Virtual Memories Show 314:
Mark Alan Stamaty

“MacDoodle St. is the closest I ever got to the direction I wanted to go with my work.”

To celebrate the new 40th anniversary edition of MacDoodle St. (New York Review Comics), Mark Alan Stamaty joins the show for a conversation about that comic strip/graphic novel and what it meant for him and his career. We get into how it felt to draw a coda for this collection and how looking back at this work affects the two graphic novels he’s working on. We also talk about the joy of drifting, what it means to be a New York flaneur after 50+ years in the big city, his lifelong lament over the Dodgers leaving Brooklyn, the Tom Robbins book that warped his brain and set him on the path to MacDoodle St., the meditative quality of Chinese scholar rocks, and the work he wished he did in his younger days, as well as what he would have pursued if he’d been more financially secure. Oh, yeah, and he also tells us about getting possessed by Elvis’ spirit, his coping mechanisms for having a pair of gag cartoonists for parents, and the importance of composition for conveying energy to his readers. BONUS but not really: The intro is 15 minutes long, because I get into some weird epiphany-stuff; just skip to 15:00 for the start of the conversation. Give it a listen! And go buy MacDoodle St.!

“Composition is the energy of the whole work. Composition — form and color — that language means more to me than what’s being represented. It’s that chi, that energy.”

“I think I could have done amazing things in sculpture, but I had to do too much shit for money.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Mark Alan Stamaty is an acclaimed cartoonist and illustrator. His children’s books include Who Needs Donuts?, Alia’s Mission: Saving the Books of Iraq, Shake, Rattle & Turn That Noise Down!: How Elvis Shook Up Music, Me & Mom, Small in the Saddle, Minnie Maloney and Macaroni, and Where’s My Hippopotamus?. In 1977–1978, Mark’s panoramic centerfold cartoons for the Village Voice of Greenwich Village and Times Square attracted widespread attention and were sold by the Voice as posters; he then created a series of comic strips for that paper, including MacDoodle St. In 1981, he created the acclaimed political comic strip Washingtoon for the Voice and The Washington Post, and it was soon picked up by more than forty papers. From 1994 to 1996, he was the political cartoonist for Time magazine, and from 2001 to 2003, he produced the monthly comic strip Boox for The New York Times Book Review. His cartoons, illustrations, covers, and comics reporting have appeared in The New Yorker, Harper’s, The New Republic, New York, GQ, and many other magazines and newspapers. His honors include two Gold Medals and two Silver Medals from the Society of Illustrators, the Premio Satira Politica Forte dei Marmi 2005 from the Museum of Satire and Caricature in Forte dei Marmi, Italy, a Page One Award from the Newspaper Guild of New York, and the Augustus Saint-Gaudens alumni career award from the Cooper Union. He was born in Brooklyn in 1947, and lives in New York.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Lexington Hotel in NYC on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mark by me. It’s on my instagram.

Virtual Memories Show 310:
James Sturm

“I don’t consider myself to be a political cartoonist, but I feel like no one can afford not to be political right now.”

Cartoonist and educator James Sturm joins the show to talk about his new graphic novel, Off Season(Drawn & Quarterly), the story of a disintegrating marriage set against the backdrop of the 2016 election. We get into his artistic choices for this amazing book: using anthropomorphics, designing it in a 2-panel-per-page layout, and writing a story so convincing that friends thought his own marriage was falling apart (it wasn’t). We also talk about James’ experience of starting the Center for Cartoon Studies up in Vermont and what it taught him about cartooning, finding joy in the studio, exploring visions of America in his comics (or not; it’s up for debate), treating the long VT winters as “cartooning season”, his mega-sized graphic novel that will never see the light of day and the liberation of throwing a big project overboard, the comic shops we both frequented in our youth, the revelatory experience of reading Mark Alan Stamaty‘s comics, the Indian ledger books that comprise the first American graphic novels, and a lot more (including a Brink’s heist). Give it a listen! And go buy Off Season!

“The history of comics isn’t just the history of the industry of comics. I think the people who are making comics now are going to help re-evaluate the history.”

“My superpower as a cartoonist is doggedness.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

James Sturm is an award-winning cartoonist whose books have been translated widely. His work has appeared on Slate, The New York Times, and on the cover of The New Yorker. He is also the co-founder of the Seattle newspaper, The Stranger, and the Center for Cartoon Studies, a cartooning college. James lives in Hartland, VT, with his family and two dogs. His new book is Off Season.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at a pal’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of James & doggo by him. It’s on his instagram, not mine.

Virtual Memories Show 309:
Joe Ciardiello

“Everything Sergio Leone knew about Americans came from the movies, so he was let down when he saw American soldiers in Rome after the war. The heroic aspect was there, but he saw these guys for who they really were.”

Illustrator/artist Joe Ciardiello returns to the show to talk about his brand-new book, A Fistful of Drawings (Fantagraphics Underground). We go into the project’s history, Joe’s exploration of the Italian-American experience, and how it’s reflected in Spaghetti Western cinema of Sergio Leone & his peers. We also talk about how Joe overcame his anxiety about writing to bring the book’s narrative together, how Buffalo Bill and Old West culture infected Italy, his visit to the street set of The Godfather as a kid in Staten Island, the book of his musician drawings he hopes to make, keeping up with new westerns, the actors and figures he didn’t have room for in A Fistful of Drawings (but maybe we’ll see in For A Few Drawings More!), a survey of his drawing heroes and more recent inspirations, and more! Give it a listen (and check out my 2017 episode with Joe)! And go buy A Fistful of Drawings!

“I look at Picasso’s late drawings, and it’s the abandon, the freedom; the older I get, that’s the thing I crave the most.”

“There’s a logical extension from the Western to the Gangster film.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Joe Ciardiello was born and raised on Staten Island, NY, just a ferry ride to Manhattan where he attended the High School of Art & Design and Parsons School of Design. A freelance illustrator since 1974, Ciardiello has worked for most major magazines, newspapers, and book publishers, including Entertainment Weekly, The Nation, The New Yorker, The NY Times Book Review, and Rolling Stone. His drawings have been exhibited in galleries and museums throughout the country. Among his awards is the prestigious Hamilton King Award from the Society of Illustrators in 2016. Joe lives in Hunterdon County, NJ. His new book is A Fistful of Drawings.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Joe’s studio on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Joe by Deborah Feingold. It’s on her website.

Virtual Memories Show 307:
Mort Gerberg

“People submitting comics to the New Yorker could expect a 98% rejection rate. What kind of a sane person would go into that field?! You have to have some sort of personality aberration to do this!”

On the eve of his exhibition at the New-York Historical Society (Feb. 15 to May 5, 2019), legendary cartoonist Mort Gerberg reflects on more than five decades of cartooning and art. We talk about his new collection, Mort Gerberg On The Scene: A 50-Year Cartoon Chronicle (Fantagraphics Underground), and what he learned in the process of culling the selection of his work for the show. We get into the roots of his groundbreaking civil rights cartoons (and how he got away with making weed jokes in the Saturday Evening Post in 1965), his pioneering comics reportage, how his spontaneity and energy secretly come from laziness, the challenge of drawing people on NYC subways, his intense focus on the business side of cartooning (and how it might be tied into his late start as a cartoonist), and how he tied vacations and even his honeymoon into work assignments. Give it a listen! And go buy Mort Gerberg On The Scene and check out the new exhibition of Mort’s work at the New-York Historical Society!

“When I would see something that looked like an injustice, I had to do something.”

“The first day I walked into the Saturday Evening Post, they told me the cartooning business was dying. That was 1962, and it’s been dying ever since.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Mort Gerberg is an award-winning, multi-genre cartoonist and author best known for his cartoons in The New Yorker, Playboy and many other magazines, and for Cartooning: The Art and the Business, considered “the most comprehensive, authoritative book on the subject.”

He has drawn three nationally-syndicated newspaper comic strips and has written, edited and/or illustrated 43 books for adults and children, including the best-selling More Spaghetti, I Say!.

Mort has been a content provider for television and online sites, posted daily topical cartoons, and performed a weekly on-camera-drawing feature. He also wrote and drew animated fables and did live cartoon election coverage. He has done on-the-scene sketch reportage for magazines and newspapers, covering national and international politics, sports and travel.

He taught cartooning for 15 years at Parsons School of Design, was a founder and president of the Cartoonists Guild, and is a member of the National Cartoonists Society. He was voted as Best Magazine Cartoonist of 2007 and 2008 by the National Cartoonists Society, and was a CCNY Commuications Hall of Fame Honoree in 2010.

Mort lives in New York Cit with his wife, Judith. He pitches for the New Yorker softball team, plays tennis and the piano, and sings in a choir.

He’s on Twitter and Instagram as mortgerberg.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mort’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Gerberg by me. It’s on my instagram.

Virtual Memories Show 303:
Peter Kuper

“Art has been my saving grace, in terms of having an outlet so I’m not just having today’s news run around in my head and make me scream.”

Political artist/illustrator Peter Kuper rejoins the show to talk about these Kafkaesque times and his new graphic novel, Kafkaesque: Fourteen Stories (Norton)! We get into his decades-long interest in Kafka, the art of literary adaptation, why the constraints of working with an existing story can be liberating, how to talk about controversial artists in the present moment, the various translations of K he read before commissioning his own, and challenges of his adaptation-in-progress: Heart of Darkness. We also get into his post-2016-election mindset, the discovery of his New Yorker cartoonist line, his laborious process of breaking down a comic, what his dream adaptation project is, the time he got stranded in a village in Africa by an evil guide, and much more! Give it a listen! And go buy Kafkaesque: Fourteen Stories!

“I feel a lot of anxiety that what I’m working on relates to what’s going on in the world.”

“I teach so that I can learn what it is I think I know.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Peter Kuper’s work appears regularly in The New Yorker, The Nation, and Mad, where he has written and illustrated “Spy vs. Spy” every issue since 1997. He is the co-founder of World War 3 Illustrated, a political comix magazine now in its 40th year of publication. He has produced over two dozen books, including Sticks and Stones, The System, Diario de Oaxaca, Ruins (which won the 2016 Eisner Award) and more. His most recent graphic novel is Kafkaesque: Fourteen Stories. He is currently working on an adaptation of Joseph Conrad’s Heart of Darkness.

Peter has lectured extensively throughout the world and has taught comics and illustration courses at Parsons, The School of Visual Arts, and Harvard University’s first class dedicated to graphic novels. A frequent guest at literary festivals, Peter enjoys traveling the world, but will always call New York City his home.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Peter’s studio on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder, as well as a Zoom H2n Handy Recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. B/w photo of Peter by me. It’s on my instagram. Butterfly photo by Holly Kuper.