Virtual Memories Show 356:
Emily Flake

“My personal brand tracks so well with physical awkwardness.”

With her new book That Was Awkward: The Art & Etiquette of the Awkward Hug (Viking Books), cartoonist and humorist Emily Flake explores the world of awkward hugs. We get into how that book landed in her lap, why she hates drawing other people’s jokes, and how she learned (and pushes the boundaries of) the New Yorker cartoonist’s voice. We talk about the massive influence of Shary Flenniken’s Trots & Bonnie comics on her work, the question of “age-appropriate” reading and her 7-year-old kid, performing stand-up cartooning and hosting the Nightmares and Shitshow series (and getting Robyn Hitchcock to guest on that evening’s Nightmares!), how making 4-beat comic strips taught her to write humor, the guilt she felt the first time she saw someone with a tattoo of one of her gags, building up immunity to editorial rejection, and more! Give it a listen! And go buy That Was Awkward: The Art and Etiquette of the Awkward Hug!

“Halfway through art school, I realized my work got better reception if it was funny.”

“I stopped going in for Look Day. Once you can e-mail things in, why wear pants?”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Emily Flake‘s cartoons and humorous essays run regularly in The New Yorker, The Nib, and many other publications. Her weekly strip, Lulu Eightball, ran in alt-weeklies for many years. She’s written and illustrated two books: These Things Ain’t Gonna Smoke Themselves and Mama Tried. Her illustrations and cartoons appear in publications all over the world, including the New York Times, Newsweek, the Globe and Mail, The Onion, The New Statesman, and Forbes. She lives in Brooklyn, New York, with her husband, daughter, and a new cat. Her new book is That Was Awkward: The Art and Etiquette of the Awkward Hug (Viking Books). She’s on Twitter and Instagram.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Emily’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Emily by me. It’s on my instagram.

Virtual Memories Show:
The Guest List 2019

It’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2019’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2020! More than two dozen responded with a dizzying array of books. (I participated, too!) The Virtual Memories Show offers up a huge list of books that you’re going to want to read in the new year! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from 25 of our recent guests (and one upcoming guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014, 2015, 2016, 2017, and 2018 editions of The Guest List for more great book ideas!

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About our Guests

The guests who participated in this year’s Guest List are Christopher Brown, Nina Bunjevac, Caleb Crain, Joan Marans Dim (episode coming 2020), Boris Fishman, Katelan Foisy, Mort Gerberg, Eva Hagberg, Peter Kuper, Kate Lacour, Liniers, Kate Maruyama, Edie Nadelhaft, Sylvia Nickerson, James Oseland, Dawn Raffel, Witold Rybczynski, Frank Santoro, Ersi Sotiropoulos, Karl Stevens, James Sturm, Frederic Tuten, Chris Ware, and me, Gil Roth! Check out their episodes at our archives!

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The episode was recorded at stately Virtual Memories Manor on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of my 2019 books by me. It’s on my instagram.

Virtual Memories Show:
Tom Spurgeon
Memorial Service,
Dec. 14, 2019

“I had an amazing life, and my love for my family is unsurpassed, followed nearly as much as the love for my closest friends. Be kind to yourselves, and live in laughter as much as possible. I love you. Thanks for everything.”

This special episode of The Virtual Memories Show features the memorial service for Tom Spurgeon, held December 14, 2019, at the Billy Ireland Cartoon Library and Museum. The speakers (in sequence) were Whit Spurgeon, Sunny McFarren, Rob Eidson, Dan Wright (slideshow here), Fred Haring, Eric Reynolds, Jordan Raphael, me, Jeff Smith, Laurenn McCubbin, Rebecca Perry Damsen, Caitlin McGurk. The following people spoke during the open comments session: Bruce Chrislip, Christian Hoffer, Carol Tyler, Evan Dorkin, Darcie Hoffer, Shena Wolf, James Moore. To get a greater understanding of Tom’s life and his impact on the world around him, please listen to these heartfelt, emotional, and sometimes funny remembrances of our friend. If you’d like to make a donation in Tom’s name, he requested that your gifts go to the Billy Ireland Cartoon Library and Museum, but he also would have been happy to know you supported your favorite artist, writer, or creator, however you can. Give it a listen!

“You realize I don’t do anything I don’t want to, right?”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Tom’s obit by Andy Downing will tell you plenty.

Here are some pix I took of the speakers. I forgot to take one of Whit.

Credits: These remarks were recorded at Tom Spurgeon’s memorial service at the Billy Ireland Cartoon Library & Museum on a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Memorial pins were designed by Chris Pitzer of AdHouse Books, based on a caricature of Tom by Sam Henderson. You can get one here. Memorial card portrait of Tom by Julian Dessai, with lettering and scrollwork by Emi Gennis, and layout and color separations by Laurenn McCubbin.

Virtual Memories Show 354:
Peter Kuper

“Heart of Darkness deserves to be canonical because it addresses through art what it means to be civilized and what it means to be savage, and touches on things happening now in our world: the madness of power.”

Political artist/illustrator Peter Kuper rejoins the show to talk about his new graphic adaptation of Joseph Conrad’s Heart of Darkness (WW Norton). We get into the highwire act of addressing race without diluting the book or otherwise changing Conrad’s tale (that is, how do you balance adaptation and revisionism?), how Peter accidentally subjected himself to some of Marlow’s ill health while adapting the book, and how he used graphic storytelling to bring other perspectives to the story. We also discuss his trepidation about adapting a canonical book, his trepidation about drawing boats, and is trepidation about making an optimistic issue of World War 3 Illustrated. Oh, yeah, and he tells us about getting to hold Conrad’s diary from the river journey that inspired Heart of Darkness, his ongoing Spy Vs. Spy strips for Mad Magazine, and, on his 3rd appearance on the show, I finally ask him just where his progressivism started! Give it a listen! And go buy Heart of Darkness!

“One of the great ironies of censorship is that Mad Magazine was the only thing left standing after the other EC comics had to shut down, because it was more subversive than any of the others.”

“Art can speak some kind of truth that even photography fails at.”

“My intention with almost any project is to demonstrate what you can do with comics.”

“Adaptation is like taking a graduate class.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

About our Guest

Peter Kuper’s work appears regularly in The New Yorker, The Nation, and Mad, where he has written and illustrated “Spy vs. Spy” every issue since 1997. He is the co-founder of World War 3 Illustrated, a political comix magazine now in its 40th year of publication. He has produced more than two dozen books, including Sticks and Stones, The System, Diario de Oaxaca, Ruins (which won the 2016 Eisner Award), and Kafkaesque: Fourteen Stories. His new book is Heart of Darkness.

Peter has lectured extensively throughout the world and has taught comics and illustration courses at Parsons, The School of Visual Arts, and Harvard University’s first class dedicated to graphic novels. A frequent guest at literary festivals, Peter enjoys traveling the world, but will always call New York City his home.

He is on Instagram, Twitter, and Facebook.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mr. Kuper’s studio on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Kuper by me. It’s on my instagram.

Virtual Memories Show:
Tom Spurgeon
Birthday Memorial Episode

“The thing about Tom was, he wasn’t necessarily interested in everything you were interested in, but he was interested in learning about WHY you were interested in it. That sort of curiosity is rare, and it’s part of what made him a special person.”

Today (Dec. 16) would have been Tom Spurgeon‘s birthday. To honor my best friend after his untimely death, this mini-episode has my remarks from his memorial service this past weekend at the Billy Ireland Cartoon Library and Museum in Columbus, OH. Give it a listen! And go support your favorite artists, via Patreon, donation, or buying their artwork!

“Tom provided support, raised attention to injustices in the field, directed people to lesser-known creators who he thought deserved a look, and — I know it sounds hokey — tried to make a better world for people. And he did it without expectation of financial reward.”

“His combo of intellect, passion, sociability and lack of an angle is not going to be seen again, and I dread what the years ahead will look like for that field.”

“Since we mainly communicated by e-mail over the decades, we got to try to be closer to our ideal selves for each other.”

“A few nights ago, when I was trying to write this, I thought, ‘Man, I should zap Tom a draft of this. He’d know how to make it work.’ So if it sucks, blame Tom.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, YouTube, TuneIn, Tumblr, and RSS!

Credits: These remarks were recorded at Tom Spurgeon’s memorial service at the Billy Ireland Cartoon Library & Museum on a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Tom by Meghan Ralston. Photo of me by Amy Roth.