Virtual Memories Show 228:
Ellen Forney

Marbles was in many respects was the senior thesis in psychology that I never did as an undergrad.”

The great Seattle cartoonist Ellen Forney joins the show to talk about comics, civic art, being bipolar, and the challenges of maintaining! We get into her 2012 graphic memoir, Marbles: Mania, Depression, Michelangelo, and Me, finding a graphic representation of her depressive states, the evolution in her drawing style, the letter she stole from Michael Dougan, the process of going from comics panels to enormous murals for a light-rail station in Seattle, the influence of the Moosewood Cookbook, the importance of a psychology stats class she took in college, how she learned to teach comics, the moment when she felt she was using all her artistic tools, and why she needed Kaz to design her back-tattoo! Give it a listen! And go buy Marbles!

“Knowing statistics doesn’t prepare you for the experience of the person in front of you.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Cartoonist Ellen Forney is the author of NYT bestseller Marbles: Mania, Depression, Michelangelo, and Me: A Graphic Memoir, and the 2012 “Genius Award” winner in Literature from Seattle’s The Stranger. She collaborated with Sherman Alexie on the National Book Award-winning novel The Absolutely True Diary of a Part-Time Indian, created the Eisner-nominated comic books I Love Led Zeppelin and Monkey Food: The Complete “I Was Seven in ’75” Collection, and has taught comics at Cornish College of the Arts since 2002. She grew up in Philadelphia and has lived in Seattle, Washington since 1989. Ellen swims and does yoga, and fixes things with rubber bands and paper clips.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Forney’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Promo photo of Ms. Forney by Jacob Peter Fennell. Back-at-her-desk photo and by-the-canvas picture of Ms. Forney by me. They’re on my instagram.

Virtual Memories Show 226:
Joyce Farmer

“The ’60s were a time of explosive interaction and learning of radical ideas. The thing was, I thought they were sensible, not radical.”

Joyce Farmer joins the show to talk about her transition from housewife to underground comics legend, the adventure of disposing of 40,000 copies of her comic when the state of California was trying to pinch her and her partner, traveling the world and landing in Greece, making Special Exits (Fantagraphics), the heartbreaking comic memoir about the death of her folks after a decade or two away from cartooning, and why she could swear and curse just as much as her male underground peers. Give it a listen! And go buy Special Exits!

“I’m not interested in doing something if it isn’t groundbreaking.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Joyce Farmer, born in 1938 in Los Angeles, is a pioneering underground comics cartoonist. She and Lyn Chevli wrote and drew controversial feminist humor, starting in 1972, publishing the titles Pandora’s Box, Abortion Eve, and Tits and Clits Comix. Farmer has also been published in Wimmen’s Comix, Mama! Dramas, Itchy Planet, Energy Comics, Zero Zero, and the notorious women’s sex comic Wet Satin. Her work has been exhibited internationally, including Austria and Italy. Her most recent book is Special Exits.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Ms. Farmer’s house on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Ms. Farmer by me. It’s on my instagram.

Virtual Memories Show 225: Howard Chaykin

“I want to be loved; I just don’t work too hard at it.”

Comics legend Howard Chaykin joins the show to talk about his career, the early assignment he’ll never live down, getting clean and being boringly sober, how Gil Kane taught him how to behave as a cartoonist, why he’s never gone to a strip club, what it’s like to be a brand but not a fan-favorite, his love of television and his hatred of writing for television, the reason he brought Jewish leads (and reformed shitheels) to mainstream comics, the narrative values that led to his innovative page designs, discovering his bastardy in his 40s, the role of music and musicality in his work, why Jersey Boys makes him cry, and the influence of American Flagg! on multiple generations of cartoonists (for better and worse). Give it a listen! And go buy a whole ton of his work!

“Comic-book fans don’t like to hear about the money aspect of it, but the fact is that it’s a calling, but it’s also a career.”

“People who are successful in southern California for the most part are people who have experienced actual travail. By which I mean weather.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Howard Chaykin is a longtime veteran of the comic book business, serving as an artist and writer for nearly every publisher of comics in the past four decades, and counting. He took the ’90s off to work on mostly unwatchable television, so he missed the money and dreck that was comics in that execrable decade. He is responsible, some might say culpable, for introducing a number of previously unexplored themes to comic books. If you’re not hip to what that’s supposed to mean, there’s always Wikipedia.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Howard’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same equipment, because I’m on the road this week. All processing and editing done in Adobe Audition CC. Photo of Mr. Chaykin by me. It’s on my instagram.

Virtual Memories Show 224:
Graham Chaffee

“What I’ve learned about storytelling is that you don’t know what the story’s about until you’re halfway through it. You might have your plot, but plot’s just the vehicle.”

Master tattooist and comics artist Graham Chaffee joins the show to talk about his new graphic noir, To Have & To Hold (Fantagraphics)! We get into the culture(s) of LA and why it’s the quintessential 20th century American city, the way the internet has changed the tattoo business, Graham’s history with comics, the difference between the story and the plot, his lengthy hiatus from making comics and what brought him back to it, the joys of drawing a good dog, the accidental portrayal of race in his comics, and the time he did a full-back tattoo portraying the dark night of Lisa Simpson’s soul! Give it a listen! And go buy To Have And To Hold (along with Graham’s other comics)! And visit his tattoo shop, Purple Panther Tattoo, when you’re in LA!

“I think the dirty, old, crappy version of things was organic, and the newer, cleaner version is manufactured.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Graham Chaffee is a professional tattoo artist and cartoonist. His previous books are The Big Wheels (1993), The Most Important Thing and Other Stories (1995), and Good Dog (2013). He lives and works in Los Angeles. You can find him on instagram at graham_chaffee

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Purple Panther Tattoos on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Graham by me. They’re on my instagram.

Virtual Memories Show 223:
Joe Ciardiello

“There’s an improvisational nature, and a rhythmic nature to my drawing, building up certain areas, leaving other areas freer. I like the idea that less is more, both in music and in art.”

Award-winning illustrator Joe Ciardiello reflects on 43 years as a freelancer, the jazz portraits that turned his career around, his drumming and how it influences his artwork, having more illustrator-friends than non-illustrator-friends, why he’d rather not be called a caricaturist, the time he was accused of ripping off the style of one of his idols, the search for perfect pen and paper (and how he keeps his Rapidographs working), and his amazing Spaghetti Journal project! Give it a listen!

“If I didn’t get off Staten Island before I was 50, I was going to die there.”

“I’m obsessed with line quality, to the point of sickness. I can’t find paper that makes me want to draw.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Soundcloud, Facebook, Tumblr, and RSS!

About our Guest

Joe was born and raised on Staten Island NY, just a short ferry ride to Manhattan where he attended The High School of Art and Design and college at Parsons, earning a BFA degree. Since 1974 he has worked for most major magazines and newspapers as well as for corporate and advertising clients, book publishers and record companies.

His clients have included: American Express, Audubon, Barnes & Noble.com, Capitol Records, Folio Society, The New York Times Book Review, The New Yorker, Politico, The Rock & Roll Hall of Fame, Rolling Stone, Sports Illustrated, Time and The Wall St. Journal.

Among his awards are four silver medals from the Society of Illustrators. In 2016 he was awarded the Society’s prestigious Hamilton King Award. Joe has been profiled in Communication Arts Magazine as well as other graphic arts journals. In 1999 he had a one-man exhibition of his work at the Society of Illustrators in New York. In 2007 Joe illustrated Elmore Leonard’s 10 Rules of Writing for Harper Collins and in 2011 a limited edition book of his blues musician portraits, BLACK WHITE & BLUES was published by Strike Three Press. His work is also included in the Taschen book 100 Illustrators.

A musician as well, Joe plays drums with The Half-Tones, an illustrator jazz group. He lives in western New Jersey.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Joe’s home on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on the same equipment in a hotel room in Los Angeles. All processing and editing done in Adobe Audition CC. Photo of Mr. Ciardiello by me. It’s on my instagram. Drawing of Joe by Joe.