Virtual Memories Show 306:
Eva Hagberg Fisher

“A thread in my book is that I never learn the lessons I want to learn.”

She got through brain surgery, heart surgery, and House-level chronic illness (oh, yeah, and addiction) and came out the other side with a brand-new memoir, but could Eva Hagberg Fisher make it through a podcast-session without catching a cold from her host? We tempt fate with a long conversation about How to Be Loved: A Memoir of Lifesaving Friendship (HMH), the unlikely friendship that saw her through this, the self-jinx of writing about her health, the perverse urge to see her tumor marker tests get worse because at least it would end the uncertainty of her diagnosis, and how pain taught her to balance sobriety with moralizing and martyrdom. We also get into the performative aspect of social media, her ongoing impulse to deception and secrecy and the act of performing vulnerability, the right and wrong way to process one’s emotions, her anxiety in the wake of her recent essay on being in debt, her problems with The Artist’s Way, her immense thanks that her editor cut 95 pages of relationship drama down to two paragraphs, and the stuff you really want to hear us talk about: her dissertation on the professionalization of architectural publicity via the letters of Eero Saarinen and Aline Bernstein Louchheim! Give it a listen! And go buy How to Be Loved!

“My core wound, my fundamental bad belief about myself, is that I’m a hysterical drama queen who’s making things up for attention.”

“I want to know what standard emotional response to a life event is, and then calibrate my response to that.”

“My book can have an ending even if my life is not ending.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Eva Hagberg Fisher’s writing has appeared in the New York Times, Tin House, Wallpaper*, Wired, and Dwell, among other places. She holds degrees in architecture from UC Berkeley and Princeton, and a Ph.D. in Visual and Narrative Culture from UC Berkeley. Her new book is How to Be Loved: A Memoir of Lifesaving Friendship.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded in a workspace in Ms. Fisher’s apartment building on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of me & Ms. Fisher by me. It’s on my instagram. Nicer photo of Eva by Sylvie Rosokoff.

Virtual Memories Show 304:
Edmund White

“Queerness has become less arty, less intellectual, less cultural, more physical, more gym-oriented, more commercial. Lady Gaga instead of Maria Callas.”

Novelist, memoirist, essayist and queer literary icon Edmund White joins the show to talk about his new memoir, The Unpunished Vice: A Life of Reading (Bloomsbury USA)! We get into how his implied reader has changed identities over the years, the differences between writing memoir, autofiction and imaginative fiction, the boom and bust of the “gay fiction” bookstore category, the challenges of his massive biography of Genet and how he navigated about French attitudes toward gossip, and having the gay version of a shotgun wedding. We also get into his HIV diagnosis in 1985, outliving what he thought was a two-year death sentence, and being crazy enough to take on a long-term writing project in the midst of it. In between, we get to his status as a blurb-slut, what it’s like for him to write on a computer for the first time, the pressure to write for a gay audience and how The Flaneur opened him up to a very different reader, and more! Give it a listen! And go buy The Unpunished Vice: A Life of Reading!

“I hate the term ‘creative nonfiction,’ which always sounds to me like, you know, lying.”

“I felt my Genet biography was political. I wanted to remind people that gays had a history before AIDS and that it didn’t just involve disease.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Edmund White is the author of many novels, including A Boy’s Own Story: A Novel, The Beautiful Room Is Empty, The Farewell Symphony, and Our Young Man. His nonfiction includes City Boy, Inside a Pearl, and other memoirs; The Flaneur, about Paris; and literary biographies and essays, including Genet: A Biography and Marcel Proust: A Life. He was named winner of the 2018 PEN/Saul Bellow Award for Achievement in American Fiction. He lives in New York. His most recent book is The Unpunished Vice: A Life of Reading.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mr. White’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. White by me. It’s on my instagram.

Virtual Memories Show:
The Guest List 2018 and Bill Kartalopoulos

Comics scholar (and curator, and editor, and educator) Bill Kartalopoulos joins the show to talk about his role as the series editor of Best American Comics (HMH)! We get into the process of winnowing down the year’s best, working with a new guest editor each year, Bill’s history in comics, the challenges of fitting everything to a standard page size, programming festivals and his tricks for getting a weird mix of panelists, his upcoming general history of North American comics, and plenty more! Give it a listen (Bill’s conversation starts at 46:00) and pick up this year’s edition of The Best American Comics 2018!

But first, it’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2018’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2019! Nearly 3 dozen responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Christmas purchases (or a belated Hanukkah gift), The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from nearly 3 dozen of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014, 2015, 2016, and 2017 editions of The Guest List for more great book ideas!

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About our Guests

The guests who participated in this year’s Guest List are Jerry Beck, Christopher Brown, Dave Calver, Roz Chast, Mark Dery, Michael Gerber, Cathy B Graham, Dean Haspiel, Steven Heller, Richard Kadrey, Paul Karasik, Ken Krimstein, Nora Krug, John Leland, Alberto Manguel, Hal Mayforth, Dave McKean, Mark Newgarden, Audrey Niffenegger, Jim Ottaviani, Robert Andrew Parker, Shachar Pinsker, Nathaniel Popkin, Chris Reynolds, Lance Richardson, JJ Sedelmaier, David Small, Willard Spiegelman, Levi Stahl, Lavie Tidhar, Mark Ulriksen, Irvin Ungar, Henry Wessells . . . and me, Gil Roth! Check out their episodes at our archives!

About our Guest

Bill Kartalopoulos is a comics critic, educator, curator and editor. He is the Series Editor for the #1 New York Times best-selling Best American Comics series published annually by Houghton Mifflin Harcourt. He teaches classes at Parsons and at SVA. He lives in Brooklyn, where he is writing a book about comics.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Bill Kartalopoulos’ home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Bill by me. It’s on my instagram.

Virtual Memories Show 292:
Eddie Campbell

“What if you could be employed just sitting in a pub telling stories? I think that’s where it began for me.”

Legendary cartoonist Eddie Campbell joins the show to talk about his first (sorta) prose book, The Goat Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics! We get into this forgotten piece of comics history, the challenge of offensive ethnic stereotypes in old cartoons, cartoonists’ blind spot toward sports, the other pieces of cartooning history he wants to chronicle, and the amazing, unsung career of Kate Carew. We also talk about the bookshelf of Eddie’s comics work, what took him away from autobiography, the challenge of coloring From Hell (and succumbing to the temptation to redraw some of it), his Bizarre Romance comics collaboration with his wife, Audrey Niffenegger, the lessons of age, the joy of telling shaggy-dog stories, and what it’s like to be known as “Hayley Campbell‘s dad”. Give it a listen! And go buy The Goat Getters and Bizarre Romance!

“I think Kate Carew is a greater cartoonist than most of the so-called ‘Masters of American Comics’, but they’ve defined it to keep women out.”

“The Goat-Getters is a book I’ve wanted to do since about 1980.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Eddie Campbell (born 10 August 1955) is a Scottish comics artist and writer now living in Chicago. Probably best known as the illustrator of From Hell (written by Alan Moore), Campbell is also the creator of the semi-autobiographical Alec stories collected in Alec: The Years Have Pants, and Bacchus, a wry adventure series about some of the Greek gods surviving to the present day (vols. 1 and 2). The Fate of the Artist, in which the author investigates his own murder, and The Lovely Horrible Stuff, an investigation of our relationship with money, are also among his graphic novels. A Disease Of Language is a collaboration with Alan Moore, The Truth Is a Cave in the Black Mountains is with Neil Gaiman and in Bizarre Romance Eddie has turned the short stories of his wife, Audrey Niffenegger, into comics. Eddie is also a historian of cartooning and comics; The Goat Getters is his first large-scale work in this field.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Jesse Sheidlower’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Eddie Campbell & Audrey Niffenegger by me. They’re on my instagram.

Virtual Memories Show 277:
Nathaniel Popkin

“A city, like a book, can be read.”

For a guy who calls himself a master of nothing, Nathaniel Popkin does a pretty good job for himself as a novelist, literary editor, critic, journalist, and urban historian. Nathaniel joins the show to talk about his new novel, Everything Is Borrowed (New Door Books), as well as the new literary anthology he co-edited, Who Will Speak for America? (Temple University Press). We get into the fertile subject and setting of Philadelphia, the goal of building a literary hub for his adopted city, the process of writing a novel about anarchists and architects (which I sorta characterize as the anti-Fountainhead), the necessity of self-delusion for artists, his background in urban planning and how it informs his writing, the challenges and rewards of seeking diversity in art, the importance of the Writers Resist movement, how becoming a writer was his way of being Jewish in the world, and why he eschewed MFA vs NYC in favor of PHL! Give it a listen! And go buy Everything Is Borrowed, Who Will Speak for America?, and Philadelphia: Finding the Hidden City!

“The question of who will speak for America is vital at this moment.”

“Philadelphia is an injured city. It wants to be something but never quite can achieve it.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify,Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Nathaniel Popkin is the author of five books, including the new novel Everything Is Borrowed (New Door Books), called “utterly absorbing” by the writer Robin Black, and the co-editor of Who Will Speak for America?, a literary anthology in response to the American political crisis, forthcoming in June 2018 (Temple University Press). He is the fiction review editor of Cleaver Magazine, as well as a prolific book critic—and National Book Critics Circle member—focusing on literary fiction and works in translation. His work has appeared in the Wall Street Journal, Public Books, The Rumpus, Tablet Magazine, LitHub, The Millions, and the Kenyon Review, among other publications.

As a keen observer of cities and lived places, Popkin has often turned his eye to the layers of history and life in his own city. He’s the founding co-editor of the Hidden City Daily, a web magazine that covers architecture, design, planning, and preservation in Philadelphia, and the co-author of the 2017 work of non-fiction, Philadelphia: Finding the Hidden City (Temple University Press). He’s also the senior writer and story editor of the multi-part documentary film series “Philadelphia: The Great Experiment,” for which his work has been recognized with several Emmy awards. He was the guest architecture critic of the Philadelphia Inquirer from 2011-12.

Popkin’s first novel, Lion and Leopard (The Head and The Hand Press), is a mediation on originality and influence in art. It reimagines the life and tragic death of the first great American genre painter, John Lewis Krimmel. Lion and Leopard was a finalist for the Foreword Reviews Indie Book of the Year Award, and novelist Ken Kalfus described it as “historical literary fiction at its most engaging.”

Lion and Leopard followed two books of literary non-fiction, the 2002 Song of the City (Four Walls Eight Windows/Basic Books) and the 2008 essay collection, The Possible City (Camino Books).

Popkin has been a Pennsylvania Council on the Arts fellow and a writer-in-residence at Philadelphia University and the Athenaeum of Philadelphia.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Philadelphia Athenaeum on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Popkin by me. It’s on my instagram.