Virtual Memories Show:
The Guest List 2018 and Bill Kartalopoulos

Comics scholar (and curator, and editor, and educator) Bill Kartalopoulos joins the show to talk about his role as the series editor of Best American Comics (HMH)! We get into the process of winnowing down the year’s best, working with a new guest editor each year, Bill’s history in comics, the challenges of fitting everything to a standard page size, programming festivals and his tricks for getting a weird mix of panelists, his upcoming general history of North American comics, and plenty more! Give it a listen (Bill’s conversation starts at 46:00) and pick up this year’s edition of The Best American Comics 2018!

But first, it’s time for our year-end Virtual Memories Show tradition: The Guest List! I reached out to 2018’s pod-guests and asked them about the favorite book(s) they read in the past year, as well as the books or authors they’re hoping to read in 2019! Nearly 3 dozen responded with a dizzying array of books. (I participated, too!) Just in time for you to make some Christmas purchases (or a belated Hanukkah gift), The Virtual Memories Show offers up a huge list of books that you’re going to want to read! Give it a listen, and get ready to update your wish lists!

This year’s Guest List episode features selections from nearly 3 dozen of our recent guests (and one bonus guest)! So go give it a listen, and then visit our special Guest List page where you can find links to the books and the guests who responded.

Also, check out the 2013, 2014, 2015, 2016, and 2017 editions of The Guest List for more great book ideas!

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About our Guests

The guests who participated in this year’s Guest List are Jerry Beck, Christopher Brown, Dave Calver, Roz Chast, Mark Dery, Michael Gerber, Cathy B Graham, Dean Haspiel, Steven Heller, Richard Kadrey, Paul Karasik, Ken Krimstein, Nora Krug, John Leland, Alberto Manguel, Hal Mayforth, Dave McKean, Mark Newgarden, Audrey Niffenegger, Jim Ottaviani, Robert Andrew Parker, Shachar Pinsker, Nathaniel Popkin, Chris Reynolds, Lance Richardson, JJ Sedelmaier, David Small, Willard Spiegelman, Levi Stahl, Lavie Tidhar, Mark Ulriksen, Irvin Ungar, Henry Wessells . . . and me, Gil Roth! Check out their episodes at our archives!

About our Guest

Bill Kartalopoulos is a comics critic, educator, curator and editor. He is the Series Editor for the #1 New York Times best-selling Best American Comics series published annually by Houghton Mifflin Harcourt. He teaches classes at Parsons and at SVA. He lives in Brooklyn, where he is writing a book about comics.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Bill Kartalopoulos’ home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Bill by me. It’s on my instagram.

Virtual Memories Show 298:
Summer Pierre

“A mix-tape isn’t just saying, ‘I want you to enjoy this’, it’s, ‘I want you to enjoy me making this.'”

In her new graphic memoir, All the Sad Songs (Retrofit Comics), Summer Pierre uses the mix-tapes of her 20s and 30s to tell us the story of her life, one wrong boyfriend, one cross-country drive, one Boston folk stage set at a time. We talk about the soundtracks to our lives, the memoir & comics influences that gave her permission to tackle her PTSD issues on the page, the discovery that she was making a 104-page comic instead of the 25-page one she set out to draw (or “getting used by the muse”), and how surprised she was that college students know what a mix-tape is. We also get into her artistic maturation out of the kamikaze-style of making comics, the Boston folk music scene she was in/around in her 20s, the somatic therapy that helped her deal with PTSD, the notion that mixes are self-portraits, and wanting to be her mother’s biographer, but realizing she knew almost nothing about her mom’s insane life. Give it a listen! And go buy All the Sad Songs!

“This book’s about memory and the power of art to narrate our lives.”

“I’m a big believer in deadlines, boundaries, the small constraints that set up work for you.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Summer Pierre is a cartoonist, illustrator, writer, and teacher living in the Hudson Valley, New York. She is the author of the graphic memoir, All the Sad Songs, and the autobiographical comic series, Paper Pencil Life. Her other books include The Artist in the Office: How to Creatively Survive and Thrive Seven Days a Week, and Great Gals: Inspired Ideas for Living a Kick-Ass Life. Her writing and art have appeared in PEN America, The Rumpus, The Comics Journal, and The Nashville Review among other places.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Summer’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Pierre by me. It’s on my instagram.

Virtual Memories Show 296:
Cathy B. Graham

“The great thing about being heartbroken is I become very focused on my work.”

Who starts a career at an age when most people are looking at retirement? Coming off a divorce and a three-decade hiatus from professional life, award-winning illustrator Cathy B. Graham is having a second bloom. We sat down to talk about painting, fashion illustration, and floral design, as captured in Second Bloom: Cathy Graham’s Art of the Table (Vendome Press). We get into her artistic upbringing, her RISD education alongside Roz Chast & Dave Calver, the art of entertaining, her love of the Thorne Miniature Rooms and their influence on her life, her trepidation about returning to oil painting, the joy of Instagram, her New York and how she shifted from SoHo artist to Upper East Side culture maven. Most importantly, we talk about the regeneration and finding your new life. Give it a listen! And go buy Second Bloom: Cathy Graham’s Art of the Table!

“You can’t rewrite the script. You have to go forward.”

“When I was studying painting, I thought, ‘If I don’t have the facility to paint as well as John Singer Sargent, then why bother?’ I didn’t.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Cathy Barancik Graham is an award-winning artist and fashion illustrator. Her editorial work has appeared in The New York Times, Rolling Stone, and New York Magazine, and she has been commissioned by Bergdorf Goodman, Estée Lauder, CBS Records, and HBO. In addition, she has been a contributing editor of Elle Decor and House Beautiful. She is a graduate of the Rhode Island School of Design, from which she holds a BFA in Painting, and she studied Fashion Illustration at Parsons School of Design. For more than a decade, Cathy worked with the late floral designer and event planner Robert Isabell, noted for his unique lavish and innovative parties. Cathy resides in New York City, where she works to support cultural life by serving on the boards of Lincoln Center Theater, New York Restoration Project, and House of SpeakEasy.

Her first book, Second Bloom: Cathy Graham’s Art of the Table (Vendome Press), was published in Fall 2017 by Vendome Press. Cathy is also the designer of a line of paper products comprising fashion note cards, gift and holiday cards, notebooks, and wrapping paper. She has recently launched several collaborations, which include a line of pajamas and textiles with Charmajesty Ltd., a signature Second Bloom candle with NEST Fragrances, and a line of decoupage home accents with Scott Potter.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Ms. Graham’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Graham by Quentin Bacon, so it’s not on my instagram.

Virtual Memories Show 294:
Mark Dery

“I wanted to allow Gorey not only a degree of mystery . . . but also to convey his belief in the value of lacunae, of gaps.”

For his first biography, Mark Dery picked a doozy of a subject: the great, creepy, droll, mysterious artist and writer Edward Gorey. We talk about Mark’s brand-new book, Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey (Little, Brown), his one in-person encounter with Gorey, how Gorey’s sexuality did and didn’t inform his work, and the challenge of writing the biography of an artist whose work always invited the reader to fill in the gaps. We get into how Gotham Book Mart made a cottage industry out of Gorey, the long-range impact of Gorey on America’s pop culture, the queerness of children’s literature beginning in the ’50s, the influence of Asian art and philosophy on Gorey’s work, his devotion to ballet and Balanchine, why the epic catalog makes for a great biographical tool, and a lot more, like Mark’s lifelong one-sided relationship with Patti Smith! Give it a listen! And go buy Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey!

“One of the fascinating things about Gorey is how he problematizes and challenges some of the underlying assumptions about our age of identity politics.”

“Somehow I thought performance poetry was a growth industry.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Mark Dery is a cultural critic. He coined the term “Afrofuturism,” popularized the concept of “culture jamming,” taught at Yale and NYU, and has published widely on pop culture, the media, and on the mythologies (and pathologies) of American life. His books include Flame Wars: The Discourse of Cyberculture, a seminal anthology of writings on digital culture; Escape Velocity: Cyberculture at the End of the Century, The Pyrotechnic Insanitarium: American Culture on the Brink, and the essay collection, I Must Not Think Bad Thoughts: Drive-by Essays on American Dread, American Dreams. Like Gorey, his mission in life “is to make everybody as uneasy as possible.” His new book is Born to Be Posthumous.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at Mark’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mark Dery by me and C. Taylor Crothers. The bookshelf one is on my instagram.

Virtual Memories Show 293:
Michael Gerber

“We’re trying to collect and broadcast this specific type of culture before the people who know how to do it properly all pass away.”

The American Bystander magazine is a print-only humor magazine, and while that may seem like an anachronism in this day and age, editor Michael Gerber joins the show to talk about why it’s the perfect vehicle for humor. I’ve been a fan of the Bystander since its (re-)inception in 2016, and it was a delight to talk with Michael about the magazine’s history, his background as “the world’s only expert on print humor magazines”, the decision to crowdfund the magazine and how it beats the days when “paper bag money” was necessary to get a magazine on the newsstand. We get into how he keeps the rhythm of the magazine flowing between prose pieces, gag panels, strips and other pieces, as well as the contributors who passed away before he could get them into The American Bystander, the ones he’s vowed to get, and the challenges of getting diverse voices in the magazine. We also discuss his vision for America, the politicization of history, the experience of reading National Lampoon when he was 4 years old, and finding his life’s purpose in trying to start a cult. Give it a listen! And go subscribe to The American Bystander fer chrissakes!!

Also, you should check out this BoingBoing article on how a printer refused to print the newest ish because “Christian owners” wanted to protect “the kids”, and this secret video of Operation Waterfall that Bystander staff smuggled out of Russia!

“Parody is protected speech until someone uses it.”

“One of the big reasons for the decay of magazine culture in America is that magazines aren’t for readers; they’re for advertisers.”

“Although the Bystander is financially ruinous, it’s wonderful to work with all these people.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Spotify, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Michael Gerber is Editor and Publisher of The American Bystander, the all-star comedy quarterly. Called “the world’s only expert on print humor magazines,” Gerber has spent 30 years as a comedy writer, editor, art director and magazine consultant. His work has appeared in The New Yorker, The New York Times, SNL, and many other venues; his novels have sold 1.25 million copies in 25 languages. In 2003, Barry Trotter and the Shameless Parody fried the brains of a generation of English teens, and now we have Brexit. Sorry.

Credits: This episode’s music is Fella by Hal Mayforth, used with permission from the artist. The conversation was recorded at the Santa Monica Public Library on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Michael by someone else. It’s not on my instagram.