Virtual Memories Show 274:
Chris Reynolds

“I once had this idea that anything that was already in the world when you were born was okay, but anything that was invented or came up after you were born, you weren’t quite sure.”

The New World: Comics from Mauretania collects what artist Chris Reynolds describes as “Strange Adventure Stories About Dreams”. During TCAF 2018, we get into Chris’ amazing body of comics work, the roles of intuition and reason in his storytelling, his panic when another artist (Seth) uncannily identified themes and threads throughout his work, and his sense of letting go of his stories now that they’ve been collected by New York Review Comics. We also talk about nostalgia for a time before he was born, the notion of writing after the big event instead of the event itself, the allure of Cordwainer Smith’s stories, and the phenomenon of having a distinctly cult following for his work. Give it a listen! And go buy The New World: Comics from Mauretania!

If you want more about Chris and Mauretania, listen to this TCAF 2018 panel with him and Seth!

“I’m not tormented by my childhood. I’m tormented by the passage of time.”

“Filmmaking was an exercise in losing all your money. Oh, and logistics.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Chris Reynolds was born in Wales in 1960 and studied fine art at the North Staffordshire Polytechnic. He has worked as a filmmaker, publicist, and art teacher but now devotes his time to drawing comics. He lives in Poole in the United Kingdom. His new collection is The New World: Comics from Mauretania (NYRC). You can follow him on Twitter as MauretaniaComic.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the Toronto Marriott Bloor Yorkville Hotel during the Toronto Comic Arts Festival on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Mr. Reynolds by me. It’s on my instagram.

Virtual Memories Show 272:
Irvin Ungar

“My rabbinic training taught me: care about who you are and who your people are, and use the best of that tradition to make the world a better place. Szyk was an artist who articulated all those values.”

Arthur Szyk was once one of the most popular artists in America, but after his untimely death his art vanished from public discourse. How did Szyk achieve and lose such renown? Irvin Ungar has spent the last 25 years championing Szyk’s work, most recently publishing the National Jewish Book Award-winning Arthur Szyk: Soldier in Art. We talk about his introduction to Szyk, the impact of Szyk’s work in his native Poland, the UK and the US, the way Szyk’s work in so many forms — illuminated manuscripts, Persian miniatures, political cartooning, and more — may have contributed to his posthumous decline, and why Syzk’s Haggadah is like Michelangelo’s Sistine Chapel ceiling. We also get into Irv’s dayenu moments promoting Szyk’s legacy, the curious story of how Irv entered the rabbinate as an alternative to serving in Vietnam, left to become an antiquarian bookseller, and how his rabbinic training let him recognize Arthur Szyk as an upstanding man. Give it a listen! And go buy Arthur Szyk: Soldier in Art!

(Check out some of Szyk’s art at szyk.com)

“Szyk wanted to use his art to move history from one period to another, from the 13th century to the 20th, through the use of illumination.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Irvin Ungar, a former pulpit rabbit and antiquarian bookseller, has devoted the past quarter-century to scholarship relating to illustrator Arthur Szyk. He has curated numerous Szyk exhibitions worldwide, including those at the Fine Arts Museums of San Francisco, the Deutsches Historiches Museum in Berlin, the United States Holocaust Memorial Museum, the Library of Congress, and the New York Historical Society. He is the author of the National Jewish Book award winning Arthur Szyk: Soldier in Art, publisher of the limited edition of The Szyk Haggadah, and producer of the documentary film Soldier in Art: Arthur Szyk.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at a rental apartment on the Upper West Side on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Mr. Ungar by me. It’s on my instagram.

Virtual Memories Show 268:
Roz Chast LIVE!

“Living on the Upper West Side in my 20s was the first time in my life when I thought my life was not going to be a complete cratering shitshow disaster.”

Live from MoCCA 2018, Roz Chast rejoins the show to talk about her 40-year+ career as the “different-different-different” cartoonist at The New Yorker, what her workday is like, why she avoids topical and political cartooning, the joy of drawing on an iPad and the fun of Instagram, and more! We get into her new book, Going Into Town: A Love Letter to New York (Bloomsbury USA), and her issues with the suburbs, like learning to drive at 38 and being scared of having a basement. We also discuss the transition to a new cartoon editor at The New Yorker who’s the same age as her kids, the recent shift in gender representation, and the gags she couldn’t have made before she lost her parents. Plus: audience Q& A! Give it a listen! And go buy Going Into Town: A Love Letter to New York and Can’t We Talk about Something More Pleasant?: A Memoir!

“When I watched James Bond movies as a kid, I didn’t fantasize about being Pussy Galore. Reading Tom Sawyer, I didn’t wait for more segments on Aunt Polly so I could identify.”

“George Trow said that structure is what keeps readers from getting tired, and I think that’s true.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Roz Chast grew up in Brooklyn. Her cartoons began appearing in The New Yorker in 1978, where she has since published more than one thousand. She wrote and illustrated the #1 New York Times bestseller, Can’t We Talk about Something More Pleasant?: A Memoir, a National Book Critics Circle Award and Kirkus Prize winner and finalist for the National Book Award, as well as What I Hate: From A to Z, and her cartoon collections The Party, After You Left, and Theories of Everything: Selected, Collected, and Health-Inspected Cartoons, 1978-2006. Her new book is Going Into Town: A Love Letter to New York.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at ink48 on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photo of Roz by her mom or dad back in 1966, I figure. It’s not on my instagram.

Virtual Memories Show 267:
JJ Sedelmaier

“Parody is a wonderful realm to work in, because you get to do a technique but you get to use it as a device beyond what it was developed for. You can speak two languages at the same time.”

Director/Producer JJ Sedelmaier has been in and around animation for nearly 40 years. We sat down to talk about the false choice of art and commerce, how the advertising and animation businesses have changed over the years he’s been working in them, using animation for good instead of evil, how working in a Greek restaurant as a teen prepared him to run his own animation studio, the insane process of animating the first season of Beavis & Butthead, the joy of working with his favorite artists and cartoonists, not worrying about his road-not-traveled, stepping away from SNL’s TV Funhouse after 3 years (during which time he co-created Ace & Gary, the Ambiguously Gay Duo), the time he met Steve Ditko, how Mark Newgarden & Paul Karasik have taught him to appreciate Nancy, the trap of tapping into nostalgia (and the missed opportunity of that Geico ad with He-Man), his responses to my totally unfair “X or Y” questions (incl. “Herriman or McCay?” and “Kurtzman or Eisner?”), and plenty more! Give it a listen!

“As much as I loved working on a scene when I was an animator, the flexibility to work on different things on different levels and timelines, and to pull it off, means more to me.”

“It’s wild when my idols come up to me and say they know my work.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

J.J. Sedelmaier is the President/Director of J.J. Sedelmaier Productions, Inc., a animation and design studio that he established with his wife Patrice in 1990. It has created and produced some of the most influential broadcast productions in the past quarter century. MTV’s Beavis and Butthead, NBC/Saturday Night Live’s Saturday TV Funhouse cartoon series (including The Ambiguously Gay Duo), Cartoon Network/Adult Swim’s Harvey Birdman, Stephen Colbert’s Tek Jansen, all had their beginnings at JJSP! In addition to TV network cartoon series, the White Plains, NY studio has produced over 500 animated commercial films and won over 700 prestigious awards with screenings in over 100 festivals in 25 different countries. Sedelmaier is an experienced educator (NYU), curator of exhibits on animation and design, and an architectural preservationist with two structures on the National Register Of Historic Preservation. He is a regular editor/author for Print Magazine’s Imprint design blog.

He is also a regular presenter at comic cons throughout the U.S. and a subject of numerous interviews on TV and radio. J.J.’s interests are wide and varied, If you Google him, you’ll become very confused . . . he likes that.

Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at the offices of JJ Sedelmaier Productions on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of JJ by me. They’re on my instagram.

Virtual Memories Show 266:
Steven Heller

“I would look at other people’s design work and realize they have something I don’t have. What I do have is an ability to judge work, to come up with ideas.”

Design scholar Steven Heller joins the show to talk about writing and editing more than 182 books on design and its history (and lamenting the books he still wants to do). We get into his evolution from cartooning to graphic design, how he became a scholar of satiric magazines, what went into building the MFA entrepreneurial design program at School of Visual Arts, and the maybe too-encompassing use of the word “design”. We also talk about the transition from print to digital media, how he manages to keep up a daily blog, his career at the New York Times (designing the op/ed page and the Book Review, and occasionally writing obits), his legacy, how he’s dealing with Parkinson’s syndrome, how a terrible student can become a good teacher, and more! Give it a listen! And go buy The Moderns: Midcentury American Graphic Design & some of Steven’s other books!

“I don’t think of my legacy too often. I think of death, but not legacy.”

“If you use language in an arcane way, no one understands you. If you’re talking in an accessible way, everyone understands you and uses the language as a substitute for meaning.”

“I often think of the work that my students have to do, the challenges they have to overcome, and the problems they have to solve, as things I wouldn’t have the patience for.”

Enjoy the conversation! Then check out the archives for more great episodes!

Lots of ways to follow The Virtual Memories Show! iTunes, Twitter, Instagram, Facebook, Tumblr, and RSS!

About our Guest

Steven Heller, co-chair and co-founder of SVA MFA Design / Designer as Author + Entrepreneur Program, was a Senior Art Director at The New York Times for 33 years (the Op-Ed page and then the Book Review). He was editor of AIGA Journal of Graphic Design, Visuals columnist for NY Times Book Review, contributing writer for Atlantic and Wired, and contributing editor for Print magazine, where he continues to write The Daily Heller online. The author, editor or co-author of over 180 books on design and popular culture, his most recent is The Moderns: Midcentury American Graphic Design (from Abrams) (with Greg D’Onofrio) and Free Hand: New Typography Sketchbooks (from Thames & Hudson) (with Lita Talarico). He is the recipient of the 1999 AIGA Medal and the 2011 National Design Award for “Design Mind” as well as honorary doctorates at The College For Creative Studies in Detroit and The University of West Bohemia in the Czech Republic.


Credits: This episode’s music is Nothing’s Gonna Bring Me Down by David Baerwald, used with permission from the artist. The conversation was recorded at Prof. Heller’s office in SVA on a pair of Blue enCORE 200 Microphones feeding into a Zoom H5 digital recorder. I recorded the intro and outro on a Heil PR-40 Dynamic Studio Recording Microphone feeding into a Cloudlifter CL-1 and a Mackie Onyx Blackjack 2×2 USB Recording Interface. All processing and editing done in Adobe Audition CC. Photos of Prof. Heller & his office by me. It’s on my instagram.