sethSeason 4 Episode 23
Seth –
Haste Ye Back

The great cartoonist (and designer and illustrator) Seth joins the Virtual Memories Show to talk about memory and time, his love of digression, being “Mr. Old-Timey”, what it means to be a Canadian cartoonist, and learning to let go of the finish and polish that used to characterize his work. Listen now!

“When I was young, I thought there were an infinite possibility of stories you could do. As you get older, you realize you’re following a thread, and that you don’t have as much choice about what you’re writing about as you thought.”

“Style’s a funny thing. I think it’s important, but I think it’s a matter of the choices the artist makes that lead to the finished product. It is chosen, bit by bit over time, with each decision you make.”

“People only have a limited patience for listening to you go on and on about your own ideas, your own mind, your own memories. Art allows you to have that perfect experience of putting that down on paper without anyone growing tired and making you stop.”

“You add things onto yourself bit by bit through life to create the kind of person you want to be. Eventually, to some degree, it IS you. You picked these things deliberately.”

Seth: The Virtual Memories Conversation. Go listen!

“There’s some little thing that makes it hard to let it go of trying to create that fetish object you always wanted, that comic strip that looks like the best you can make it.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Seth is the pen name of Gregory Gallant, a Canadian comic book artist and writer. He is best known for comics such as his ongoing anthology Palookaville, George Sprott: (1894-1975), Wimbledon Green, The Great Northern Brotherhood of Canadian Cartoonists, and It’s a Good Life, If You Don’t Weaken, all published by Drawn and Quarterly. His illustrations have appeared in The New Yorker, The Washington Post, Details, Spin, The New York Times, and Saturday Night, and he has designed books and DVDs for a variety of publishers, including Fantagraphics (The Complete Peanuts), Random House (The Portable Dorothy Parker), and Criterion (Make Way for Tomorrow). Here are his favorite Criterion releases.

Credits: This episode’s music is Time Stand Still by Rush (because Seth’s Canadian, see, and his work revolves around memory and — oh, never mind). The conversation was recorded in Seth’s hotel room during the Toronto Comic Arts Festival on a pair of Blue enCORE 200 microphones feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Seth by me.

cov175Season 4 Episode 21
Katie Skelly –
Theory and Practice

“I’m never gonna be a parent, but if I were, I’d be like, ‘We’re skippin’ this Goodnight, Moon thing; you’re goin’ to Pale Fire.'”

Cartoonist Katie Skelly joins the show to talk about her new book, Operation Margarine (AdHouse Books), which is really just an opportunity for us to talk about Barthes, Edie Sedgwick, and The Maxx, before getting to the moment when she was 15 and read the least “YA”-friendly book ever for all the wrong reasons. Along the way, we also talk about how she manages to work on her comics while holding down a (respectable) full-time job, why she’d rather hunt for a rare comic than buy something new, what it was like to belong to a high school anime club that only had two members. Go listen!

“6 o’clock hits, it’s time to leave the office; what are you going to do with the four or five hours you have before going to sleep?”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Katie Skelly lives and works in Queens, NY. Her first graphic novel, Nurse Nurse, was published by Sparkplug Books in 2012. Her latest book, Operation Margarine, was published by AdHouse Books in 2014. You can find her on her website, on Tumblr, and on Twitter.

Credits: This episode’s music is Katie’s Been Gone by The Band. The conversation was recorded in my hotel room during the 2014 Toronto Comic Arts Festival on a Zoom H2n (I had some weird distortion/flutter on my usual Blue enCORE 200 microphones feeding into a Zoom H4n recorder, so I went with my backup recording). The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Skelly by Amy Roth.

mimicapSeason 4, Episode 19
Mimi Pond:
The Customer is Always Wrong

“With some of the people in the story, I thought, ‘What if they get mad? What if their feelings are hurt? What if they say, “That’s not the way it was!”,’ and then I thought, ‘Y’know what? Let THEM try to spend 35 years trying to figure this out! I’ve devoted my life to telling this tale that needs to be told.'”

Mimi Pond joins us to talk about her New York Times-bestselling graphic novel Over Easy (Drawn & Quarterly)! We talk about the book, which offers a semifictional version of Mimi’s life in art school and working at a legendarily kooky diner in Oakland, CA in the late 1970’s. We also cover her life in New York in the early 1980’s, how she met her One True Love at a puppet show, the big break she got from a paper described as “The Village Voice for the Upper East Side,” the difficulties of balancing mom-hood with art, the variety of ways she was screwed over by book publishers, her fixation on the Patty Hearst kidnapping, what she hopes young people get out of Over Easys rendition of its era, and more! (It’s kinda hard to believe we got to all that in less than 40 minutes!) Give it a listen!

“One of the great things about the ’70s was the liberation of both sexes. But the slut-shaming nowadays is such a double standard. . . . I made plenty of mistakes, but I learned from them and I married the right person. “

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Mimi Pond is a cartoonist, illustrator and writer. She’s created comics for the LA Times, Seventeen Magazine, National Lampoon, and many other publications. Her TV credits include the first full-length episode of The Simpsons, and episodes for the shows Designing Women and Pee-Wee’s Playhouse. She lives in LA with her husband, the artist Wayne White.

Credits: This episode’s music is Busy, Pretty Waitress by Stellavision. The conversation was recorded in a study room at the Toronto Reference Library on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Pond by me.

lusmall

Season 4 Episode 17
Linn Ullmann pt. 1:
Lady with a Dog

“You can hide writer’s block, but you cannot hide that you have no control over your dog.”

I thought Linn Ullmann and I were going to sit down and record a little conversation about her new novel, The Cold Song (Other Press), but we found out that we had a lot more to talk about. So much, in fact, that we ran over the time set up by her publisher and had to get together for a second session during her stay in New York for PEN America week! In part 1 of our first 2-part episode, Linn talks about the influences of her parents — Liv Ullmann and Ingmar Bergman — on her storytelling process, her subversion of the “Scandinavian crime novel” in The Cold Song, the importance of place in her writing, the perils of overthinking the ground rules for an interview (not ours!), how she transposed a character from The Wire from Baltimore to Norway, and how she managed to convince her book club to tackle Proust. We close out with the topic of Karl Ove Knausgard’s work and the ethics of explicitly writing fiction from life (which is where part 2 picks up). Ms. Ullmann’s a fascinating writer and this is (this first half of) an illuminating conversation about her work and life. Give it a listen!

“I wanted to write a love story not about the beginning of love or the end of love, but the middle of love, where it’s broken, and where the harmless little secrets turn out not to be as harmless as you thought.”

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Linn Ullmann is a literary critic and the author of five novels: Before You Sleep (1998), Stella Descending (2001), Grace (2002), A Blessed Child (2005), and The Cold Song (2011). Grace won The Reader’s Prize in Norway and was named one of the top ten novels that year by the Weekendavisen newspaper in Denmark. In 2007, Grace was longlisted for the Independent Foreign Fiction Prize in the UK. A Blessed Child was shortlisted for the Brage Prize in Norway. In 2007, Ms. Ullmann was awarded the Amalie Skram Award for her literary work, and she received Gullpennen (the Golden Pen) for her journalism in Norway’s leading morning newspaper Aftenposten. In 2008, A Blessed Child was named Best Translated novel in the British newspaper The Independent, and in 2009 the novel was longlisted for the Independent Foreign Fiction Prize and the International IMPAC Dublin Literary Award in the UK. Linn Ullmann’s novels are published throughout Europe and the U.S. and are translated into 30 languages. The Cold Song was recently published in the U.S. by Other Press. Ms. Ullmann lives in Oslo with her husband Niels Fredrik Dahl, a novelist, playwright and poet. She has two children, Hanna and Halfdan, and two stepchildren, Dagny and Kasper. She also has a dog named Charlie.

Credits: This episode’s music is Sweetheart Like You by Bob Dylan. The conversation was recorded at the Other Press offices on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. Photo of Ms. Ullmann by me.

mayastein2Season 4 episode 10
The Stars Have Anemia

“There’s a sort of romance in riding a bicycle across the country. It’s something that some people would fantasize about, and when they saw me ride into their town, it brought them back to their own dreams, their own wishes about what they wanted to fill their life with.”

Maya Stein is a poet, a teacher, a photographer, and more. We sat down in her restored trailer, M.A.U.D.E. (Mobile Art Unit Designed for Everyone), to talk about her life as an artist, how she built an audience for her work over the years with her 10-Line Tuesdays, how she got the idea to ride a bicycle (towing a typewriter, folding table and folding chair) from Massachusetts to Wisconsin, and how she got that Type Rider journey funded on Kickstarter.

“I think about ‘making a living’ as ‘making a life’. I don’t think about money being the driving force behind the decisions I make as a writer or artist.”

We also talk about writing prompts, her new initiative to build Little Free Libraries via Type Rider II, and her epiphany in Elkhart, Indiana. And you get to hear my theory on how the internet makes us all normal (except for the crazy people)! Give it a listen!

Enjoy the conversation! Then check out the archives for more great episodes!

Follow The Virtual Memories Show on iTunes, Twitter, Facebook, Tumblr, and RSS!

About our Guest

Maya Stein is a Ninja poet, writing guide, and creative adventuress. Among her latest escapades are a 1,200-mile bicycle journey with a typewriter, a cross-country poetry trip, a French crepe stand at a Massachusetts farmers market, a relocation from San Francisco to suburban New Jersey and most recently, a collaboration — Food for the Soul Train — turning a vintage trailer into a mobile creative workshop space. (She also ran a catering business for six years and specialized in hors d’oeuvres and the finer points of napkin folding.) Her favorite body part is her left hand, as it has gifted her with the ability to sink a nearly invincible hook shot, peel a whole apple without a break, and transcribe the poems living in her heart. You can learn more about Maya’s adventures at www.mayastein.com.

Credits: This episode’s music is Typewriter (Tip Tip Tip) by Kisore Kumar & Asha Bhosle. The conversation was recorded at M.A.U.D.E on a pair of Blue enCORE 200 microphones, feeding into a Zoom H4n recorder. The intro and outro were recorded on Blue Yeti USB Microphone. Processing was done in Audacity and Garage Band. There was a space heater going, so I used a noise removal filter in Audacity. Photo of Ms. Stein (solo) by me, and photo of Ms. Stein and me by Amy Roth.