Virtual Memories Show 443:
Anita Kunz

“All I did was change the pronouns. And that added a layer to it, expanded on the idea of these paintings.”

With her new book, Another History of Art (Fantagraphics), legendary illustrator & artist Anita Kunz beautifully reimagines classic paintings from a female perspective, offering up homages to the works of Leona Da Vinci, Paola Picasso, Gertrude Klimt, and many more. We get into the origins of this project, what it meant when she flipped the gender pronouns and feminized the names of artists & critics across the centuries, and how important it is for her to make art with a purpose, whether it’s cultural, social or political. We get into how her career as an illustrator has evolved over 4+ decades, how she straddles the line between illustration & fine art, the importance of working with great art directors, and the old days when she had to race to an airport to make changes to a piece of art. We also get into how primatology explains politics, the joy of discovering that she has multiple books ahead (like this fall’s Original Sisters), why she’s been making a painting a day during the pandemic, why she volunteered at a monkey sanctuary & how she wound up collaborating with a Capuchin monkey named Pockets Warhol, and much more! (Plus, you get some news about my recent health issues.) Give it a listen! And go read Another History of Art!

“I’ve been learning more about the gallery world, but I’m still completely baffled as to how it works. If you’re an illustrator, you need to have a cohesive style, you need to be professional, and you need to meet deadlines. In the gallery world, it’s not always about that kind of stuff.”

“It’s really interesting to see all of your work up on the wall. It makes you think about where you are and where you’ve come from.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest


Anita Kunz is an acclaimed illustrator and painter whose work has graced the covers of the New Yorker, Time, Rolling Stone, The New York Times Magazine, and many other mass circulation periodicals. She was named one of the 50 most influential women in Canada by the National Post. She was the first woman and the first Canadian to have a solo show at the Library of Congress. She has been appointed Officer of the Order of Canada, the country’s highest civilian honor. She lives in Toronto. Her new book is Another History of Art.

Follow Anita on Facebook and Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Anita by someone else. It’s on my instagram.

Virtual Memories Show 440:
Ron Hogan

“I feel like you’re writing because you have something to say, something that you’re trying to figure out, and I wanted to put my emphasis on that part of the process.”

Practice makes person! With his new book, Our Endless and Proper Work: Starting (and Sticking to) Your Writing Practice (Belt Publishing), Ron Hogan explores how writing can be the process of becoming who you are, the importance of attention & focus and a regular writing practice, and why process is more important than product. We get into his sensation of receiving a Calling a few years ago and how he’s carried that experience in his day-to-day life, the challenge of making your day job feed your inner life, the ways we can try to carve out time for that writing practice (and the ways to keep from beating yourself up when you don’t stick to it), and why letting go of competitive goals can be a boon for a writer. We also talk about what he learned during the pandemic, how the realness of our virtual selves has evolved along with the internet, what he gets from returning to Robert Anton Wilson’s memoir over the years, the misuses of Stoicism, and why he didn’t use the title of his great writing e-mail, Destroy Your Safe & Happy Lives, for the book. Give it a listen! And go read Our Endless And Proper Work!

(Also, subscribe to Ron’s e-mail, and listen to our 2015 podcast and our COVID Check-In!)

“If we have more attention & focus, if we step back from the routines that we’ve developed and that society has developed for us, and put our conscious attention into something else, the more capacity we develop.”

“I use ‘practice’ deliberately, to link it up with meditation, sitting with your thoughts, and sifting through them, and recognizing which ones are just passing and which actually speak to something you care about, and want not to keep inside, but want to share.”

“I think there’s a lot more to be said about the process of becoming, the process of finding yourself.”

TUNEIN PLAYER TK

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Ron Hogan has been an industry analyst for a media website, a digital marketing director for a publishing house, a freelance book reviewer, and an acquiring editor for a startup book publisher. He is the founder of the literary site Beatrice, and creator of a popular newsletter about developing your writing practice, Destroy Your Safe and Happy Lives.

There’s a more extensive bio at Ron’s site.

Follow Ron on Twitter and Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Chez Virtual Memories on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ron by me. It’s on my instagram.

Virtual Memories Show 436:
Dmitry Samarov

“Basically I didn’t have to make anything up. I’ve never understood why anybody has to make anything up. The world is so weird, and the stories you get by shutting up and listening are all you’ll ever need.”

With his new book OLD STYLE, artist & author Dmitry Samarov moves from memoir into a (mostly) fictional mode, chronicling the lives and deaths of a pair of Chicago bars. We get into the liberations & responsibilities of fiction, the challenges of writing about bars while avoiding nostalgia, and how he put in the time to understand the bar patrons and their archetypes. We also talk about making art through the pandemic, turning his old art & writing into collage books, the need to change his palette, and what it was like for him to teach drawing for the first time (at 50!) and the curriculum he’d design if he had the opportunity. Plus, we get into his is recent NYC trip to see the Alice Neel retrospective, the next book he’s hoping to write, and his semi sorta envy at my taking up drawing at 50. Give it a listen! And go read OLD STYLE!

(& check out my other conversations with Dmitry: 2014, 2015, 2018, 2020, and our COVID Check-In)

“I haven’t had a truly stuck or blocked period in many years. My way of working is to throw a lot of stuff against the wall. I don’t know what percentage of it will stick, but I make a lot of work, and it takes years to figure out what was actually good.”

TUNEIN PLAYER TK

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Dmitry Samarov paints and writes in Chicago. He is the author and illustrator of six books. He sends out a newsletter every Monday. An absurd amount of his work is collected at his website, which is seventeen years old now.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Dmitry from 1990 by some photobooth, I expect. It’s on my instagram.

Virtual Memories Show 435:
Dorothy Gallagher

For my first in-person podcast since March 2020 (!), I talked with writer, memoirist & biographer Dorothy Gallagher about her beautiful new collection, Stories I Forgot To Tell You (NYRB). We get into the 2010 death of her husband, literary editor & raconteur Ben Sonnenberg, and how it took her five years before she could begin to write about him, the need to balance elegy and humor in her writing, and the importance of her early days working at Magazine Management (alongside the likes of Mario Puzo & Bruce Jay Friedman). We also discuss whether things are “only things” or evidence of a life, why it’s not good for a biographer to actively dislike her subject, the one biography she’d love to write, her atheist’s notion of an afterlife (less eternal punishment/reward, more eternal cocktail hour), her favorite time & place in NYC, why she misses flea markets, the impact/scars of her Communist upbringing, how she’s handled the pandemic, and why the isolation would have driven her late husband nuts. Give it a listen! And go read Stories I Forgot To Tell You!

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Dorothy Gallagher’s works include two volumes of memoir — How I Came into My Inheritance and Strangers in the House — as well as a biography of the Italian American anarchist Carlo Tresca and, most recently, Lillian Hellman: An Imperious Life. She lives in New York. Her new book is Stories I Forgot To Tell You.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. No photo of Dorothy: her choice), but I did take a pic of the weird little mule figure she bought in a flea market a while back (above). It’s on my instagram.

Virtual Memories Show 431:
Louis Menand

“Writing a book like this is like an advent calendar: each day you open a little window and there’s somebody in there. You hadn’t known about them before and you learn a fascinating story.”

Pulitzer Prize-winning author and cultural critic Louis Menand joins the show to celebrate his phenomenal new book, THE FREE WORLD: Art And Thought In The Cold War (FSG). We get into his process for chronicling the artistic, cultural, intellectual, technological and literary movements of the postwar era, the stories of the lives behind those movements and how he threads them together, what we mean when we talk about freedom, why writing can be like kicking open a rolled-up carpet, and the toughest art form to write about. We talk about the influence of John Cage (whose work we both dislike), the amazing creative lineage of Black Mountain College, the ~75,000 words he had to cut (the book is plenty hefty as is) and why he would have liked to include a chapter on Japan’s art scene, the role of the CIA in funding movement and artistic venues, and the one person he regrets not interviewing for this project. We also discuss his pandemic life, the One More Book he wants to write, his father’s anti-anti-Communist stance, the book’s original title and why it had to change, and why his students at Harvard seem more interested in the ’50s than the ’60s. Give it a listen! And go read THE FREE WORLD!

“The word ‘Freedom’ was everywhere, but then you start to think, ‘What does it actually mean?’ It could be used to describe a musical composition, or the condition of racial segregation, or what the US stood for in the Cold War. If you could use it for such varied purposes, did it mean anything?”

“The movement with the greatest impact was decolonization. We’re still living through in the consequences of that moment. It’s like a Big Bang in reverse. Between 1945 and 1970, dozens and dozens of countries came into being that were former colonies. That changed the geopolitical map forever.”

SPOTIFY PLAYER TK

“Our culture was so dominant, we could’ve conquered the world without all the deception of CIA funding and cutouts.”

TUNEIN PLAYER TK

“What made the Cold War an intense period intellectually was that people didn’t really know what side they were on. There were a lot of intellectuals and artists who were sympathetic to the Soviet experiment. That fades with Stalinism, but doesn’t get replaced completely with capitalism.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Louis Menand is professor of English at Harvard University and a staff writer at The New Yorker. His books include The Metaphysical Club, which won the Pulitzer Prize in history and the Francis Parkman Prize from the Society of American Historians. In 2016, he was awarded the National Humanities Medal by President Barack Obama. His new book is THE FREE WORLD: Art And Thought In The Cold War.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded remotely via Zencastr. I used a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Louis by Matthew Valentine. It’s on my instagram.