an animated filmmaker, and at one time owned his own animation studio, The Ink Tank. He has been awarded the Gold Medal from the Cannes Film Festival, numerous Emmy Awards, and has been nominated for a BAFTA. In 2002, the Museum of Modern Art held a retrospective of his films. He is also in the Art Directors Hall of Fame, has been an Adweek Illustrator of the Year, and is the creator of many notable advertising campaigns. Blechman is married, has two sons, and lives in Ancram, NY.

Here’s a bio of him that Edward Sorel wrote in 1999. His own version is at his site.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Blechman’s farm on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Blechman and his wife by me. It’s on my instagram.

Virtual Memories Show 216:
George Prochnik

“Scholem teaches us that the Jewish tradition is so capacious it could embrace its own subversion.”

George Prochnik returns to The Virtual Memories Show to talk about his new book, Stranger in a Strange Land: Searching for Gershom Scholem and Jerusalem (Other Press). (We talked about Stefan Zweig back in 2014.) We get into the life of Jewish mysticism’s greatest scholar, how the theories of Zionism butted up against the reality of Palestine and Israel, the alchemical friendship of Scholem and Walter Benjamin, the way Kabbalah serves as the hidden, subterranean layer of Judaism, Scholem’s example of a life lived in resistance, the great contrast of Scholem with Prochnik’s previous biographical subject, Stefan Zweig, our author’s addiction to Jerusalem and the books he hasn’t escaped in 30 years, and whether Walt Whitman was an intuitive American Kabbalist! Give it a listen! And go buy Stranger in a Strange Land (and The Impossible Exile: Stefan Zweig at the End of the World, both from Other Press)!

“Scholem explored the notion that Kabbalah is a meditation on Jewish history itself, not just an intra-theological discussion between rabbis, but a historically aware and subversive to struggle with the Jewish exile of 1492. If Jews suffered this extraordinary fate, how does redemption work against that? His interpretation of Kabbalah confers on the individual an enormous responsibility and capacity to participate in the healing of the universe.”

“Zweig had something like ‘Lot’s Wife Syndrome’; if you don’t know where you’re going, it doesn’t matter how fast you’re running, you’re always going to be looking over your shoulder.”

Enjoy the conversation! Then check out the archives for more great episodes, like my previous conversation with George!

There are lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

George Prochnik’s previous book, The Impossible Exile: Stefan Zweig at the End of the World, received the National Jewish Book Award for Biography/Memoir in 2014 and was shortlisted for the Wingate Prize in the UK. Prochnik is also the author of In Pursuit of Silence: Listening for Meaning in a World of Noise (2010), and Putnam Camp: Sigmund Freud, James Jackson Putnam and the Purpose of American Psychology (2006). He has written for The New York Times, The New Yorker, Bookforum and the LA Review of Books, and is editor-at-large for Cabinet magazine. His new book is Stranger in a Strange Land: Searching for Gershom Scholem and Jerusalem.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Prochnik’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Prochnik and his family by me. The family one is on my instagram, and the solo pic (from our 2014 show) is on my flickr.

Virtual Memories Show 214:
Wallis Wilde-Menozzi

“We’re shoulder to shoulder with a lot of people, and we assume we know them in a way that we don’t, but we don’t assume that we don’t know them in the way that we should.”

Poet, novelist and essayist Wallis Wilde-Menozzi returns to the show to talk about her novel, Toscanelli’s Ray, the ways Italy has changed in her four decades there, her recent work in narrative medicine, survival tips from living through the Berlusconi era, writing a polyphonic novel of Florence in the ’90s and hearing how those voices have changed, differences between her Italian and American students, balancing poetry and prose, her favorite book of the Divine Comedy (we also get into why I like a different one), accidentally winning a DAR award when she was a schoolgirl, what foods she misses when she’s in the US, thinking in Italian, and more! Give it a listen! And go buy Toscanelli’s Ray and The Other Side of the Tiber: Reflections on Time in Italy!

“To be a writer, you have to write something that in a way no one else could write.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Poet and writer Wallis Wilde-Menozzi grew up in Wisconsin and resides in Parma, Italy, where she has participated in Italian life for more than 30 years. Her memoir, Mother Tongue: An American Life in Italy, was published by North Point Press to critical acclaim. In 2013, she published The Other Side of the Tiber: Reflections on Time in Italy, from Farrar Straus Giroux, and Toscanelli’s Ray, from Cadmus Editions. A collection of her prize-winning essays appeared in Italian in 2011: L’oceano e denture di not, Moratti e Vitalli. She’s a founding member of the international Ledig Rowohlt Writers Residence in Lavigny, Switzerland, and she is at work on a new book. (Here she is with her husband, Paolo.)

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Wilde-Menozzi’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Ms. Wilde-Menozzi by me. It’s on my instagram.

Virtual Memories Show 212:
Samuel R. Delany

“The most important thing I thought students needed was the one thing you’re never allowed to teach.”

Legendary author (and longtime pal) Samuel R. Delany (a.k.a. Chip) joins the show to talk about the sex lives of older gay men, how he’s taken to Facebook, how losing his library was akin to lobotomization, the writers he misses, Star Wars, his attraction to homeless men, retiring from teaching, the one thing he wanted to teach students but was never allowed to, the split between good writing and award-winning writing, and his passive-aggressive technique for getting me to organize a breakfast brunch for him. (It worked; there are pictures on my Instagram feed. Give it a listen! And go buy lots of Chip’s books!

“When you lose several thousand books and you’re a writer, that’s kind of like having a lobotomy. . . . I have the desire for exactitude but no method to achieve it unless I have texts in front of me.”

“Too many appalling writers have won the Nobel Prize for literature.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Samuel R. Delany is the author of dozens of books, including Dhalgren and The Mad Man, and the best-selling nonfiction study Times Square Red, Times Square Blue. He lives in Philadelphia and recently retired from teaching at Temple University. The Lambda Book Report chose Delany as one of the fifty most significant people of the past hundred years to change our concept of gayness, and he is a recipient of the William Whitehead Memorial Award for a lifetime’s contribution to lesbian and gay literature. Wesleyan University Press recently published In Search of Silence: The Journals of Samuel R. Delany, Volume I, 1957-1969.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Chip’s apartment in Philadelphia on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Chip at his breakfast brunch by me. It’s on my instagram.

Virtual Memories Show 204: Phillip Lopate

“There were times when I was transcribing the tapes and I’d catch my breath and say, ‘Oh, my God.’ I would stop the tape and just sit there, staring into space. Did I hear what I just heard? It was a shocking, dramatic experience.”

Is wisdom possible? One of my favorite writers, Phillip Lopate, returns to The Virtual Memories Show to talk about his new book, A Mother’s Tale, where he revisits a series of taped conversations he had with his mother in the mid-’80s. We talk about listening to his mother’s voice years after her death, whether I should record with my parents, the way people try to be honest but back away in the face of their own mythologies, the one venue he’s always wanted to write for, the border traffic between fiction and nonfiction, the impact of the 2016 presidential election on his psyche, his prediction for the New York Mets, what it’s like for him to write a blog and the mistrust between mother and son that never goes away. Give it a listen! And go buy A Mother’s Tale (Mad River Books)! (And listen to our 2013 conversation!)

“I feel like all the values I grew up with were repudiated in one election.”

“”We carry this adolescent self in us for so long, we’re not prepared to see ourselves as older.”

Enjoy the conversation! Then check out the archives for more great episodes!

There are lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Phillip Lopate is a central figure in the resurgence of the American essay, both through his best-selling anthology, The Art of the Personal Essay, and his collections: Getting Personal, Against Joie de Vivre, Portrait of My Body, Portrait Inside My Head, and To Show and to Tell: The Craft of Literary Nonfiction. He directs the nonfiction MFA program at Columbia University, where he is professor of writing. His new book is A Mother’s Tale.

(There’s a more extensive version at his website.)

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Mr. Lopate’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Lopate by me. It’s on my instagram.