Virtual Memories Show 308:
James Oseland

“I think of myself as a journalist first and foremost, someone who’s always reporting, always trying to find out what’s beneath that layer that we think is the final one.”

Before Saveur, before Top Chef Masters, before all the National Magazine and James Beard awards, James Oseland was Jimmy Neurosis. James and I talk about his brand-new book, Jimmy Neurosis: A Memoir (Ecco Press), about his life as a gay teen in the late ’70s. We get into how none of his previous artistic and literary pursuits prepared him for writing this book, the challenges of remove 50-something James’ perspective from the teen narration, the difficult relationship with his mother at the core of the book (which begins with his dad bailing on them), and what it was like to find comfort in the burgeoning punk-music scene of San Francisco. We get into the toughest parts of the book to write about (we both get choked up at different points of that), his growing concern as a teen that (superabundant) sex wasn’t the be-all and end-all, the diversity of the early punk scene and how it got overwhelmed by violent white guys, why he used ads and TV taglines as chapter titles for the book, the fate of his punk record collection, and the wonderful (but admittedly problematic) experience of living with a much older gay lover in NYC when he was 15/16. And I promise, we also talk about food writing and the new World Food book series he’s working on! Give it a listen! And go buy Jimmy Neurosis!

“One of the key messages that I want to convey is that gay is normal; it’s not strange.”

“You can really appreciate the world by what it eats.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

James Oseland is the editor-in-chief of World Food, a book series launching from Penguin Random House in 2020. Prior to that, he was the editor-in-chief of Saveur, America’s most critically acclaimed food magazine. He has won multiple National Magazine and James Beard Foundation awards and has been a judge on Celebrity Apprentice, Iron Chef America, and all five seasons of Bravo’s Top Chef Masters. He is also the author of Cradle of Flavor: Home Cooking from the Spice Islands of Indonesia, Singapore, and Malaysia, which was named one of the best books of 2006 by the New York Times and Good Morning America. He lives in Mexico City and New York City. His new book is Jimmy Neurosis: A Memoir

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at a hotel in midtown Manhattan on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Oseland by me. It’s on my instagram. Author photo by James Roper.

Virtual Memories Show 307:
Mort Gerberg

“People submitting comics to the New Yorker could expect a 98% rejection rate. What kind of a sane person would go into that field?! You have to have some sort of personality aberration to do this!”

On the eve of his exhibition at the New-York Historical Society (Feb. 15 to May 5, 2019), legendary cartoonist Mort Gerberg reflects on more than five decades of cartooning and art. We talk about his new collection, Mort Gerberg On The Scene: A 50-Year Cartoon Chronicle (Fantagraphics Underground), and what he learned in the process of culling the selection of his work for the show. We get into the roots of his groundbreaking civil rights cartoons (and how he got away with making weed jokes in the Saturday Evening Post in 1965), his pioneering comics reportage, how his spontaneity and energy secretly come from laziness, the challenge of drawing people on NYC subways, his intense focus on the business side of cartooning (and how it might be tied into his late start as a cartoonist), and how he tied vacations and even his honeymoon into work assignments. Give it a listen! And go buy Mort Gerberg On The Scene and check out the new exhibition of Mort’s work at the New-York Historical Society!

“When I would see something that looked like an injustice, I had to do something.”

“The first day I walked into the Saturday Evening Post, they told me the cartooning business was dying. That was 1962, and it’s been dying ever since.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Mort Gerberg is an award-winning, multi-genre cartoonist and author best known for his cartoons in The New Yorker, Playboy and many other magazines, and for Cartooning: The Art and the Business, considered “the most comprehensive, authoritative book on the subject.”

He has drawn three nationally-syndicated newspaper comic strips and has written, edited and/or illustrated 43 books for adults and children, including the best-selling More Spaghetti, I Say!.

Mort has been a content provider for television and online sites, posted daily topical cartoons, and performed a weekly on-camera-drawing feature. He also wrote and drew animated fables and did live cartoon election coverage. He has done on-the-scene sketch reportage for magazines and newspapers, covering national and international politics, sports and travel.

He taught cartooning for 15 years at Parsons School of Design, was a founder and president of the Cartoonists Guild, and is a member of the National Cartoonists Society. He was voted as Best Magazine Cartoonist of 2007 and 2008 by the National Cartoonists Society, and was a CCNY Commuications Hall of Fame Honoree in 2010.

Mort lives in New York Cit with his wife, Judith. He pitches for the New Yorker softball team, plays tennis and the piano, and sings in a choir.

He’s on Twitter and Instagram as mortgerberg.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mort’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Gerberg by me. It’s on my instagram.

Virtual Memories Show 305:
Deborah Feingold

“Photography students are begging me to teach them about strobes and lights, but it’s all about what you see. It’s all about looking at light.”

Legendary photographer Deborah Feingold joins the show to talk about the inspiration for her new personal project: photographing illustrators (which is how we fell into each other’s orbit)! We get into her approach to teaching ‘Portraiture and the Art of Imitation‘ at ICP, the process of learning through imitation and absorbing influence, how she moved from ‘professional girlfriend’ to ‘professional photographer’ in the ’70s while shooting pictures of jazz musicians. We also talk about how she made the transition to digital photography while hewing to her film-shooting techniques, how she boldly directs her subjects despite being an incredibly shy person, the unspoken pressure to ape Annie Leibowitz’ style when she shot for Rolling Stone, her stories of shooting early Madonna and pre-presidency Obama, finding the humanity in her subjects, and more! Give it a listen! Also, go buy Deborah Feingold: Music, a collection of her musician portraits!

“I have no fixed style, and that’s what’s kept my photography interesting.”

“Stealing is not a compliment.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Spanning more than 40 years, Deborah Feingold’s photography career began when she immersed herself in the jazz of the late ’70’s and simultaneously was shooting and keeping company with Chet Baker, Miles Davis, Tony Bennett and many other jazz legends. After working as the first staff photographer for Musician magazine for five years, she continued shooting musicians for album/cd covers and portraits for Warner Music for the next two decades.

As a contributor to Rolling Stone, Time Magazine, Newsweek and the New York Times, among many other publications, Deborah has also photographed most of the biggest names in pop culture. She has also created over 100 memorable author portraits for book covers and has shot numerous ad campaigns for print and television. Her work has been syndicated all over the world and is included in a number of music anthologies and private collections.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Ms. Feingold’s apartment on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. All photos in montage by Deborah Feingold. Photo of Ms. Feingold and me by me (direction by Ms. Feingold). It’s on my instagram.

Virtual Memories Show 304:
Edmund White

“Queerness has become less arty, less intellectual, less cultural, more physical, more gym-oriented, more commercial. Lady Gaga instead of Maria Callas.”

Novelist, memoirist, essayist and queer literary icon Edmund White joins the show to talk about his new memoir, The Unpunished Vice: A Life of Reading (Bloomsbury USA)! We get into how his implied reader has changed identities over the years, the differences between writing memoir, autofiction and imaginative fiction, the boom and bust of the “gay fiction” bookstore category, the challenges of his massive biography of Genet and how he navigated about French attitudes toward gossip, and having the gay version of a shotgun wedding. We also get into his HIV diagnosis in 1985, outliving what he thought was a two-year death sentence, and being crazy enough to take on a long-term writing project in the midst of it. In between, we get to his status as a blurb-slut, what it’s like for him to write on a computer for the first time, the pressure to write for a gay audience and how The Flaneur opened him up to a very different reader, and more! Give it a listen! And go buy The Unpunished Vice: A Life of Reading!

“I hate the term ‘creative nonfiction,’ which always sounds to me like, you know, lying.”

“I felt my Genet biography was political. I wanted to remind people that gays had a history before AIDS and that it didn’t just involve disease.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Edmund White is the author of many novels, including A Boy’s Own Story: A Novel, The Beautiful Room Is Empty, The Farewell Symphony, and Our Young Man. His nonfiction includes City Boy, Inside a Pearl, and other memoirs; The Flaneur, about Paris; and literary biographies and essays, including Genet: A Biography and Marcel Proust: A Life. He was named winner of the 2018 PEN/Saul Bellow Award for Achievement in American Fiction. He lives in New York. His most recent book is The Unpunished Vice: A Life of Reading.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mr. White’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. White by me. It’s on my instagram.

Virtual Memories Show 303:
Peter Kuper

“Art has been my saving grace, in terms of having an outlet so I’m not just having today’s news run around in my head and make me scream.”

Political artist/illustrator Peter Kuper rejoins the show to talk about these Kafkaesque times and his new graphic novel, Kafkaesque: Fourteen Stories (Norton)! We get into his decades-long interest in Kafka, the art of literary adaptation, why the constraints of working with an existing story can be liberating, how to talk about controversial artists in the present moment, the various translations of K he read before commissioning his own, and challenges of his adaptation-in-progress: Heart of Darkness. We also get into his post-2016-election mindset, the discovery of his New Yorker cartoonist line, his laborious process of breaking down a comic, what his dream adaptation project is, the time he got stranded in a village in Africa by an evil guide, and much more! Give it a listen! And go buy Kafkaesque: Fourteen Stories!

“I feel a lot of anxiety that what I’m working on relates to what’s going on in the world.”

“I teach so that I can learn what it is I think I know.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Tumblr, and RSS!

About our Guest

Peter Kuper’s work appears regularly in The New Yorker, The Nation, and Mad, where he has written and illustrated “Spy vs. Spy” every issue since 1997. He is the co-founder of World War 3 Illustrated, a political comix magazine now in its 40th year of publication. He has produced over two dozen books, including Sticks and Stones, The System, Diario de Oaxaca, Ruins (which won the 2016 Eisner Award) and more. His most recent graphic novel is Kafkaesque: Fourteen Stories. He is currently working on an adaptation of Joseph Conrad’s Heart of Darkness.

Peter has lectured extensively throughout the world and has taught comics and illustration courses at Parsons, The School of Visual Arts, and Harvard University’s first class dedicated to graphic novels. A frequent guest at literary festivals, Peter enjoys traveling the world, but will always call New York City his home.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Peter’s studio on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder, as well as a Zoom H2n Handy Recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. B/w photo of Peter by me. It’s on my instagram. Butterfly photo by Holly Kuper.