2803d239361d1148d0f5ff5ea09e7358Virtual Memories Show #184: David M. Carr

“There’s a deeper music that runs through and beneath the Bible.”

Biblical scholar David M. Carr joins the show to talk about his book, Holy Resilience: The Bible’s Traumatic Origins (Yale University Press). We get into how the Hebrew and Christian scriptures were shaped, the parallels between trauma and religion, the personal trauma that led to his thesis, the perils of applying modern psychology to people in antiquity, how he balances his faith with his scholarship, the problems with seeing yourself as “chosen”, the personal and communal trauma of 9/11 (it gets pretty heavy), and more! Give it a listen! And go buy Holy Resilience!

“I find Paul a fascinating figure. He’s incredibly irritating. He’s all over the place, in some ways. You can never pin him down. But he’s grappling with the reality of life, and life is itself untamable, so it’s an untamable text.”

We also discuss his favorite parts of scripture (something Old, something New), the social justice work that drew him into biblical scholarship, the difference between writing for other scholars and writing for a lay audience, the conflicted nature of Paul the Apostle and the enormous ramifications of that conflict, the tension between monotheism and cosmotheism, and the uncanny nature of celebrating the Cross as a symbol. BONUS: I ramble about visiting a sculpture exhibition in a cow pasture (photoset over here, plus these whitewalkers below)! Now go listen to the show!

“For some people this may be their first encounter with seeing the Bible as a human product, and it can be a little shocking.”

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Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

David Carr is Professor of Old Testament/Hebrew Bible at Union Theological Seminary in New York. Over his decades-long academic career, he has become an international authority on the formation of the Bible, ancient scribal culture, and issues of the Bible and sexuality. He has written numerous books and articles, including The Erotic Word: Sexuality, Spirituality, and the Bible and Writing on the Tablet of the Heart: Origins of Scripture and Literature, both published by Oxford University Press. He is now working on a major scholarly commentary on Genesis 1-11.

Decades into a career as a biblical scholar, he suffered a life-threatening bicycle accident that changed his view of the scriptures he had devoted his life to studying. As he grappled with his own individual trauma and survival of it, he became interested in how the collective trauma of Israel and the early church had shaped the Bible. He saw that these holy texts are defined by survival of communal catastrophe. This is part of what makes them special, what made them last. The result of this basic insight is Carr’s work, Holy Resilience: The Bible’s Traumatic Origins (Yale University Press).

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Mr. Carr’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Mr. Carr by me.

vheffVirtual Memories Show #182:
Virginia Heffernan

“It’s very, very weird to do something along with three billion other people.”

Cultural critic Virginia Heffernan joins the show to talk about her new book, Magic and Loss: The Internet as Art (Simon & Schuster)! We talk about what’s behind the screen, why the internet is bigger than the Industrial Revolution, her first experience online in 1979, what it’s like to be in a piece of performance art with half the world’s population, her crushing defeat at meeting Joan Didion, why she’s nostalgic for landline phones, the motive motive of Pokemon Go, asking The New York Times to host a shred-guitar competition, and why there’s value in Reading The Comments! Give it a listen! And buy Magic and Loss!

“The Magic is the part of the internet that is delightful, that moves you to a new space, that is the Mystery of existence. The Loss is that sick feeling you have when you’ve been online all the time.”

magic-and-loss-9781439191705_hrWe also get into the karmic hassle of filing expense reports, the necessity of having an online avatar, balancing her virtual and physical presences, the Talmudic ferocity of language-correctors online, the long history of selfies, what goes wrong every time she tries to write fiction, being a fiction fact-checker for The New Yorker, why people should read upthread, and the miracle of her author picture and the uncanny valley. Now go listen to the show!

“Absolute banality is not good, but babbling eccentricity is dangerous, too.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

Virginia Heffernan (a.k.a. @page88) is a journalist, critic and author, most recently, of Magic and Loss: The Internet as Art (Simon & Schuster, 2016). Heffernan has been called “America’s preeminent cultural critic,” “a public intellectual for the 21st century,” and among the “finest living writers of English prose.” Edward Mendelson in The New York Review of Books called Magic and Loss, “surprisingly moving…an ecstatic narrative of submission.” Kevin Kelly, the co-founder of WIRED, writes, “Heffernan is a new species of wizard. It is a joy and a revelation to be under her spell.”

From 2008 to 2012, Heffernan wrote “The Medium,” a weekly column about Internet culture, for The New York Times Magazine. Before introducing the column, Heffernan spent four years as a television critic at the daily New York Times, where, in addition to writing reviews and features, she chronicled the convergence of television and the Internet. In 2002, she received a Ph.D. in English and American literature from Harvard, where her dissertation was on financial dynamics in American novels. Before that, she served as articles editor at Talk Magazine, senior editor at Harper’s Magazine, and television critic for Slate. From 2012 to 2014, she was the national correspondent at Yahoo! News. From 2015-2016, she was a Visiting Scholar in the department of Media, Culture and Communications at NYU, and editorial director of West, a venture-capital firm in San Francisco. She still consults with VCs and startups.

Heffernan has also written for The New Yorker, Mother Jones, New York Magazine, Salon, MTV, Politico, VICE, WIRED, The Wall Street Journal, Marie Claire, Glamour, The Message, Matter, and many other publications. She has appeared on The Open Mind, 20/20, CNBC, MSNBC, and regularly on NPR. As an academic and a journalist, Heffernan has lectured and keynoted at Google, The Library of Congress, The New York Public Library, Princeton, Dartmouth, Ohio University, Harvard, Union College, NYU, The Savannah College of Art and Design, The National Gallery of the Arts, and Boston College, among many other institutions, universities, and corporations. Her essays have been widely anthologized, including in Extreme Exposure (1999), Unholy Ghost (2002), and Prime Times (2004), Is the Internet Changing the Way You Think?: The Net’s Impact on Our Minds and Future (2014), What to Think About Machines That Think: Today’s Leading Thinkers on the Age of Machine Intelligence (2015). In 2005, Heffernan (with co-writer Mike Albo) published the comic novel, The Underminer (Bloomsbury).

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded Ms. Heffernan’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Photo of Ms. Heffernan by Francis Hill.

33_0Virtual Memories Show #178:
Arthur Lubow

“Photography has never been made coequal to the other arts. Yet, you might say it’s superior, because it’s more dangerous.”

Arthur Lubow‘s fantastic new book, Diane Arbus: Portrait of a Photographer (Ecco), explores the life and death of a key figure in the history of photography-as-art. We talk about the evolution of photography from documentation to expression, the role Diane Arbus played in that transformation, her sensibility and intellect and how she expressed them both in her photography and her writing, Arbus’ collaborative method of portraiture, her fascination with and sympathy for “freaks”, why it’s counterproductive to look to Arbus’ photos for clues to her suicide, and more! Give it a listen! And buy Diane Arbus: Portrait of a Photographer!

“What’s important is why and how she was able to produce these amazing photographs, not why she took her own life.”

We also talk about the perils of anhedonia, the missing pages of Arbus’ datebook, Arbus’ anxiety about commercial and critical success, the new sources that Arthur uncovered, who Arbus might have become had she not killed herself, the challenge of writing a biography about an artist, and whether Arbus “exploited” her subjects. It’s a fascinating conversation about a major artistic figure, so give it a listen!

“It was Arbus more than anyone else who helped instigate the change in the artistic status of photography.”

Enjoy the conversation! Then check out the archives for more great episodes!

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About our Guest

03BOOK2-master315Arthur Lubow is a journalist who writes mainly about culture. He has been a contributing writer at the New York Times Magazine, a staff writer at The New Yorker, and a contributing editor at Vanity Fair. About his previous biography, The Reporter Who Would Be King, on the turn-of-the-century war correspondent and novelist Richard Harding Davis, Naomi Bliven wrote in The New Yorker that “the biographer uses his documentation deftly and thoughtfully; we feel we know Davis intimately….Lubow’s work is impressive in every way, but his most impressive achievement is getting Davis’s charm on paper. Charm is always impalpable, and it’s highly perishable when the charmer has vanished. You don’t find Davis’s charm on every page of Davis, but you find it everywhere in Lubow.” The recipient of fellowships from the National Endowment for the Humanities and from the Dorothy and Lewis B. Cullman Center for Writers and Scholars at the New York Public Library, Lubow is the winner of a James Beard Award and a fellow of the New York Institute for the Humanities. He lives in New York City and East Haddam, CT.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at Arthur’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. Photo of Mr. Lubow by me, portrait of him by Stephen Salmieri.

AlleEgoCover_400wVirtual Memories Show #172:
Glynnis Fawkes

“A lot of how I draw comes from Greek vases. They’re like ancient comics.”

Glynnis Fawkes joins the show to talk about archeology, comics, dig romances, Homer and more! We celebrate her award-winning new comic, Alle Ego, figure out how to make art while raising a family (hint: mine your family to make the art), explore the correlation of Greek vases to comics, lament the savage history of Troy and Gallipoli, while embracing the comics-centric world of Angouleme, and more! Give it a listen! And buy Alle Ego, the new installment of her book, from her store.

“We’re here now, but human experience goes so far back. Relationships, love, death: this has all gone on so long.”

We also get into her journey from the Pacific Northwest to the Middle East, her senior thesis on satyrs & maenads, the demands of drawing urns based on fragments, the best way to learn drawing comics, her move away from fine art, her life-changing experience at the Maison des Auteurs, and bumping into Alison Bechdel at the supermarket. Give it a listen!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

27026892976_7bb45c8368_zGlynnis Fawkes is a cartoonist, painter, and archaeological illustrator. Her current project is a memoir about working as illustrator on digs in Greece and the Middle East. She drew many of the pages for this book at a residency at La Maison des Auteurs in Angouleme, France in the summer of 2015. She recently completed 50 illustrations and cover for John Franklin’s Kinyras: The Divine Lyre (Center for Hellenic Studies Press, 2016). Glynnis’ background is in art and art history: a BA from University of Oregon, a BFA from the Pacific NW College of Art, and MFA from the School of the Museum of Fine Arts in Boston and Tufts University. During a Fulbright fellowship to Cyprus, she published a book of paintings, Archaeology Lives in Cyprus, and a book of cartoons, Cartoons of Cyprus. She spent almost 10 years working as an illustrator on archaeological projects and excavations in Cyprus, Turkey, Syria, Israel, and Lebanon, and continues to work in Greece. She began a doctorate at the University of Wollongong in Australia, but instead of finishing, married the famous archeo-musicologist John Franklin and had some children (now in school). She has exhibited paintings in Boston, London, Nicosia, Wollongong, at the Laura Russo Gallery in Portland, OR, and in Burlington, VT, where she now lives. She teaches a course in Comics at the University of Vermont and drawing at Champlain College. Glynnis is a member of the NY-based web comic collective Activatecomix.com and publishes on Muthamagazine.com.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission of the artist. The conversation was recorded at the Toronto Marriott Bloor Yorkville Hotel on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Blue enCORE 200 Microphone feeding into a Mackie Onyx Blackjack 2×2 USB Recording Interface. Processing was done in Audacity and Logic Pro. B/w photo of Glynnis by me. Not sure who to credit with the color pic.

26896231125_21489a856f_zVirtual Memories Show #169:
David Mikics

“These days, we tend to think of identity as something chosen; we put on certain masks or we identify as this or that, culturally, ethnically or politically. Bellow is interested in something much more basic: who we really are.”

David Mikics joins the show to talk about his wonderful new book, Bellow’s People: How Saul Bellow Made Life Into Art (Norton). We get into Bellow’s legacy, his fall from academic favor, his transmutations of life into art, David’s humorously accidental introduction to his work, what Jewishness meant to Bellow, whether Philip Roth was right when he told Bruce Jay Friedman, “Saul Bellow am de daddy of us all,” and more! Give it a listen! And go buy Bellow’s People: How Saul Bellow Made Life Into Art.

“Bellow once said that the reason writers had such messy personal lives is because they didn’t know what to do with the afternoon.”

Bellow's People FIN JKT.inddWe also talk about David’s experience as a professor, why writing is harder for today’s students, what it’s like to teach course called, “Is Life Worth Living?” and “The Human Situation”, which science fiction novels warped him as a youth, why we need Slow Reading in a Hurried Age, what contemporary books look like they’ll last, and why he eventually came around on Faulkner.  Go listen!

“Canonicity is not where you find it, but where you make it.”

There’s a BIG list of books we talked about, but it’s only available to supporters of The Virtual Memories Show, so go to Patreon or Paypal and make your contribution to this podcast!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

David Mikics grew up in Carteret, New Jersey and Atlanta. He went to college at NYU and earned a Ph.D. at Yale. He lives in Brooklyn with his wife Victoria and son Ariel, and teaches every year at the University of Houston, where he is John and Rebecca Moores Professor of English. He is the author of six books, including Slow Reading in a Hurried Age (Belknap/Harvard) and Bellow’s People: How Saul Bellow Made Life Into Art (Norton), and is a columnist at Tablet magazine.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at David’s home on a pair of Blue enCORE 200 microphones feeding into a Zoom H5 digital recorder. Intro was recorded on the same setup. Photo of Mr. Mikics by me.